The collection of cultural relics in Victoria and Albert Museum

The main facade is made of red brick and portland stone, which extends 720 feet to the garden and extends along Cromwell after Aston Webb 189 1 won the competition. During construction, 1899 and 1909 occurred. Stylistically, this is a strange mixture, although many details belong to the Renaissance, and medieval influences are also at work. The main entrance is supported by a series of shallow arches, slender columns and niches, which separates the pier from the classical Roman form, but in detail. There is an open work above the main entrance of the same building, which overcomes the fame and fortune of the crown statue. The function of post-Gothic architecture has the same characteristics as that of * * * in Scotland, but it is detailed and classic. The main window of the gallery is also vertical frame and lintel, which is also a Gothic function. There are many statues of British artists on the top of the window, and their works are on display in the museum.

Prince Albert appeared at the above two entrances of the main arch, the arch and entrance of the frame above Queen Victoria, and the bronze statue was made by Alfred Tru. These walls surround the four-story gallery. In other design fields, Weber includes the entrance hall and the circular hall, the east-west hall, shops and galleries in occupied areas, and clothing galleries in Asia. Marble is widely used in indoor foyer and side stairs. Although the original design of the gallery is classic white with restrained details and decorations, the Victorian galleries are decorated in a very detailed contrast, although most of the decorations were deleted at the beginning of the 20th century. Some galleries were designed in1990s, including: Indian, Japanese, China, iron works, major glass and silverware galleries, although this gallery was further improved in 2002, and some Victorians were renovated. This includes two 10 columns, which have replaced the ceramic decorative paintings and the ceiling has been carefully repaired. As a mosaic floor renovation in 2006, the sculpture gallery was restored-most Victorian buildings were covered with tarpaulins after World War II. After the success, the British gallery opened on 200 1 decided to implement a major redesign of all gallery museums; This is the so-called' future plan'. This project is expected to take 10 years, starting in 2002. So far, several galleries have been redesigned, especially in 2002: the main silver gallery, contemporary; 2003: photography, main entrance, painting gallery, 2004: in tunnels, subways, leading to south kensington subway station, new signs passing through museums, buildings, V and A and immunoblotting reading rooms and shops, metalwork, parliamentarian room, contemporary glass, Gilbert Bayesian sculpture gallery; 2005: Miniature Portraits, Prints and Sketches, in Room 1 17, Garden, Sacred Silver and Colored Glass Exhibition, 2006: Central Hall Store, Islamic Middle East, New Cafe and Sculpture Gallery. Some designers and architects took part in this work. Eva Jiricna designed the enhanced main entrance and hall, new shops, tunnels and sculpture art museum. GMumareth Skins is in charge of contemporary and architecture, Softroom, Islamic Middle East and Parliamentarian Room, and architect mcginnis Arthur mcknight is in charge of the new cafe. Now he is designing a new medieval and Renaissance gallery, as it will open in 2009.

Recently, the controversial surrounding museum proposed to build an 80-million-pound extension of Daniel Lebus's so-called spiral design, which was criticized as an original building that did not conform to the structure. The spiral design introduces some seemingly messy cartons. In September 2004, the board of directors of the museum voted to abandon the legacy lottery fund funded after the design failed.