Traditional Culture Encyclopedia - Photography and portraiture - Why is the best on-hook fixed-focus lens the first?
Why is the best on-hook fixed-focus lens the first?
Portrait fixed-focus lens 35- 1.4 is indeed a better lens, but its use can be played in the following two aspects. The first one is "private shooting", which means that if you shoot one-on-one with the model, the distance problem does not exist; The second is indoor shooting. You're a pair of shots, too. There are no other photographers. Generally speaking, this lens is only used as an auxiliary lens. In portrait photography activities, as long as there is a suitable position, it is ok to use it occasionally. If it is used as a hanging head, it is definitely not easy to use, and the scenery is not as good as other scenery.
(Photo taken at Longteng 35- 1.4, aperture 1.4)
35mm is a very common focal length in fixed-focus lenses. Although the 50mm lens was once used as the lens of a film camera and was called the "film head", it is still less than 35mm from the application point of view. Therefore, in addition to the zoom lens, if the fixed-focus lens is used alone, many photographers will use 35mm as the hanging head.
Personally, the reasons for this are nothing more than the following aspects:
35mm belongs to the category of wide-angle lens, which is classified by major manufacturers in their own lens sequences. Then compared with 50mm, the field of view of 35mm will be slightly wider and accommodate more shooting elements. Compared with the focal length of 24mm or even wider, 35mm is more moderate and has less exaggerated distortion. In this way, more content can be captured, and at the same time, these content elements will not become unreal because of the perspective relationship, which naturally expands the application scope. In fact, to put it bluntly, the 35mm lens has a very comfortable field of vision, which is very suitable for people's habit of seeing things. In this way, using a 35mm lens is like seeing the world with your own eyes, and everything you see can be the object of shooting.
Take daily photos or food with a 35mm lens; Whether it's travel scenery or indoor portraits; Whether shooting pets or still life sketches; Whether it is a documentary about humanities or an environmental building, it can be easily used.
Even novice photographers won't find the focal angle of 35mm inappropriate, because at first, the iPhone's mobile phone lens was designed to be equivalent to 35mm. In this era when everyone takes photos with mobile phones, small wide-angle perspective has become very common. A veteran photographer can't live without 35mm, because it's boring to use long guns and short guns. On the contrary, a normal angle of view like 35mm is a classic, and it is a good hand to capture real life.
Many friends think that 35mm is the "eye of human nature" and a special lens for documentaries. In fact, this statement is a bit too absolute. 35mm is really suitable for humanities documentaries, but it is by no means special for documentaries. Not only can you shoot a variety of subjects, but you can also shoot more subjects. Many indoor portrait photos are taken with a lens of 35mm 1.4, and many scenery blockbusters are also taken with 35mm. Because the 35mm fixed-focus lens not only has comfortable viewing angle, but also has high optical quality, and the picture quality is completely guaranteed.
35mm fixed-focus lens, from cheap version to tall tauren version, of course, the lens quality is different, but overall it is a high-level lens. Moreover, the lens aperture of this specification is relatively large, from f2.0 to f 1.2. There are various aperture specifications, but they are all large aperture designs. Which photographer doesn't like the combination of high quality and enlarged aperture?
A friend said what's the use of a small wide-angle and large aperture like 35mm? Anyway, the blur is not obvious.
This statement is one-sided. The large aperture is not specially designed to blur the background. This is just one of the advantages of a large aperture. Many times we still need a large aperture without too strong blurring effect, such as night portraits, indoor humanities documentaries and so on.
The advantages of large aperture are self-evident. The effect of this large aperture in focal length is not only limited to the creation of three-dimensional sense, but also includes the improvement of low-noise image quality brought by increasing the amount of light entering.
The focal length setting of the 35mm small wide angle also makes the blur of the 35mm lens just right under the large aperture, without the strong sense of division of 85mm and the fuzzy sense of ultra-width, which is more suitable for creating the layering of the picture and interpreting the environmental background elements, which is why the 35mm lens is often used to shoot documentaries, environmental portraits and sketches.
35mm fixed focus is also a lens type endowed with more functions and multi-play design.
It is the manufacturer's product strategy to add close-range macro performance to conventional lenses, and versatility often attracts more users. There is such a game on a fixed-focus lens with a focal length of 35mm. For example, the entry-level 35mm RF lens of C family is endowed with such macro performance, which can be used to shoot some gadgets, which is very convenient. Although you can't get a higher magnification like a special macro lens, it's no problem to shoot some flowers, insects and fish for daily use.
Anti-shake is not available in many fixed-focus lenses, but some 35mm fixed-focus lenses add anti-shake, which makes it feasible to shoot video at a small wide angle.
35mm fixed focus has also become a portable fixed focus for many cameras in apsc format, because it is just equivalent to the 50mm title in apsc format, and it is also a practical focal segment. For example, N's 35mm f 1.8DX is the lens with this design concept.
A 35 and a 24 are all 1.4, which has been used for more than a year.
Finally, I paid 35, leaving 24.
I feel that 35 and 50 are a little difficult to drive.
Just use a 24 and an 85.
If you only hang one head, then 35 is undoubtedly the most appropriate.
The advantage of 35 is that it won't take two steps as far as 24, and the scattered scenery in Jiao Wai is very light. 35 films are more likely to touch themselves when they look greasy and beautiful.
However, 35 began to tighten the perspective, indicating that the environment is insufficient, which means about 50. 24 is a relatively relaxed feeling, which can take into account the interior.
So even if you die, you have to see what you are doing. Don't be superstitious
Why do you always think it is 50?
According to the distance of the relative subject, it can be divided into three scenes: far, middle and near.
Mid shot refers to the distance from 2m to15m.
At this distance, the overall proportion of the subject is uniform and the details are rich, which is suitable for human observation.
Therefore, the middle shot is the most photographed in all scenes.
However, 35 is the best shot.
Wider ones, such as 2 1, 23, 28, are too close, about 2 meters, and are easy to distort.
So there are 28 sets of mobile phones and half a frame, which is equivalent to 35 sets.
That's why.
In other words, mobile phones, it is best to shoot from 2 meters away.
Think about it, when we take selfies, most of them are within 1 meter (selfie sticks can be outside 1 meter), and no one has ever taken a good picture for us, just because others took a picture 2 meters away.
This is also one of the three elements, and the only wide angle must be 16-35. I have seen an alternative lens, 17-35, which may be less wide, but it must be 35.
As for the fixed-focus image quality, the blurred beauty of the large aperture, etc., they are all based on the 35-degree medium focus, which is easy to control the distortion.
Most people must also have 35 lens families, or cover 35 reasons.
Moreover, the "Coke" brand, 35 is standard.
Which shot is dead depends on what you want to shoot.
I only have 24, 35 and 85 shots.
Recently, I have been filming "The Delay of Sunrise". I've been hanging up 24, and I didn't feel anything wrong with hanging up 28 before. Later, I found that the lens was a little soft, so I changed it to Longteng's 24/2.8. Sharp, light and cheap are my reasons for choosing it.
I used to take my children out, with half a camera hanging 50 and the whole camera hanging 85, because the center of my shooting was the children, and I liked to take pictures rather than pose.
Another example is that I went to the square to catch pigeons, and I brought 85.
To travel, I will hang up 24, go 35, 85. Change it to 85 in the distance, and the family will take this tour to 35. But my family prefers to shoot this tour with their mobile phones, and I'm too lazy to shoot it, just right.
As for private houses, uncle, I have a family and can't shoot everywhere, so I actually use my 35 very little.
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