How to shoot the tableware? How to shoot porcelain or photography?

1. What kind of pictures do you think, art photos or pictures at home, are more suitable for "women aged 25-35 with higher income and higher requirements for quality of life"?

Answer: If it is aimed at consumers with high income and high quality of life, then their general quality is relatively high, so the product photos are naturally better according to a little artistic pictures. In fact, I personally think that the so-called artistic home style can be combined completely! Industrial products are very artistic according to commercial photos themselves!

For example, the background can be in the kitchen or living room, with wooden dining tables and even silver candlesticks and other related props. ...

And there is an artificial flower next to this product ... this model was widely adopted by state-owned units during the opening period in the 1980 s, and it is still the case now ... This is what we tried to "criticize" in class, hehe.

The placement of products is also extremely important. For example, after seeing your original photos, the placement of porcelain is very dull and does not meet the requirements of commercial photos. There is still room for discussion when it is used up. Without showing the color and texture of the product, the customer's desire to buy can't be discussed to some extent.

2. What do you think the surrounding lighting should be like when shooting tableware?

A: In fact, when shooting porcelain, a typical highly reflective product, the requirements for shooting environment and lighting are very high, even strict! Because it is very easy to photograph the peripheral objects of the product with a little carelessness (the high-gloss surface of some porcelain is like a mirror, which will photograph the nearby lights, window frames, even tripod cameras and even photographers), it is necessary to have a professional light shed, which used sulfuric acid paper in the past and is now available in the ready-made shooting shed, so that the above problems can be effectively avoided.

Paying attention to lighting is the key to embody the essence of products. The essence of photography is light and shadow, otherwise it will basically lose its meaning of existence. Generally, there are main lights, auxiliary lights, overhead lights and contour lights. The position, projection angle and light ratio of each lamp can only be adjusted according to the scene and the product being photographed, so it is not easy to explain here (and customers can't see that the light and background of your product are the same, right? That customer will get tired of watching too much.

I just bought a Nikon D60 camera (18-55mm) and I'm going to take it. How to treat the setting of parameters, including shutter, aperture, white balance, metering, focusing and so on?

The aperture can generally be set between F5.6 and F8 according to the background; The focus is selected slightly in front of the center of the porcelain group (towards your plane); Photometry-if there is light, you need an exposure meter, but you can also take more photos to see the accurate summary of exposure value; (Digitalization also has its convenience. In the past, you would shoot samples with Polaroid movies first. )

4. Do you think PS is needed for post-shooting processing? How to deal with it?

A: There are very few business photos without PS now. Who doesn't want to make the photo more ideal? Of course not. If you think it is necessary and PS is used to improve the effect, then use it. Otherwise, don't be demanding, lest you be self-defeating.

I came from an advertising class (now I pay more and more attention to advertising psychology), and spent a few days in his studio with a first-class commercial photographer in our city when I was not sensible. At that time, I was not sensible. Now I look back, hehe, but I really don't know how to be "white". The name is Jiang. I know. Hehe, I'm kidding. Don't take it to heart.