Lover 2: paris baby's Behind-the-scenes Secret

Paris baby, the first film work of Hairun film industry, which is being shot, was first opened to the media on 2010/216. Jean jacques annaud, a French director, is an art consultant, and Deng Chao and jane march, a French actress, lead the show. But since Jane March's scenes were mainly in Paris, Deng Chao and Yi Nengjing challenged the passionate tango that night. As we all know, it is not easy to dance the tango, but the two actors said that they had bolder performances in the film. Yi Nengjing will play the vulgar and dissolute bar owner for the first time, while Deng Chao mysteriously expresses that he is practicing hard and preparing to sacrifice "hue" for the film. Yi Nengjing is only a guest in the film, but she still plays a vulgar bar owner with great power, which makes people stunned, but she plays it very well. She also shouted that she had been a young woman in literature and art for too long, and finally found an opportunity to vent. "The character is very fun, very provocative and stingy, a little vulgar and stingy, which is quite different from me. Every scene is cursing Deng Chao. I often discuss with the director whether the lines can be a little more rude and slang. This role makes me feel a little vented. I have been a young woman in literature and art for too long in my life (laughs). Later, she also admitted that she was quite talented in comedy, and said that she wanted to make more comedies in the future. I have always thought that she has a talent for comedy, but since April, everyone has asked me to play a crying role. However, after I played Love Call Transfer, I gradually hoped that I could start playing comedy, and now my life is quite stable and peaceful. I really don't want to spend too much energy on tragedy. "

Talking about cooperation with Deng Chao, Yi Nengjing admitted that Deng Chao's performance surprised her. "When we play together, I will always scold him, and he is good at coaxing my little sister into it, always playing coquetry with me, so the atmosphere on our first day is very good. He is really good at comedy, which is different from what I expected. I think it is his stage experience that makes him very open-minded and everyone is happy to perform. We also designed many lines and actions that were not in the original script. The two of us have a lot of funny shots, which are quite exaggerated. "

Earlier, it was reported that the film was called Lover 2, but Deng Chao laughed and said that the film was neither Lover 2 nor Lover 2, but an independent film, which might be related to Jean-Jacques Arnold and Jean-March, and also a story about orientals and French women, so it was considered Lover 2, but it really had nothing to do with it. "He also said that this movie will not be the romantic feeling that everyone imagined. He will play a romantic destroyer in it and let everyone see different warmth. Later, Deng Chao also said with a smile, "If it's a sequel to Lover, it should still be played, because people still want to see his ass. "Listen to this tone, Deng Chao escaped the problem of nudity in the film? Who knows, Deng Chao laughed and said, "I still want to show it. I am practicing hard on my back, and the upper plate is the lower plate. "Will there be many bold performances in the movie?" Very bold, too bold, unimaginable, dare not think (laughs). "

As for Yi Nengjing's news that Deng Chao will wear women's clothes to dance the can-can dance, Deng Chao is a little helpless: "I don't know why everyone likes to ask me to wear women's clothes since Cui Hua, and I have to wear leggings this time. It is conceivable ..."

That night, Deng Chao and Yi Nengjing showed their dancing skills in the bar. Yi Nengjing, the glamorous bar owner, will bid farewell to the bustling life, close the bar and dance the last tango with Deng Chao, who plays a rich second-generation international student. "This is the most important scene. I will dance to express my nostalgia for this bar and say goodbye to my friends." Yi Nengjing explained.

Although Deng Chao has demonstrated his profound dance skills in previous drama performances, he admits that he is still a stranger to tango. "Fortunately, I didn't dance very well in it, but I was clumsy and serious. I like this dance very much myself. Beautiful, sexy and sad. You really can't learn it in a day or two. Brother Hua also told me that you have to learn tango, which is both physical exercise and good-looking. "

Leo, a China student played by Deng Chao, played a "Paris Love Story" with three "lovers" in a well-planned "Baby Plan" in order to stay in Paris and pursue his favorite French girl. It is reported that "paris baby" is also Deng Chao's first film work, in which Deng Chaoda incarnates Chaoda to show his funny skills, and carries the humor to the end with various shapes such as Santa Claus, bubble bath, dancer and detective. Even his partner, Yi Nengjing, praised it as "Stephen Chow in the Mainland". There is a scene in which Deng Chao will pretend to be blind. Originally, the performance had completed the shooting requirements, but he added an action of being burned by a cigarette butt on the spot, which was very resourceful.

Jane March, who has many rivals with Deng Chao, praised Deng Chao as a "pistachio". "I was very happy when I just learned that Deng Chao played the leading role. I made a lot of preparations for this, searched Deng Chao's information and read a lot of his works. I know that he played Cui Hua, and he is a real' pistachio'. " "paris baby" is also the first time that Deng Chao has challenged all-English dialogue in filming. So he specially asked the teacher to practice and do his homework with him.

Lover returned to glamour, upgraded The Golden Couple and joined paris baby. Behind the scenes, film production elites from China, France, Britain, Canada and other countries gathered. It is worth mentioning that Jane March, the heroine of the film Lover, has returned to China audience with paris baby. At that time, girls aged 17 became more and more mature and sexy. She plays a beautiful, rich and intelligent modern poet. She lived independently but lacked happiness, and got involved in a "baby plan" full of jokes with Deng Chao by mistake, and finally got out of the misunderstanding of "perfection" and returned to real life. At that time, Jane March made a sensation with several love scenes with Tony Leung Ka Fai. It is reported that there will be another thing with more artistic beauty in this film. In recent years, Jane March, who mainly cooperated with Hollywood film teams, also spoke highly of the shooting team. "paris baby gives me the feeling that it is made in Hollywood, and everything is very procedural and disciplined." In addition, a very popular French "golden couple" also joined the film. Jean-Barty Morel, the hero of the film "Spring in Cowboy Class", and Clémence, a popular French singer, played the male No.2 and female No.2 respectively. Faye Wong was deeply impressed by the wordless song "concerto pour deux voix" jointly performed by "Natural Children's Voice", and was full of praise in Weibo. The "Golden Couple" once again joined hands, adding a lot of fashion and freshness to the film. Jean-Barty morille, with blond hair and blue eyes, is dressed in a neutral dress, showing a French humor and just the right melancholy temperament in his gestures, vividly interpreting the unique romance of French men and adding a lot of color to the film. Clémence plays a singer in the film, and plays a romantic and tangled love story with Deng Chao.

Paris baby's exquisite topic is spicy and affectionate. The film was inspired by the experience of director Jing Wong's close friend. "My friend is a very good and independent western woman, but she can't find a suitable man. Finally, in order to pursue a perfect life, she went to the sperm bank to choose sperm and gave birth to a child. I hope to use paris baby to' save' some modern women who are struggling and thinking in life. " Paris baby is the first film in China that deals with the topic of "sperm donation". Therefore, in order to handle this scene well, the staff did a lot of preparatory work before shooting, not only did medical and legal research, but also visited the sperm bank on the spot. Deng Chao also cooperated with this. Finally, when filming the scene of "donating sperm", he played a hilarious role to ease his sensitivity, which became a highlight of this film. In addition to the traditional romantic love in the past, paris baby also involves the feeling of "beyond friendship" between Jean-Barty morille and Deng Chao. In the film, Jean-Barty Moliere and Deng Chao share the same bed and design a series of "baby plans" for the heroine to fall in love, which not only makes people laugh, but also attracts a lot of suspicion because of her "girly" temperament. How the emotion between the two people goes is also a mystery finally revealed in the film. It is precisely because the temperament of the whole story is in the same strain as the sense of humor and romance in Paris that paris baby has been filmed in France, which makes the film have the temperament of a European love movie. The film pays great attention to every detail, and Dominic, who plays Jeff, has a deep memory. "What impressed me most about the whole shoot was the details, makeup, costumes, and background, as well as the way the director asked us to say every line. All these details are too delicate for me. " After watching the film, insiders commented, "If I didn't particularly emphasize that this is a domestic film, the English dialogue of the characters and the location of France are rich and bright, I would have thought it was an imported film. Because it has all the elements of a high-level movie. " Paris baby is not only full of romance and humor, but also an affectionate film. "It contains a wide range of emotions. Not just one kind of love, but many kinds of love; It is not just a kind of affection, but all kinds of affection. Producer Connie Wong (Hongkong) is a veteran filmmaker, who has worked as a producer of many Stephen Chow's works, such as shaolin soccer, Kung Fu and No.7 Yangtze River.

The original music Saint-Puler is a famous French composer and a genius of contemporary music. Most of his works are concertos and light music. 1969 "La valse de l'enfance" was published, and won the grand prize of Polish Sopot International Vocal Festival. In the same year, he created the famous concerto "Silence". In 2005, it was rearranged and became the famous song concerto pour deuxvoix without words.

Charlie Lam (Hongkong), director of photography, has masterpieces such as The Thief of the Years, The Fight of the Dragon, Isabella, The Reunion of Springfield Flowers, Exodus and so on.

Art producer James Yuen (Hong Kong) is a famous screenwriter and director in Hong Kong. He won many Hong Kong Golden Awards. The screenwriter of bodyguards and assassins, Jin Zhi Yu Ye and curry chili, and the director of films such as The God of Wealth and Neurohero.

Edit the winner of the 44th Zhang Yifan Golden Horse Award. Film editors such as Let the Bullets Fly, The Sun Also Rises, Looking for a Gun, etc. Chen Zhiwei (Hong Kong) winner of the 29th Hong Kong Golden Awards. Movie clips such as Eavesdropping, Dark War, Gunfire and Thief of the Years.

The stylist Lawrence Xu, a famous French fashion designer, is a favorite pupil of Francis Deloch Lang and Francis Deloch Lang. The design feature is the combination of Chinese and western. His film works include Bride with a Waist, The Sun Also Rises, The Battle of Martha's Town, A Generation of Masters and so on. In addition, she has worked as a dress designer for Zhang Jingchu, Fan Bingbing, Jackie Chan and other stars. He made Fan Bingbing's "Dragon Robe" dress at the 63rd Cannes Film Festival. Li Daqi (Taiwan Province Province), one of the most popular stylists in Taiwan Province Province, has done modeling for artists such as Stephanie, Jolin Tsai, Liang Yongqi and Zhou Xun. After graduating from Parsons College in new york, she returned to Taiwan Province Province, where she usually worked in advertising and fashion design.

The director explained that paris baby is a "growth film" with sincerity, passion and bold dreams. As the screenwriter and director of this film, "sincerity, passion, boldness, dream and growth" has always been my creative motivation and the ultimate expression appeal. Let me organize my discussion here:

1. Sincerity: paris baby is not a fabricated story. It comes from the real thinking and struggle of modern independent women's life in the west. The progress of society and science and technology provides unlimited space for women's independence: women can also achieve "reproductive independence" after economic independence and ideological independence. They can live freely without men. It has been 100 years since the women's revolution. Is this the ultimate goal of the women's revolution-women should not only shoulder social responsibilities but also independently bear family responsibilities? In fact, most independent women are unhappy. They have beauty, wealth, wisdom and a child that belongs only to them, but the only thing they lack is happiness. When I was studying and living abroad, I had many female friends. Their distress and struggle in the independent reality really touched my heart. I always feel that people can't exist independently. In any case, we must have someone to express our feelings-whether the other person is suitable for you objectively or not. Emotional care is not limited by race, age and any objective conditions. Life is full of care and deep love. The heroine Emma comes from life, so she is sincere, lovely and pitiful. So I want to help her create a Leo image, save her from the misunderstanding of "independence and perfection" and return to real life. This is paris baby's most sincere starting point, which stems from the call for the true return of life. It took three years from the initial conception to the final shooting and release, and it was my sincere story idea and emotional expression that supported my three-year creative time.

2. Affection: paris baby has many emotional clues. I try to give each character emotional defects and needs. Of course, all these emotional clues are intertwined around the main emotional thread between Deng Chao and the children, and eventually become one. Every character who appears in the film (although it is a supporting role or a functional role) should have a three-dimensional sense. Everyone should express and realize their emotional demands in movie stories. "Affection" not only means the sentimentality of the characters, but also expresses the possibility and rationality of the existence of various emotional types. Emotion can cross race, culture, age and even gender. Emotion is everywhere, there is no formula, as long as it is sincere, it is lovely. Not all emotions can be from the beginning to the end, which is why the world is full of joys and sorrows, and everyone is painful and happy in this passionate world. This is a "sentimental and loving" movie, romantic and sincere, with profound humor.

3. Boldness: The boldest creation of paris baby is the creation of Leo (Deng Chao). The image of a ghost horse. In order to make it form an extreme contrast with the heroine's life attitude of longing for perfection and imprisoning lust, and also to make the hero's image really play the role of "turning the tide and calling back the true nature of human nature", I made such a bold creation and created a ghost horse image of a new generation of China students who are completely different from the heroine and even the original aesthetic style of the film. Such a rich boy who doesn't understand the responsibility of life, unexpectedly "ruined" the heroine's "perfect life" and unexpectedly became a "little father", and this "little father" image finally drew a warm and touching ending for the film and everyone with its sincere emotional dedication. The so-called boldness also takes into account the film style and creative techniques. The addition of Deng Chao's ghost horse image will inevitably make the film enter the comedy scene, and how to combine comedy form with aesthetic lyric form is a challenge to script creation and film shooting. There are too many funny films in China film market now, but you won't feel emotional impact and beauty after watching them. It is the highest art to make comedy movies have tragic power, which should be said to be a bold attempt to work hard in this highest artistic direction. I put such a bold idea into practice in paris baby. My creative principle is simple: I want to make the audience laugh in the first third of the film; The middle third thinks; The last third shed tears. I think paris baby has basically achieved this.

4. Dream: It is the dream of many filmmakers to be able to make movies in Paris: paris baby was once a strange movie dream of a young director in Paris, the most luxurious city in the world! What cannot be achieved is usually called a dream. I have been carrying this dream for three years, and finally I met Mr Hairun and Mr Liu Yanming. Only then did this dream come true. I am very grateful to have such an investor, who has vision and is willing to take risks, and chose this story which is not the same as the current situation of China film market. This is not only a support for me, but also a support for new types of films in China. Due to the particularity of the theme, paris baby is a film with high investment and difficulty. As we all know, shooting in France costs five to eight times as much as shooting in China. Paris is chosen because the temperament of the whole story is in line with the humorous, romantic, nostalgic and sad atmosphere in Paris. And I lived in Paris when I was young, and my early twenties were the best years. Of course, romantic things happened, so it is easy to integrate good memories and the temperament of the city into the story. Paris baby is a "half-blood" story, with both China actors and a large number of foreign actors; Besides, we shoot in English, which means all our actors must be familiar with English ... In short, the nationalities of our actors include three countries and six regions: Chinese mainland, French, Britain, Canadian, Hongkong and Taiwan Province Province. I don't know if there are people who hide their nationality! Our China actors Deng Chao, Yi Nengjing and Cheng Qian all need to speak English live. Our shooting team also needs to communicate with French partners in English and French. This invisibly increases the difficulty of production. This is a powerful challenge and a bold attempt and experience. I think the production process of paris baby is enough to prove that our China films not only have financial resources, but also have the production strength to make international films. As a new generation of filmmakers, I hope to see the world from China's perspective, and I also hope to analyze China from all angles of the world. paris baby did it! Everyone knows that movies are DreamWorks. Before our dreams come true, we must dare to dream.

5. Growth: In fact, paris baby is still a "growth" movie. In the wonderful and touching plot design of the film, the protagonist Leo (Deng Chao) has grown from a ghost horse who doesn't understand the responsibility of life to a real man who dares to take responsibility; The heroine Emma (Jane March) gradually realizes the panorama of love and life; Leo's roommate Alex (Jean-Barty Moliere) hides his strong personal feelings and brews them into eternal friendship. Leo's fiancee Amy (Clémence) has grown from a young girl to a woman who appreciates real men and so on.

In a word, paris baby is a sincere "sentimental" movie, and we will experience a spiritual growth through laughter and tears.