How does the director explain the format? Is it the same as the film review?

Let me give you an example. You can see for yourself.

The director's explanation

-On the short play "Thieves Meet Thieves"

This is a short play with psychological color. The script comes from a short comedy story. Close shots occupy a large proportion in the whole film, which requires the actors' performances to be in place. This is a farce staged by a very ordinary and insignificant character, so the film should always focus on the relationship between characters and emotional thinking mode in the real life soil. But beyond the real story and the strong dramatic relationship between the characters.

The script involves three roles, two of which need to be grasped. The script is a thief and a thief. These two characters are well portrayed, and the short film is half successful. Then after the film comes out, it will be a cartoon, which can also make people clearly understand the relationship between the characters and the cause of the incident and cause thinking.

The play is not long, mainly about the intersection and occurrence of two professional thieves. Our goal is to make the audience feel interesting when watching and think at the end of the play on the premise of standardized lens use and smooth shooting.

The shots used in the play are summarized as follows:

1. Empty shot (necessary in the play)

2. Subjective shot of artistic conception (mainly music paragraphs)

3. Close-up shots (facial expressions, close-up actions, etc. )

4. Transition shots (connecting part, transition before entering the show, explaining technical details, etc. )

Pay attention to the impact of the lens during shooting and think of the consciousness of later editing. The foreground and background of the picture should be well designed, the role and non-role should be hierarchical, the role and still life, and the flowing objects should be hierarchical. For a little guy like thief AB, it's basically action-oriented, grasping the simplest and most appropriate side. Sometimes because of the relationship between people, when dealing with the relationship between environment and atmosphere, we should give priority to rendering the atmosphere, followed by the environment, and don't explain the environment for the sake of explaining the environment. When shooting, give the audience more angles that are often invisible in daily life. Head-up is a conventional angle, but in order to show the inner world of the characters wonderfully, accurately, profoundly and creatively, and to show the contradictions and conflicts between the characters, the lens should look for more fresh angles. The push and pull of the lens should strengthen the emotion of each drama scene and the emotional service of each role.

On camera, this short play should be featured more often, with a much higher proportion than other short plays. Please pay full attention to the photographer.

Reproduction is to respect the truth of life and let the audience see and touch the life scenes of people in the play, thus generating a sense of identity and intimacy. The description of the villain is simple. This is also complicated and difficult.

Clothing should match the character's identity, environment and drama situation, and pay attention to the change of character's identity and mentality, so as to design the character's clothing accordingly.

In terms of makeup, there are also requirements for props, which should be close to the script and life. The time span of this drama is not long, but the psychological span of the characters is great, and the changes of the characters are also great. We must design the hairstyle and face shape that can best reflect the identity and interest of the characters from the collocation relationship between the characters.

Music and sound. The voice in real life is by no means equal to all the artistic voices in the play. We should create some unique voices according to the needs of the plot to strengthen the plot and become a powerful means to portray the environment and characters. There is not much music in the play, and the dynamic music at the beginning of the film is the most important, so the choice should be considered in many aspects.

Grasp the performance style: The whole drama emphasizes drama and conflict, and there are few plots, so the character characteristics of the characters are mainly reflected in the actors' own grasp. On the premise of accurate performance, according to personality characteristics, the actors themselves grasp the position. Actors' performances still have a basic starting point, that is, truthfulness, naturalness and fluency. When portraying characters, actors should firmly grasp the most unique, typical and often contradictory things in the characters and give full play to them. Only in this way can we grasp the charm of the role.

The filming process is a long and interesting practical process. Everyone in our film crew should cheer up, use their brains, gather everyone's wisdom and contribute their abilities during the formation of the short play.