Deng Qiyao's works

A stone's throw away from Dianchi Lake, there is a touching story. Since 1980s, every winter morning, there will be a lonely old man wandering around the busy Cuihu Lake. 10 for years, he scrimped and saved, fed seagulls like his own children with his meager pension, and guarded these elves from passers-by.

1995, when this group of Siberian white elves flew to Kunming in the eleventh winter, the old seagull died of illness. Behind him, the only valuable thing for the old man is a few eggs. The old man is reluctant to eat them and is going to steam them and feed them to the seagulls. Camellia magazine and Yunnan People and Nature Foundation published obituaries in Cuihu, where old people often go, informing people and birds: "Old seagull died on February 20th, 1995 at the age of 7 1, a retired worker of Kunming Chemical Plant ... Although the old man died, he was looking forward to Chang Fei of seagull.

The obituary and the photo of the old man feeding seagulls for the last time are placed in the place where he often feeds seagulls. Many people signed the photos of the old man. People put the photos signed by the old man on the lawn, ready to sprinkle food, and feed the seagulls again on behalf of the old man. As soon as the portrait of the old man was put away, something unexpected happened-a group of seagulls suddenly boiled paper, circled around the portrait of the old man, repeatedly chirped, chirped and flew differently from usual, as if they knew what had happened.

Seagulls flapped their wings quickly and took turns to stay in the air in front of the portrait of the old man, like relatives who came to mourn. The old man in the portrait froze with a gesture they are most familiar with. In a short time, a group of Bai Ou people fell to the ground, standing in two rows before and after the portrait of the old man, standing still, like an angel with wings to wake the old man. This scene lasted for a long time, and no one who saw it could imagine that it was just a coincidence. When people finally put away the portrait, seagulls pounced on it like frying pans. They opened their mouths and sang songs, and their wings flew so close that the photographer subconsciously tightened his body and finally came out of this flying white whirlpool. After that, the flock hovered over the portrait for a long time, like a wake for the old man and seeing him off. ...

People's education publishing house

It was an ordinary winter day. Meet friends and come to Cuihu. Seagulls are flying noisily.

It is easy to recognize the old man among the people feeding seagulls. He was hunched, wearing a faded and outdated cloth, carrying a faded blue cloth bag, and even the big plastic bag for bird food faded. My friend told me that the old man walks more than 20 miles from the suburbs to Cuihu every day just to send food to seagulls and accompany them.

Where there are few people, it is the territory where he feeds seagulls. The old man carefully put the cookie cube on the fence by the lake, stepped back and shouted at the sheep with a pinch of copper. Immediately, a flock of seagulls answered and swept it clean in a few times. The old man walked along the railing and put it down. Seagulls rise and fall according to his rhythm, forming a roaring white and flying into a colorful music score.

In the sound of seagulls, the old man sang something cadently. Listen carefully, and it turns out that intimacy has changed its tone-"one foot", "grey head", "red mouth", "old sand" and "princess" ...

"Have you named the seagull?" I can't help asking The old man looked back at me and still leaned over the seagulls: "Of course, each one has a name." "Do you recognize them?" The same white wings are flashing rapidly in the sun, and I doubt whether the old man can see clearly.

"You see, you see! It's Lao Sha with a ring on his foot! " The old man proudly pointed it out to me, and suddenly he shouted at the water, "A foot! Lao Sha! Get up! "

Two seagulls jumped on the water and flew to the old man. One seagull's foot shone with metallic luster, and the other flew over and pecked at the old man's hand. It has only one foot, and it has to flap its wings to keep its balance when it stops. It seems to be a leg, and the old man talks to it kindly while feeding it.

Speaking of seagulls, the old man's eyes came to life at once.

"Seagulls are the most affectionate and cautious. The year before last, there was a seagull. The day before flying out of Kunming, it stopped on my hat five times again and again. I thought it was a joke with me, but later I realized it was to say goodbye to me. Didn't come last year, and didn't come this year ... Seagulls are lucky birds, happy birds! The ancients said,' Bai Ou flies with poetry'. More than ten years ago, when the seagulls came, I knew our good luck was coming. Look at their little appearance! Tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut tut.

When the sun sets, the old man's plastic bag is empty. "It's getting late, they will go back soon. I heard that they are resting in the diān pool, but unfortunately I can't go. " The old man looked at the birds hovering in the sky, his eyes full of hope.

My friend told me that for more than ten years, in winter, the old people will come every day, just like their relatives with seagulls.

Unexpectedly, more than ten days later, someone suddenly told us that the old man had passed away.

Hearing this news, we seem to see the old man and seagulls hugging each other at Cuihu Lake ... We enlarged the photo of the old man feeding seagulls for the last time and took it to Cuihu Lake. Unexpected things happened-a flock of seagulls suddenly flew in, circling around the portrait of the old man, repeatedly chirping, chirping and posturing were quite different from usual, as if something important had happened. We were so surprised that we quickly left the old man's photo to make room for the seagulls.

Seagulls flapped their wings quickly and flew into the air in turn in front of the portrait of the old man, like relatives who came to mourn. The old man in the photo silently looked at the seagulls hovering around him and looked at the "children" who accompanied him for many winters ... After a while, the seagulls landed one after another and stood in two rows before and after the portrait of the old man. They stood quietly, like white-winged angels who kept vigil for the elderly.

When we had to put away the portrait, seagulls rushed at it like bombs. They sang loudly and flapped their wings so close that we finally got out of this spinning white vortex (Xá n).

……

At the funeral of the old man, we carried the portrait and walked slowly to the mourning hall. The old man was carrying a blue cloth bag and pursed his mouth as if he were still calling for seagulls. In his mind, it must be a flying seagull. National costume: a cultural symbol (199 1), and a series of supporting works, such as China Yunnan Minority Costume Art (I&II, 1992, 1995) and China Western Minority Costume (/kloc-). Symbol of clothing culture (2005);

Folk Art of Yunnan (Volume I, Cooperation, 1994), Symbolic Culture of China (Cooperation, 200 1), Sculpture and Painting Art of Nanzhao Dali Kingdom (Cooperation, 1999), Rock Painting Art of Yunnan, and Yunnan Nationalities.

Yunnan modern heavy color painting (cooperation, 1993) and Yunnan modern heavy color painting techniques (cooperation, 1993).

"The Old Man and the Sea Gull" was selected as the first volume of the sixth grade language (2 1) of People's Education Press, the ninth lesson of the fifth grade volume of the S version, and the first lesson of the fifth grade language of Shandong Education Press. Cooperate with Beijing Agricultural University to complete the Sino-German project "Influence of Traditional Knowledge System of Ethnic Minorities on Agriculture" (1990- 1992).

Cooperate with Yunnan University to complete the research of "Ethnology" (1993).

In cooperation with the Department of Ethnology of the University of Paris X, France, I completed the "Study on Yunnan Minority Costume" (1995- 1998).

Cooperate with latrobe University to complete the organization of "Minority Language Survey (Yi Language Section)" (1996- 1997).

In cooperation with Chiang Mai University in Thailand, I personally completed The Role of Ailao Mountain Minority Traditional Culture in Woodland Protection (1995);

Complete the project "Yunnan Ethnic Culture Field Visit" funded by the US-China Art Exchange Center of Columbia University (1995);

Hosted the project "Self-Inheritance and Protection of National Culture" with the US-China Art Exchange Center of Columbia University (1996-1998);

Participated in the project of "Planning of National Park System in Beidahe River Basin, West Yunnan" co-operated by WWF America and Yunnan Provincial People's Government, and served as the designer of "Cultural Heritage Map".1999;

Hosted the second phase of "Self-Inheritance and Protection of National Culture" (1999-200 1, headed by Zhou Wenzhong in the US and Deng Qiyao in the Chinese);

From 2004 to 2006, he presided over the doctoral program "History of visual anthropology" of the Ministry of Education;

In 2004, he presided over the project of "World War II plane crash salvage and TV drama planning to commemorate the centenary of the plane" entrusted by Yunnan TV Station; 1, Thinking Structure of China Myth, Chongqing Publishing House, first edition 1992, second edition1996;

* Supported by Qian Weichang and Fei Xiaotong's "Publishing Fund for Supporting the Publication of Academic Works of Natural Sciences and Social Sciences with Advanced Domestic or International Level" (1992, Steering Committee of Scientific Academic Works Publishing Fund of Chongqing Publishing House);

* Won the third prize of Yunnan Social Science Outstanding Achievement Award (1994, Yunnan Provincial People's Government);

* Evaluation and quotation of works such as The Encyclopedia of China Yearbook, China Publishing, Domestic philosophical trends, Folk Literature Forum, University Digest, NPC Copying Materials, etc., such as Contemporary China Epistemology, China Mythological History, Thinking Genesis, and Mythical Thinking in China Society. The representative works are selected from China's Mythological Literary Theory, a famous writer in the past century.

2. Research on sustainable management of forest land in Ailao Mountain, Yunnan (cooperation), Yunnan Science and Technology Press, first edition 1996.

He wrote "The Position and Function of National Culture in the Management of Ailao Mountain Woodland", participated in the cooperative project between the Institute of Agricultural Economics of the Provincial Academy of Social Sciences and Chiang Mai University in Thailand, passed the acceptance and was published.

3. Witchcraft Investigation-Cultural Mentality of Witchcraft in China (traditional Chinese version), first edition of China Development Fund Committee and Taiwan Province han sheng Publishing House,1998; Investigation on Witchcraft in China (same as above, simplified Chinese version), Shanghai Literature and Art Publishing House, 1st edition 1999.

* Published with the support of China Development Fund (1998, China Development Fund Committee);

* Won the China Folk Literature and Art Mountain Flower Award and the first prize of academic works (200 1, China Federation of Literary and Art Circles, China Folk Writers Association). 1, Mongolian girls in the changing plateau, Yunnan Education Press, 1995 (Chinese and English version).

* Won the 10th China Book Award (series, edited by Gao Fayuan, one of which was written by me) 1996, China Book Review Society.

2. Looking for the Spiritual Plateau-Tea-Horse Ancient Road, Zhejiang People's Publishing House, 1st edition, 1998.

3. The Spirit of Drum, Jiangxi Education Press and Haitian Press, 1st edition 1999.

4. Investigation on Yunnan-Tibet Cultural Belt (edited and co-authored), Yunnan People's Publishing House, first edition in 2000.

* The project achievement won the special prize of scientific research achievement of Yunnan Academy of Social Sciences, Yunnan Academy of Social Sciences, 1996, 12.

5. Notes on Visiting the Spirit, Shanghai Literature and Art Publishing House, first edition in 2000.

Dictionaries or general reading materials

1, Yunnan ethnic minorities (cooperation, writing "Yi" and "Meng" chapters), Japanese version, Japan Broadcasting and Publishing Association, first edition in April, 1990.

2. Yunnan Land Resources (co-writing "Ethnic Groups"), Yunnan Science and Technology Press, first edition in July, 1990.

3. China Yunnan (cooperation, writing and photography), Yunnan Science and Technology Press, first edition in April, 1999.

In June, 2002, he was awarded the "Second Golden Bridge Award (Publishing) Excellent Book Electronic Publication Award" jointly by China Central Propaganda Department, People's Republic of China (PRC) Press Office and China the State Council.

4. Yunnan Encyclopedia (cooperation, writing folk customs), China Encyclopedia Publishing House, first edition in September, 1999.

Second, visual anthropology Studies (including multimedia works) 1, religious art images, Yunnan People's Publishing House, 199 1 Edition, reprinted 1994, reprinted in 2000;

* China Social Sciences Journal No.4, 1994, Ta Kung Pao, etc.

* Won the second prize of the second Yunnan Literature and Art Creation Fund Award (1995, Yunnan Literature and Art Creation Award Foundation).

2. National Costume: A Cultural Symbol ―― A Study on the Costume Culture of Southwest Ethnic Minorities in China, Yunnan People's Publishing House,

199 1 first edition.

* Famous ethnographer Yang et al. and People's Daily Overseas Edition, China Youth Daily, Guangming Daily, etc.

Have an evaluation;

* National Cultural Heritage Administration, US-China Art Exchange Center of Columbia University, and UNESCO were praised or invited to give lectures;

* Won the second prize of excellent books in Yunnan Province (1993, Yunnan Press and Publication Bureau);

* Won the second prize of 90-92 scientific research achievement of Yunnan Academy of Social Sciences (1993, Yunnan Academy of Social Sciences).

3. The Secret of Clothes, published by Sanlian Bookstore (Hong Kong) Co., Ltd., first edition in April, 1993.

Taiwan Province Zhuhai Publishing Co., Ltd., 2nd Edition, July 1993.

4. Symbolic Culture of China (co-authored by Chapters 5 and 8), Shanghai People's Publishing House, first edition, July 2006, 5438+0. 1, Festival in Secret Realm (cooperation, first author), Yunnan People's Publishing House, 199 1 year (Chinese and English version).

* People's Daily (overseas edition) and other comments.

2. The Art of Yunnan Minority Costume in China (Volume I), Taiwan Province Shuxin Publishing House, etc. , first edition 1992, 1995.

The fifth edition;

* People's Daily (overseas edition)199265438+1October 29th, 7th edition has comments.

3. Costumes of ethnic minorities in western China, Sichuan Education Press, 1st edition 1993.

4. Yunnan Folk Art (Volume I, Cooperation, Executive Editor, First Author), Yunnan People's Publishing House,

1994 first edition.

* 1994-95 won the first prize of scientific research achievements of Yunnan Academy of Social Sciences (1996, Yunnan Academy of Social Sciences);

* Yunnan recommended the "Five One Projects" project (1996, Yunnan Provincial Party Committee Propaganda Department).

5. The Complete Works of Yunnan National Fine Arts, Volume III, Sculpture and Painting Art of Nanzhao Dali Kingdom (co-author), Yunnan People's Publishing House and Yunnan Fine Arts Publishing House, first edition 1999.

6. China National Clothing Expo (cooperation, total submission), Yunnan People's Publishing House, Yunnan National Publishing House, first edition in September, 200 1 year.

7. Yunnan Rock Painting Art, Volume I of Complete Works of Yunnan National Fine Arts (edited and co-edited), will be published by Yunnan People's Publishing House and Yunnan Fine Arts Publishing House. 1, Carnival of Life-A glimpse of the festival of Hani motorcyclists (co-writing, 30 minutes long), shot by Yunnan Academy of Social Sciences, 1986.

2. Religious belief of Lahu nationality (cooperation, anthropologist, 60 minutes long), entrusted by Yunnan Provincial Party Committee Propaganda Department and East Asia Film and Television Company, 1992.

3. Phuket and His Lovers (collaboration, anthropologist, film length 120 minutes), commissioned by Yunnan Provincial Party Committee Propaganda Department and East Asia Film and Television Company, 1992- 1994.

* won the third prize of the Propaganda Department of the CPC 1994 Foreign Audio-visual Products;

* Participated in the International Ethnographic Film Festival in G? ttingen, Germany, May 1994.

15th Nordic Annual Conference on Visual Anthropology and International Ethnology Film Festival in Sweden,1994;

* Exhibition of the Royal Society of Anthropology, 1994.

4. The story of Lamu Drum (cooperation, anthropologist, film length 120 minutes), entrusted by the Propaganda Department of Yunnan Provincial Party Committee and East Asia Film and Television Company, 1992- 1995.

China visual anthropology Seminar, 1995, Beijing.

5. The Plateau Woman (episode 14, planning and writing), jointly produced by Yunnan Women's Federation, Yunnan Ethnic Affairs Committee, Yunnan Academy of Social Sciences and Yuxi TV Station, 1992- 1994.

* CCTV (1, 2,4,7 sets), broadcast on 1995.

6. Crossing the Haba Snow Mountain (ed.), produced by the Mountain Jungle Professional Committee and the Humanities, History and Geography Professional Committee of China Exploration Association, 1995.

* Yunnan TV 1996 broadcast in February.

7. Investigation of Yunnan-Tibet Cultural Belt (7 episodes, editor-in-chief), jointly produced by the National Cultural Field Investigation Team and Kunming TV Station, 1996.

* broadcast by Kunming TV 1996;

* CCTV 200 1 1 broadcast.

8. Return to Hump (60-minute documentary CD, under planning), produced by China Exploration Association, published by China Staff Audio-visual Publishing House, 1998.

9. The Ethnic Groups on the Plateau (26 episodes, written as a whole) is jointly produced by the Propaganda Department of Yunnan Provincial Party Committee, Yunnan Ethnic Affairs Committee and Yunnan Ethnic Culture Development Foundation, and produced by Camellia Film and Television Production Center and Yunnan Ethnic Film Production Center, 200 1. 1, Life Course-Preliminary Anthropology (Cooperation), Yunnan Education Press, 1989.

* China Anthropology Society newsletter,No. 153.

* Won the "Excellent Foreign Works Translation Editor Award" of Yunnan Edition, Yunnan Press and Publication Bureau, Yunnan Publishers Association,1990,9.

2. Cultural Psychology (Cooperation), Yunnan People's Publishing House, 1993. 1, Southwest Studies Series (20 volumes), deputy editor, Yunnan Education Press, 1993- 1998.

2. Family Records of Ethnic Minorities in China in the 20th Century (the first batch of 28 Shana collectors), deputy editor, Yunnan University Press, first edition in September, 200 1 year.

3. President and Editor-in-Chief of Journal of Camellia Human Geography,1995—2000,2.

4. National Culture Library (including field trip, national cultural history and map of western China), edited by Yunnan University Press,1999-2001year.

5. Complete the compilation and organization of the national key project of philosophy and social sciences "Yunnan Volume of China Minority Literature Series" (16) during the Eighth Five-Year Plan period. Yunnan Nationalities Publishing House,1995 ——1999.

6. Wild Horn Series (4 species), edited by Haitian Publishing House, 2000.

7. Series of Reproductive Health and Social Sciences (4 kinds), 1 kind as editor and 3 kinds as editorial board, China Social Sciences Press, 1998-2000.

8. China Folk Culture Series (5 kinds in the first series), edited by Hainan Publishing House, 200 1.

Third, social practice and field work.

1. Many literary and artistic works won provincial awards; He is the author of Yunnan Modern Heavy Color Painting, Yunnan Modern Heavy Color Painting Techniques (co-edited) and dozens of art criticism articles (mainly published in fine arts and overseas newspapers). He has presided over or participated in organizing a series of artistic activities such as the "Southwest Art Group" listed in the history of contemporary art in China, and was hired as a judge of the 8th National Art Exhibition by the Ministry of Culture and China Artists Association. At the invitation of a German arts and crafts college, I went to Germany to hold a "Yunnan Print Exhibition" to show my skills and give lectures.

2. Successfully organized or cooperated with China Expedition Association to organize many comprehensive investigation activities.

3. Plan the overall image of Yunnan biological resources development for Yunnan provincial government 18 biological resources development project office (as one of the project leaders and general planners) and complete the provincial image planning of "Green Yunnan". After the implementation of the project, it was reported by the top ten central news media, and received preferential policies and funds from the State Council.

4. Formulated the overall plan for Yunnan Provincial Party Committee and provincial government to build colorful Yunnan into a big province of ethnic culture, and served as the deputy head of the research group. And participated in the organization of the "Seminar on Building Yunnan into a Big Province of Ethnic Culture" (1999 1).

5. China '99 Kunming World Horticultural Exposition "Man and Nature Pavilion" is one of the master plans, and served as the main contributor; The museum was awarded a "special prize" by the organizing committee of China '99 Kunming World Horticultural Exposition.

China '99 Kunming World Horticultural Exposition "Yunnan Pavilion" is one of the master plans; The museum was awarded the "Gold Award" for permanent preservation and the "Silver Award" for design and production by the organizing committee of China '99 Kunming World Horticultural Exposition.

6. Entrusted by Yunnan Foreign Cultural Exchange Association, the well-known brand project and cultural industry project "Cultural Exchange of National Costume and Cultural Industry Series" in Yunnan Province have been approved by the provincial party committee and the organizing committee for publicity and large-scale activities of World Expo 2014. The first "Creative National Costume Art Exhibition" in the series of activities (mainly written by the writer) was performed at the opening ceremony, closing ceremony and special performance of China '99 Kunming World Horticultural Exposition.