Where was he born in Xia Hai?

He (1908 ——1August 5, 998), whose real name should be Hai Xia, is in proper order. Beijingers. From 65438 to 0956, he was transferred to Shaanxi Artists Association to engage in professional creation and was one of the representative painters of Chang 'an Painting School. From 65438 to 0983, he served as vice president of Shaanxi Provincial Academy of Traditional Chinese Painting, and was soon transferred to Beijing Academy of Traditional Chinese Painting. Good at landscape flowers. His works often combine green meticulous painting with ink painting, with novel ideas, vigorous brushwork and rich and beautiful style.

His representative works include How Magnificent the Xiyue Mountain is, Clear Autumn in Northern Shaanxi, Looking at the Mountain of the Motherland and so on.

Chinese name: He.

Alias: He Fuhai

Nationality: China.

Nationality: Manchu

Place of birth: Beijing

Date of birth: 1908

Date of death:1August 5, 998

Occupation: painter, calligrapher

Main achievements: China ink painting, green landscape.

Representative works: Looking at the mountains and the mountains of the motherland, the Xiyue, Wangtengting and Qingqiu in northern Shaanxi are magnificent.

Early experience

He studied painting with Zhang Daqian in his early years, and went to Sichuan to sketch with Zhang in 1946.

outline

He (1908— 1998), one of the founders of Chang 'an School of Painting; China modern famous painter and painter, professional painter of Chinese Painting Research Institute (predecessor of China National Painting Academy); Manchu, first named He Fuhai, was called Ying, also called; 1908 was born in Beijing in September, and his parents loved literature and art, which had a far-reaching influence on his youth. He Xia Hai loved painting and calligraphy when he was a child. In his youth, he participated in the Chinese painting research society. 1924 worshipped Han Gong Dian as a teacher, 1934 worshipped Zhang Daqian as a teacher and traveled with him in Shandong and Sichuan.

While studying under Zhang Daqian, He Xia Hai appreciated the famous ancient paintings of China and copied a lot of original paintings of Song, Yuan, Ming and Qing Dynasties. From 65438 to 0936, he held a joint exhibition with Qi Baishi, Zhang Daqian and Fei _ in Changchun and Dalian.

195 1 In the spring of, he moved from Chongqing to Xi 'an. 65438-0956, professional painter of Shaanxi Branch of China Artists Association. From the late 1950s to the early 1960s, he studied landscape painting innovation with Shi Lu and Zhao Wangyun, and received extensive attention from the art world, becoming an important painter of Chang 'an Painting School.

196 1 year, at the invitation of the central academy of fine arts, he taught in the academy for two years and trained a group of Chinese painting talents.

After 1976, he was invited to create several huge landscape paintings for important places such as the Great Hall of the People and Diaoyutai State Guesthouse, which attracted social attention.

65438-0983 Vice President of Shaanxi Traditional Chinese Painting Academy. Soon after, he was transferred to Beijing and worked as a professional painter in the Chinese Painting Research Institute, creating a large number of excellent works. He also served as the consultant of China International Friendship Liaison Committee, and contributed to the cultural exchange between China and foreign countries with art as the link.

Mr. He is good at landscape painting. On the basis of inheriting the tradition, he likes to observe and learn from nature.

He's landscape paintings matured in 1950s, and made great achievements in many fields, such as ink painting, turquoise painting, boundary painting, etc., with different faces, ranging from huge works to exquisite small works. The natural landscape in the northwest of China gave him a lot of inspiration. His works are distinctive in personality, magnificent in conception, solid in bones, rich in brushwork and rich in ink color, which makes them spectacular.

Artistic experience

The life of the character

19081010.7 (September, 34th year of Guangxu in Qing dynasty/kloc-0.3) was born in a Manchu family in Beijing. His father, He Ziyuan, made a living by writing and studied calligraphy with his father when he was a child.

1924 studied Chinese painting from Beijing painter Han Gong Dian. At the same time, I also learn the skills of mounting and appreciation.

From 65438 to 0926, he joined the Chinese Painting Research Association as an assessor and researcher.

1927 participated in the joint exhibition of Chinese paintings held in Tokyo, Japan, and his works were well received. Therefore, he was promoted to be a judge of the Chinese Painting Research Association.

1935 Joined Dafengtang Painting School and became a disciple of Zhang Daqian. This is an important turning point on He's artistic road.

Artistic resume

1936 The work "Harmony, After a Night's Rain" was selected for the 2nd National Art Exhibition. And published it in Art Newsletter. The joint exhibition of He and Qi Baishi, Zhang Daqian and Fei was held in Changchun.

1937 "July 7th Incident", Zhang Daqian was trapped in the Summer Palace, so why risk saving the teacher back to the city?

1939 was introduced by the seal engraver Shou Shigong, and entered the Beiping Ancient Academy to make a living by painting.

1945 After the victory of the Anti-Japanese War, Zhang Daqian returned to Beijing. Teachers and students meet again.

1946 He went to Shu with Zhang Daqian, traveled all over Emei and Qingcheng, and enjoyed Zhang Daqian's famous paintings in past dynasties, which benefited a lot. He has cooperated with Zhang Daqian many times and has a huge landscape painting, which has been collected by museums in Britain, Holland, Belgium, Japan and other countries.

1949 why did Zhang Daqian stay in Chongqing when he went abroad? Selling paintings for a living.

From 65438 to 0950, he moved to Xi 'an, where he worked as an art propagandist in the Health Bureau, where he met Shilu and Zhao Wangyun.

1956, introduced by Shilu and Zhao Wangyun, joined Shaanxi Artists Association. His works misty rain on the west slope and baoji-chengdu railway were collected by the state. 1958 created the Huashan Map, Taming the Yellow River, Yumen of the Yellow River and other works.

65438-0959 Joined China Artists Association.

196 1 At the invitation of the Central Academy of Fine Arts, I went to Beijing to teach Chinese Painting Department.

1962 "Exhibition of Works of Chinese Painting Laboratory" was held together with Shi Lu and Zhao Wangyun, and exhibited in Beijing and Shanghai, with strong response. He, Shi Lu, are also called "Three Masters of Chang 'an". "Chang 'an Painting School" came into being.

1963 once again went deep into the mountainous areas of southern Shaanxi, and created paintings such as Sangshanxing and Fengdanshan District.

1966 was persecuted by the "Cultural Revolution" and left Shaanxi, Henan and other places. There are still many new works.

1970, he was forced to settle in Fuping County, Lizhuang, Shaanxi Province, and painted ceramics. Create a huge long scroll "Rent House". I am in adversity, but I have made unremitting research and pursuit of art.

In the late period of the Cultural Revolution, 1975 returned to the creative group of Shaanxi Artists Association to create Ode to Yan 'an for the Great Hall of the People. Snow in the South and Night Bell in Ji Xiang Temple were exhibited in Shaanxi.

1976 went to Beijing to paint at the invitation of the Ministry of Culture. At this time, it was the heyday of He's creation, painting huge golden and green landscapes for Beijing Hotel and Diaoyutai State Guesthouse.

1979 once served as vice president of Shaanxi Traditional Chinese Painting Academy and member of Shaanxi Provincial Political Consultative Conference. Make a huge "Huashan map" for the Quanjude Ballroom in Beijing. Entrusted by the government, he produced the restoration maps of Tang Daming Palace and Tang Zhenglong, presented them to Tokyo and Kyoto, and created several giant landscape paintings for Shaanxi Province.

198 1 year, after watching the news of Zhang Daqian's painting "Baodao Changchun", I began to conceive. More than half a year later, I created a huge golden and green landscape "The Great Land Changchun" for Beijing Hotel as a response.

1983 painted Yangshan Warm Dishes for Diaoyutai State Guesthouse and wrote Love My Rivers and Mountains for Ziguangge, Zhongnanhai. And was awarded a certificate, and made a huge landscape "Lushan map" for Xiyuan Hotel. In the second issue of Chinese Painting 1983, he published his creative paper Landscape.

From 65438 to 0984, he was transferred to the Chinese Painting Research Institute affiliated to the Ministry of Culture as a researcher. In the same year, he created works such as Penglai Xiange and Shandong Yantai Jinbi Landscape. He published "The Landscape Part of He Painting Collection" and published an article "Lin Shiquan-A Random Talk on Landscape Painting Method".

1985 Xi Chang 'an Chang 'an Painting Academy awarded honorary dean. As an honorary consultant, he visited Japan with a government delegation headed by Wang Zhen, and made a painting of "Wind and Sea" for Prime Minister Nakasone, which Nakasone returned with his own work "Mount Fuji". Create two giant landscape paintings Huashan for the Great Hall of the People. 1986 held a solo exhibition in the Chinese Painting Research Institute, and donated two huge landscape paintings, Looking at the Mountain of the Motherland and Looking at Mount Tai, to the collection of the Chinese Painting Research Institute. Hebei Fine Arts Publishing House published "He Hua Ji" and personally wrote the preface "Write in front" for the painting set. Created a huge resplendent and magnificent landscape, "beautiful mountains and unified earth" is to cherish Jingxi Hotel.

From 65438 to 0987, he participated in the "China Painting and Calligraphy Exhibition" held in Hongkong and won the "China-Modern Ink Painting Exhibition" Excellence Award.

1988 Shaanxi traditional Chinese painting academy awarded honorary president. He was selected into the Who's Who in the World 1988- 1989 published in Britain. Was hired as a consultant of China Correspondence University.

From 65438 to 0989, he held a solo exhibition at Hong Kong Art Center and published a collection of paintings. From 65438 to 0990, he visited and exchanged painting skills with the famous Japanese painter Kaii Higashiyama. A landscape painting was donated to the China Population Welfare Foundation, and the work was auctioned for 250,000 yuan.

199 1 Hold a solo exhibition in Singapore. The landscape painting was presented as a national gift to Anek Kuson Sala, the palace of the King of Thailand. Donate a green landscape painting "Huashan" to the China Arts Festival Foundation organized by the Ministry of Culture.

1992 President Jiang Zemin visited Japan and presented the Lotus Peak in Huangshan Mountain as a national gift to former Japanese Prime Minister tanaka kakuei. On June 6th, he presided over the opening ceremony of "Hai Xia Tiandi" (He Memorial Hall) in Chang 'an Painting Academy, where more than 100 masterpieces of various periods were displayed for a long time. Shaanxi TV Station filmed a large-scale TV movie "He Shaanxi Tour" and held a lecture on "Chinese Painting Creation" at Shaanxi Art Museum. Shaanxi Tourism Publishing House published a large-scale album "He Calligraphy and Painting Collection", which featured more than 200 representative works from 1932 to 1992.

1993 went to Sichuan to attend the opening ceremony of Zhang Daqian Memorial Hall.

1994 "Song of the Sea in a Prosperous Age", with six horses and green scenery, is treasured by Beijing Hotel. Make a six-foot-long scroll of Jinshan water with splash points, collect it and send it to Hong Kong.

1995 "He Cao Family Art Exhibition" was held in Taiwan. 1996 what is the special issue of China Masterpiece Art Weekly published by Taiwan Province Province? CCTV filmed The Son of the East-He.

From 65438 to March 0997, He donated 46 masterpieces of Chinese painting created by himself to the country, which were collected and kept by China Art Museum and Chinese Painting Research Institute respectively. In June, He donated 200,000 yuan awarded by the state to Hongwan Primary School in Yugur Autonomous County, Gansu Province to support minority education. Suzhou Guwuxuan published the complete works of Contemporary Chinese Painting. People's Fine Arts Publishing House published Selected Paintings of He.

1998, published He Hua Ji: Painting Landscape.

199821:On August 5th, 00, Mr. Wang died in Beijing at the age of 90.

Personal realization

From the late 1950s to the early 1960s, He and Shi Lu, together, made innovations in landscape painting, gained creative opportunities from the northwest landscape, founded the "Chang 'an Painting School" and became important painters of Chang 'an Painting School. His works are firm in bone sense, magnificent in image and unique in style. Publishing He Hua Ji and He Hua Ji; 1988 entered the British "Who's Who in the World".

In the 1940s, due to the turbulent situation, why did he have to make a living by selling paintings, and his life was very poor. During this period, He Xia Hai was seriously ill, and his family was almost on the verge of despair. Fortunately, his classmate Li often helped him through that difficult time.

Due to the turbulent situation and difficult life, He Xia Hai later moved several times. At first, he moved out of the northeast garden of Liulichang and rented a small room in Shanxi Street, Beiping. Life was very tight, but he still persisted in his unremitting exploration in art, and later moved to No.4 Zongmao, Xidan, Beijing 14. In order to make a living, he Xia Hai paints more diligently at this time. As soon as he finishes painting, he often goes to Liulichang to sell it, change something to eat and make a living.

1945, after the victory of the Anti-Japanese War, Zhang Daqian returned to Beiping, and he met his teacher again in Xia Hai. He began to assist Zhang Daqian in collecting rare paintings and calligraphy from Liulichang, and assisted in identification.

In March of A.D. 1946, He followed Zhang Daqian south to Sichuan to visit places of interest and sketch. At that time, I lived in Zhongjia Courtyard in Taihe County, Pixian County, and later moved to Xita Courtyard in Zhaojue Temple, Chengdu. He has seen Ye. At that time, Ye's wife went to Sichuan to visit Zhang Daqian, and he met Zhang Daqian. During that time, Zhang Daqian copied ancient paintings, some of which were painted by He. At the same time, he painted landscape paintings for Zhang Daqian's generation and cooperated with Zhang Daqian many times. Many works are collected by museums in Britain, Holland, Belgium, Japan and other countries and regions.

Style of works

In He's works, small turquoise, big turquoise, resplendent and magnificent, splash color, splash color and pale crimson ink and wash have been highly skillfully integrated, perfectly blended and brought out the best in each other, forming a strong contrast and harmonious unity. This is an unprecedented breakthrough and contribution that He has made in the past 60 years through his painstaking research on tradition, in-depth observation of nature and life, and tempered artistic practice. It improves the connotation concentration of the artistic language of Chinese painting, broadens the vision of the language system and enhances the expressive force and appeal of Chinese painting.

He's works such as Shan Lan after the Rain, the Second Gate of Xiangxi, and the Scented Castle Peak are concrete manifestations of He's artistic attainments. It embodies a kind of personality charm, positive, magnificent, awe-inspiring, with distinctive revolutionary romanticism, which fully embodies the spirit of the Chinese nation. Every time I come to work, I can't help but sigh the strong national pride sublimated from the great rivers and mountains of the motherland; On the other hand, it is the viewer's most direct feeling. It seems that the sublimation of his personality is not to lament the beauty of mountains and rivers, but to set off his personality to rise to a higher, farther, broader and more lofty realm pointed by magnificent mountains and rivers.

In the 1990s, He's works entered a highly mature stage of his personal painting career, especially the magnificent landscape paintings reached an unparalleled level at that time, which can be described as "magnificent".

He's works are also favored and sought after by many aristocratic families in the art market. In addition to the imitation of Ju Ran snow scene, it sold 2.2 million yuan in Rongbao, which was more than three times higher than the estimated price. Its Golden Landscape, Little Three Gorges and Mount Tai Xiongzi also sold 6.5438+0.48 million yuan and 6.5438+0.65438+0.038 million yuan respectively. Therefore, the appreciation potential of many works taken this time is worth looking forward to.

On May 30th, 2009, the 2009 Spring Auction of China Guardian came to a successful conclusion. According to statistics, the golden landscape "Magnificent Mount Tai (Mirror Heart)" in the later period of the celebration was finally sold for 2.968 million yuan.

Art evaluation

From the end of the 20th century to the present, there has been a research craze in academic circles, including various papers, monographs and "He Art Seminar". Judging from the available materials, both art circles and academic circles have highly praised and affirmed his artistic achievements. Now, let's see if there is a reliable basis for this assertion.

First of all, I found that He's paintings have been recognized and highly praised by the art world. Mr. Long Rui, the former president of China National Painting Academy, thinks that Mr. He is the all-around champion of Chinese painting. Contemporary famous artists call him "Ghost Hand He", famous painters call him "Century Great Painter He", and contemporary famous writer Jia Pingwa thinks "How can he be the last great painter in China landscape painting". It can be seen that He's profound painting skills and artistic achievements have been highly praised and affirmed by the art world. In addition, from the above evaluation, we can also reflect the important position of modern painting circles in China.

Secondly, in recent years, scholars have made a detailed study of He's painting art and its achievements. Mr. Zhou Shaohua wrote in "The First Man in Jade and Blue Flower": "shine on you is better than blue". Who was the first painter in China in the 20th century? In addition, he also believes that "Mr. He can be an all-round army of Chinese painting for literati ink paintings in the Tang and Song Dynasties, Yuan, Ming and Qing Dynasties, small turquoise, big turquoise, resplendent and magnificent, splashing color, splashing ink and pale red ink."

In Chang 'an School of Painting, He and Shi Lu became indispensable leaders. And Cao both praised He's paintings as "monuments at the end of the century". In addition, some scholars talked about his artistic achievements from the perspectives of national culture, traditional painting and the development of the times. For example, in "How to Contribute to National Culture and Art", I wrote: "Why has my artistic practice made an indelible contribution to the development of traditional painting in China? In the field of modern painting in China, it plays a connecting role in the development history of traditional painting art in China.

He went deep into life with Zhao Wangyun and Shilu in 1960s, and wrote a glorious page in the history of China fine arts. His art aroused the national pride of China people. At the same time, Guo Hao believes that He's paintings are "the stronger the national color, the stronger the color of the times". In addition, Xu Yisheng, a contemporary scholar and painter, wrote in the article "He Laoshi and His Landscape Painting Art": "He aroused people's national self-esteem with his profound traditional cultural heritage and pure China character."

Judging from the evaluation of He's paintings by the above-mentioned painters and scholars, He's paintings and his artistic achievements have been highly praised and affirmed by the art and academic circles, which will inevitably affect the market auction price of his paintings. Therefore, the author believes that this is one of the reasons for the high market price of He paintings.

From the overall trend, since the death of Mr. He, the auction price of his paintings has gradually increased steadily, as shown in Table 2 and Table 3. In the overall upward trend of his paintings, we can't ignore the contributions of the media, art galleries and auction companies. Here, the author wants to emphasize that the reason why the media, art galleries and auction companies carefully plan and promote He is because He is a famous artist, not a pure market operation. Below, the author mainly discusses their influence on the auction price of any painting market from three aspects: media, art galleries and auction companies.

The publicity and promotion of He by the media has played a positive and powerful role in promoting the market auction price of He's works. Therefore, this is one of the reasons why the auction price of any painting market has risen overall in recent years. The media mentioned by the author mainly include TV stations, newspapers and the Internet. For example, the TV documentary "He100th Anniversary" released in 2008 tells about He's artistic creation and artistic education activities. On April 29th, 2008, the event also held a press conference in China National Painting Academy, which was attended by many authoritative media. In addition, on September 1 1, 2008, China Culture Newspaper, the authoritative cultural and artistic newspaper in charge of the Ministry of Culture, also reported on the centennial exhibition of his birthday, such as an article entitled "The centennial exhibition of his birthday was held in Beijing". The article points out that "Mr. He is a famous landscape painter in China National Academy of Painting, a master of China landscape painting with extensive influence, and an important representative of the development of Chinese painting in the 20th century.

Furthermore, China's authoritative art website Yachang Art Network also made a special report on "Mr. He's Birthday100th Anniversary" in 2008, and set up a column to publicize it. The elaborate planning and publicity of the art museum also pushed up the auction price of He's paintings. He Art Museum, also known as "Hai Xia Tiandi", was established in June 2006, 1992. Located on the third floor of Xi Chang 'an Painting Academy at the west end of Shuyuanmen Antique Culture Street in Xi City, covering an area of 260 square meters. After He died, the museum was renamed Why Art Museum. The establishment of He Art Museum is undoubtedly an affirmation of He's artistic achievements in painting, and it is also the recognition and support of the government. It provides favorable conditions and resources for future generations to study his paintings, such as long-term display of Mr. He's exquisite paintings and calligraphy in various periods, publication of painting collections and literature materials for everyone to visit, study and study. Since its establishment, the museum has been undertaking the mission of education, research and publicity, such as the "Retrospective Exhibition of He Calligraphy and Painting Art" and "Symposium on He Calligraphy and Painting Art" jointly held by He Art Museum and Chang 'an Painting School on October 27th, 2006. In addition, the museum also hosted the "Celebration of Mr. He's Birthday 1 00th Anniversary" in the Ministry of Culture, Shaanxi Provincial People's Government and China Federation of Literary and Art Circles. Its main contents include: holding exhibitions of what works, including "He Centennial Birthday Exhibition" (held by China Art Museum in September 2008), and systematically discussing what art ("Seminar on What Art was held by China National Painting Academy in September 2008").

From the end of the 20th century to June, 2009, 5438+065438+ 10, many auction companies, such as China Guardian, Beijing Poly, Beijing Hanhai, Beijing Rongbao, Shanghai Duoyunxuan, Shanghai Chongyuan and Guangzhou Guardian, will take photos of the painter He. At the same time, judging from the locations of these auction companies, the auctions of He paintings are mainly concentrated in Beijing in the north and Shanghai in the south. Among them, the major auction companies in Beijing occupy the vast majority of the auction market, which can be learned from Yachang Art Network.

China Guardian made some careful planning and publicity preparations before auctioning He's "Magnificent Mount Tai". First of all, it is told that the painting was recorded in "China Modern Famous Paintings Collection-He" published by People's Fine Arts Publishing House in June 5438 +2000 10, indicating that the painting is an original. Secondly, there are descriptions in the paintings, such as "Magnificence of Mount Tai", which is followed by Mr. Daqian's golden and green landscape tradition in the mid-1930s, with high color and grandeur. If it is a huge work, the details of rocks, pine needles, seawater, temples, stone stirrups and so on are extremely meticulous and meticulous, which is a very thoughtful huge landscape work in his later years. "

From the description of this painting, China Guardian has clearly hinted that the artistic value of this painting is extremely high. For example, the most obvious term is "this is a huge landscape in his later years." Finally, China Guardian used the Internet and related media to promote the painting, and attached the detailed information of the painting and the painter.

Professor Zang Liangbo talks about teachers.

1980 or so, He Laoshi was transferred from Shaanxi to Beijing. At that time, the old man was over 60 years old, and he was not very famous in Xia Hai at that time. At that time, there was little publicity for painters in newspapers and TV. Hu Shuangan, a famous painter of my other disciples, and I have forgotten our friendship. We often mention He and tell many stories about him. Hu Shuangan said that among Zhang Daqian's disciples, he painted the best landscape paintings. Many of Zhang Daqian's works in the forties were written by He Daibi, which shows that Mr. He's landscape paintings are excellent, and his calligraphy is just like Zhang Daqian's.

1980 or so, came to Beijing and lived in Shuangyushu Overseas Chinese Apartment. In my impression, he lived in a community with two other painters, Qin Lingyun and Sun Ying. He first visited He Lao about 80 years ago. When he came home, he was painting. At that time, apart from watching exhibitions, he rarely saw famous picture albums, so it was novel to see He Lao painting for the first time. His paintings are completely different from those of Mr. Li Keran, and belong to the kind of rampage. Later, when I saw the works of Zhao Wangyun and Shilu of the Northwest School of Painting, I realized that He Lao's paintings were not exactly like Zhang Daqian, but were closely related to the paintings of Shilu and Zhao Wangyun. When I came to He Lao's hometown, I brought some exercises that I did myself, so I asked He Lao for advice. He recognized at a glance that I was learning from Li Keran, and he said happily, "You don't want to be alone. At that time, He Lao's house was very big, with a big studio of fifty or sixty meters. He Lao patiently watched and talked, and showed me his own work. He Lao's paintings are hard. To tell the truth, I didn't understand them and didn't like them at that time. But his overall situation, structure and composition are bold to me, and I want to absorb my own paintings. After a while, I went to his house, and it happened that Hebei People's Publishing House published an album of eight paintings for him. At that time, few publishing houses published albums for individuals. He Lao was very happy that more than 200 paintings he kept covered the whole room. We picked them one by one, and it took about a week before and after.

In recent years, He Lao's works have soared in the auction, from 0/10,000 yuan to 20,000 yuan per square foot/kloc, which proves that his works have extraordinary artistic attainments. Excerpt from (Memoirs of Zang Liangbo) (to be continued)

Criticism of art

Splash Ink on Painting —— Reading He's Painting

Among many painters, my favorite is the late Mr. He. Knowing the value of Mr. He's paintings, there are many tricks, such as dredging the dignitaries in the industry, playing with hype, fake shooting and so on. It is also a well-known open secret that the price is artificially high. Although this kind of painting and calligraphy works can be very popular, it is only fleeting and becomes a pile of waste paper in a blink of an eye, not to mention "handed down from generation to generation". And some independent, talented and creative painters and painters will show their dazzling brilliance when the dust settles. He's works belong to this category.

To evaluate Chinese painting works, for the ordinary audience, it needs the cultivation of beautiful sentiment and the pleasure and satisfaction of the senses. From a professional point of view, it is nothing more than inheritance and innovation. Mr. He's works have a large number of fans, which shows that his works are lively and energetic and can interact with the audience. From a professional perspective, in the so-called inheritance, he learned from a famous teacher and copied the famous works of Song, Yuan, Ming and Qing dynasties in a solid way, which is not only lacking by many painters today.

The most important thing in the inheritance of techniques is solid pen and ink kung fu training, which is the most direct and effective way to impress the masterpieces of ancient masters. This is a process of "laying the foundation", which can benefit a painter for life.

The Snow Map written by Mr. He in 1953 can be said to faithfully and comprehensively show the character of the Song and Yuan masters. From the perspective of looking up, the mountains covered by the first snow, the strong contrast between light and shade contain the overall harmony and softness, the flowing water of small bridges shows full vitality, and the sparse pedestrians and swaying trees show a natural agility. The whole painting is vigorous and powerful, but the rhythm is bright. This is not a mechanical copy of the ancient masters, but the author's display of vitality and artistic pursuit in his prime. As many masters have repeatedly said, don't eat it, go in and jump out. Mr. He is outstanding in this respect.

The so-called traditional techniques are nothing more than the use of line drawing and color. The boldness shown in He Laoshi's works truly reflects an atmosphere in his bones. His 1979 work Dawn in Northern Shaanxi can be said to be one of the best works that I have ever seen to express the theme of the northern Shaanxi Plateau. Rows of caves appear gorgeous and peculiar reddish brown in the sunset, and several strokes outline the vertical and horizontal gullies on the yellow land. The slope is covered with green trees, green stones and green ink, and the trunk and cliff are all wiped with simple iron slag. The lines are stiff and have no soft taste, which reflects the simple and strong temperament in the humanistic color of northern Shaanxi. The beauty of this painting lies in its unique use of splashing ink. The upper part is mainly red, yellow and brown, and the lower part is cyan ink. The contrast is very strong, giving people a sense of shock. This work seems incongruous at first glance, but if you look closely, you will find that it is a natural masterpiece with extremely bold colors. A small amount of light ink is added to the warm tone in the upper half, and the cool tone in the lower half is covered with light brown, which is wonderful in seeking unity in strong contrast. From his works, we can see the conciseness and boldness of the Eighth National Congress of the Communist Party of China and Shi Tao, and we can also see the memory and reverence of contemporary painters for the revolutionary base areas, which can be said to be the fusion of multiculturalism.

"Linhai" and "Yan Ziling Diaoyutai" are another expression style of Mr. He. Almost all of the two paintings are sketched, splashed with ink, and the ink color is vivid. A single ink color shows the changes of the world with the changes of light, purple, thick and light, which is indeed the "swan song" of China literati painting.

Mr. He's artistic career is rich and colorful. In the year of weak crown, investment masters copied classic works. Less than 20 years old, he became a researcher of Chinese painting research society and was promoted to judge immediately. 1935 before I was 30 years old, I went to the windy temple to worship Mr. Zhang Daqian as my teacher, and I lived with my teacher day and night and traveled all over the world. The exhibition held with Zhang Daqian and Qi Baishi in the second year not only showed the great attention of the predecessors, but also showed the potential and talent of this young artist.

1954 moved to Xi' an, and quickly became an artistic bosom friend with Zhao Wangyun and Shilu, two pioneers in the northwest painting circle, and merged into the "Chang 'an Painting School" in the pioneering period, becoming an indispensable backbone of Chang 'an Painting School and making outstanding contributions to the prosperity of Chang 'an Painting School.

However, there is another interesting artistic phenomenon. As we all know, Zhang Daqian is a pioneering and unique master in the field of Chinese painting, and his paintings have a very distinctive style. Landscape painting once benefited from Badashanren, Ivy and Li, and spent three years in Dunhuang in the1940s, copying ancient murals and sculptures, and finally merging the strengths of various schools to form a unique artistic style. He is good at repainting, blending green with ink and creating a new generation.

Mr. He's green landscape and splash ink have won great interest and formed his own unique style. Chang 'an painting school, on the other hand, takes the northwest plateau as the background, and its themes are mostly majestic and broad loess mountains and rivers. Its techniques are mostly pale crimson mountains and rivers with splash ink, and its regional color is strong, making it unique in the country. And how did He Xia Hai space, which is famous for its green landscape, gain such an important position in Chang 'an painting school?

Observing Mr. He's works, we can easily find that there is indeed a process of adaptation and integration, such as Snow Map and Pavilion on the River in the 1950s, from which we can also see the shadows of thousands of typical green landscapes in Qian Qian. However, since the 1960s, he has become an indispensable highlight of Chang 'an Painting School in terms of subject matter and techniques, which shows that Mr. He is a clever artist who is good at learning from others and adapting to the environment. If you put Chang 'an