What does the photographer need to prepare to get the script?

As a photographer, I think the first thing to look at is what kind of script you are exposed to. If it is a commercial film, then you must be very clear about the mode of genre films. A certain type of pattern has its corresponding type of image. This is what you have to communicate with the director. If it is a literary film, it is the first step to communicate with the director and understand the director's needs. The script, no matter who it is, is fundamental. But as a photographer, the script is also reflected in the distribution of specific scenes and the preparation of equipment. Usually contact the script, look at the scene and complexity, and probably know the budget of photography. In this way, when communicating with producers, we can think clearly and quickly put forward a basic photography budget plan. The contrast distribution of sun scenery, night scene and the distribution of indoor and outdoor scenery all involve a point. The division of labor of the film crew is very clear, and each has its own duties. But the photographer is a very vocal role. The choice of the overall scene, the design of character modeling, and even the performance style, although there are specific people responsible, photography should be taken into account.