Traditional Culture Encyclopedia - Photography and portraiture - What do you think are the ten most beautiful and wonderful costume dramas in China in recent ten years?

What do you think are the ten most beautiful and wonderful costume dramas in China in recent ten years?

The Chinese nation has a history of 5,000 years, and filming costume dramas has natural historical advantages, but whether it is good or not is another matter. Next, let's take a look. The 10 domestic costume drama with the highest douban score is also the 10 domestic costume drama with the highest reputation.

Tenth: Emperor Hanwu

Douban score: 9.2

It is hard to imagine that such a masculine historical drama was written by a female director: Hu Mei. When we look at her resume, we will find that she also has another historical masterpiece-Kangxi Dynasty. This is the talent destined to be written in the history of China TV. From the pacification of the Seven Kingdoms War by Emperor Jing of Han Dynasty to the reign of Emperor Wu of Han Dynasty for 54 years, the time span of the whole drama of Emperor Wu of Han Dynasty is quite long.

Ninth: Kangxi Dynasty

Douban score: 9.2

200 1 Kangxi the Great, the first part of the trilogy Sunset by the famous novelist February River, was adapted into Kangxi Dynasty and put on the screen. In terms of heat, the drama is as popular as another trilogy adaptation of Yongzheng Dynasty.

Eighth: the vertical and horizontal of Daqin Empire

Douban score: 9.3

According to Sun Haohui's novel of the same name, the TV series Empire in Qin Dynasty lasted 1 1 year from the first broadcast to the end. This series consists of four parts: Fission of Daqin Empire, Vertical and Horizontal of Daqin Empire, Rise of Daqin Empire and Ode to Daqin.

Seventh: Fission of Daqin Empire.

Douban score: 9.3

The so-called "fission" not only refers to the change of "Shang Yang's political reform", but also implies the painful ending that Shang Yang was eventually split by the car.

Among the characters involved, besides Shang Yang, there are Qin Xiaogong, Wei Huiwang, Gong Shucuo and others. Under the wonderful interpretation of WangZhifei, Hou Yong and Li Liqun, all the characters are very vivid and three-dimensional, quite close to the historical prototype.

Sixth: Yongzheng dynasty

Douban score: 9.3

In the eyes of many audiences, Yongzheng Dynasty is not only a masterpiece of public praise, but also represents the highest level of domestic historical drama.

During its broadcast period 1999, China's reform and opening up was at a critical stage, and this feature of the times became the theme of the play, namely, reform. The play also lived up to expectations. While maintaining the depth of the theme, it also takes into account the popularity of the content, which truly satisfies both refined and popular tastes. Historical dramas should have a sense of heaviness, compactness and exquisiteness, and be handled one by one. So after the broadcast, it not only gained a good reputation, but also lost popularity. "Kangxi Dynasty" really discusses how a dynasty works through two key plots: seizing the office and governing officials.

Fifth: "Da Song Xing Guan"

Douban score: 9.3

As China's first documentary criminal investigation drama in ancient costume, The Prisoner of Song Dynasty was a "unconventional" theme at that time, and it is not an exaggeration to say that it is a natural stream. In that year, the drama set an average audience rating of 7.85%, exceeding the 6. 18% of News Network.

Popular and popular for many reasons. First of all, I have to mention that this drama has largely restored the autopsy techniques in the book. It is always the method of steaming bones and leaking bones, and the dead body lens given directly from the front is caught off guard. Then there is the design of the plot in the play, which is intricate and interlocking, and it is also the pursuit of precise control of details. Every bedding is useful.

Fourth: concubines in the palace.

Douban score: 9.3

Like the Kangxi dynasty, empresses have been controversial in the palace. However, it has been broadcast for more than ten years, and it can often be on the hit list and make various interesting secondary creations, which proves that the quality of the play itself is indeed online and can withstand amplification and scrutiny.

In this play, neither the protagonist nor the supporting actor can be regarded as black or white. They are vivid and three-dimensional, making people love, pity and hate. To some extent, Gong Dou's drama is a "Machiavellian drama" from the female perspective. In the ordeal and baptism of the harem, the image of a woman climbing from the bottom up is really easy to become the object of real women's reverence. In addition, the line design of this drama is also a must, such as the classic "shrewish and melodramatic" and "no servants", which is quite out of the circle today.

Third: Nirvana in the fire.

Douban score: 9.4

As a TV series adapted from online novels, the intention of Nirvana in the process of film and television is really worth learning by the domestic drama production team.

Part II: Legend of Wulin

Douban score: 9.6

Up to now, the drama is a drama with leading comment rate, and it is well-deserved "the pinnacle of domestic sitcoms". Although the title of the play is "Legend of Wulin", the protagonist in the play is "fiddling" every day. You hurt me, and I hurt you. But it is in the growth process of these people that they let everyone see the ups and downs, joys and sorrows with the texture of life and touched the audience with "human touch". This drama can be regarded as an advanced drama to a great extent, which subverts the traditional martial arts narrative and enhances our comedy taste.

First: "Ming Dynasty 1566"

Douban score: 9.7

In 2007, Daming Dynasty 1566 was acquired by Mango Taiwan. After the broadcast, the ratings never exceeded 0.5%, which was obviously bleak. 20 17 a video platform bought the online copyright of the play and then officially replayed it. Up to now, more than170,000 people have rated it, with a score of 9.7, making it the king of the play. Where is God? God vividly shows the operation of officialdom and the struggle for power. This drama even ended other dramas' greed for power and politics. From Emperor Jiajing to the Cabinet, and then to local dignitaries and middle-and lower-level officials, no one is absolutely clear and muddy, and no one can have the help of Golden Finger. In the whirlpool of power, everyone is a mortal body, even if power is in hand, they are anxious. The narrative structure of the play is quite rigorous, and the behavior of the characters and the development of the story conform to the motivation logic. They stand on their own ground and show their views and attitudes towards the current situation. The struggle for political power in this drama emphasizes the mutual containment and checks and balances of various forces. This applies even now. The officialdom wisdom and philosophy of life contained in the play are also the reasons why some viewers will brush it repeatedly.

In terms of plot, the play begins with the policy of "changing rice into mulberry", which leads to the topic of corruption and the opposition between the rich and the poor. And point the finger at the most powerful person, the depth of which is unmatched by most other dramas. At the same time, it criticizes the limitations and decay of the feudal system itself from a modern perspective, and then analyzes the reasons for the decline of the Ming Dynasty. In addition, the drama is also excellent in characterization, depiction of officialdom in feudal society and so on, which is a perfect group drama.