What are the poems about pastoral life?

1. Poems about pastoral life

1. Two quatrains (Du Fu)

The rivers and mountains are beautiful in Chiri, and the flowers and plants are fragrant in the spring breeze.

The swallows fly when the mud melts, and the mandarin ducks sleep in the warm sand.

2. Zhuli Pavilion (Wang Wei)

Sitting alone in the secluded bamboo, playing the piano and whistling loudly.

People in the deep forest don’t know that the bright moon comes to shine.

3. Passing by my old friend’s village (Meng Haoran)

My old friend brought chicken and millet and invited me to Tian’s house.

Green trees border the village, and Qingshanguo slopes outside.

Open a dining room and chat over wine.

On the Double Ninth Festival, I will still come to see chrysanthemums.

4. Residence in Wangchuan is presented to Pei Xiucaidi (Wang Wei)

The cold mountains turn green and the autumn water gurgls.

Leaning on a stick outside the firewood door, listening to the evening cicadas in the wind.

The sun is still setting over the ferry, and the lonely smoke is rising in the ruins.

On the summer day, I got drunk and sang wildly in front of the five willows.

5. Returning to the Garden and Living in the Fields Part 1 (Tao Yuanming)

Birds nostalgic for the old forest, fish in the pond long for the old abyss.

Open up the wilderness in the south, stay humble and return to the countryside.

The square house covers an area of ??more than ten acres and has eight or nine thatched houses.

Elm and willow shade behind the starling tree, peach and plum trees in front of the hall.

6. Pastoral Yanhuai (Li Bai)

Jia Yi was relegated in the third year, and his class exceeded ten thousand miles.

How to lead a white calf and drink water from a clear stream.

7. Lu Chai (Wang Wei)

No one can be seen in the empty mountain, but people can hear their voices.

Returning to the deep forest, the light shines on the moss again.

8. Autumn in the Mountains (Wang Wei)

After the new rain in the empty mountains, autumn comes late.

The bright moon shines among the pines, and the clear spring flows upstream from the rocks.

The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay.

9. April in the countryside (Wengjuan)

The mountains are green and the rivers are white, and the rain is like smoke amid the sound of the rules.

There are few idle people in the countryside in April, so they are planting sericulture and planting fields.

10. Pastoral Miscellany in Four Seasons (Fan Chengda)

The plums are golden and the apricots are fat, the wheat flowers are sparse and the white cauliflower flowers are sparse.

No one passes the fence during the long day, only dragonflies and butterflies fly.

11. Tour to Shanxi Village (Luyou)

Moxiao’s farmhouse is full of wax and wine, and in good years there are plenty of chickens and dolphins for visitors.

There is no way out in the mountains and rivers, and there is another village with dark flowers and bright flowers.

12. The pastoral scene of mid-autumn rain (Geng Mao)

The desert is heavy with dark clouds, and the rain is drooping.

The ancient road of Linyan is full of wasteland.

When will the five crops be harvested? How many households in an isolated village will be able to cook.

The turbulent flow flows through the garden, and the rotten leaves are covered with autumn branches.

In the evening, new woodcutters are wet, and in the morning, the old fishery is moved.

Last year's chrysanthemums are left in the spare time, and the flowers are growing on the east fence.

13. Xinyiwu (Wang Wei)

There are hibiscus flowers at the end of the wood and red calyxes in the mountains.

There is no one in the stream, and they are opening and closing one after another.

14. The pastoral scene in Qishang (Wang Wei)

Sitting on the water in Qi, there are no mountains in the vast wilderness to the east.

The sun is hidden outside the mulberry tree, and the river is bright in the well.

The shepherd boy went to look at the village, and the hound returned with him.

What's the matter with a quiet person? The thorns fly through the daylight.

15. Return to Songshan (Wang Wei)

The Qingchuan belt is long and thin, and the carriages and horses go leisurely.

The water flows as intended, and the birds return in the evening.

The deserted city is near the ancient ferry, and the setting sun fills the autumn mountains.

After a long journey, Song Gao came back and retreated.

16. Cui Puyang's brother Ji Zhong came to visit the mountains in front of Weimen (Wang Wei)

The autumn scenery is wonderful, and Kuang Junchi is free.

Longing under the west forest, I know the mountain in front of my door.

Thousands of miles across, the sky is dark, with several peaks emerging from the clouds.

17. Birdsong Stream (Wang Wei)

The sweet-scented osmanthus falls when people are idle, the night is quiet and the spring mountains are empty.

When the moon comes out, birds startle the mountains, and they sing in the spring stream.

18. Zhongnan Mountain (Wang Wei)

Taiyi is close to the capital of heaven, with mountains and seas.

The white clouds look back and merge, and the blue mist comes in to see nothing.

The peaks in the field are changing, and the clouds and sunshine are different.

If you want to stay somewhere, ask the woodcutter across the water. 2. What are the poems that describe pastoral life?

(1) In terms of content: pastoral poetry in the prosperous Tang Dynasty mostly describes the beauty of pastoral scenery, the warmth of pastoral life and the sincere and simple interpersonal relationships in the pastoral; pastoral poetry in the middle Tang Dynasty began to turn The description of the hard work of the Tian family's life and the concern for the people's livelihood.

(2) In terms of artistic techniques, the pastoral poems of the High Tang Dynasty mostly used line drawing, with an elegant and natural style, and a fresh and far-reaching artistic conception; while the pastoral poems of the Mid-Tang Dynasty mostly used typical events to reflect common social phenomena.

The following is a specific analysis: The prosperous Tang Dynasty: With the arrival of the prosperity of Tang poetry, the landscape poetry appeared to be spectacular.

Wang Wei, Meng Haoran and others inherited the tradition of landscape poetry from Tao and Xie, and formed a landscape pastoral school that complemented the Frontier Poetry School. Among the poets of the Tang Dynasty, there was no one who did not write poems based on natural landscapes.

For example: Wang Ji's "Ambition", Wang Bo's "In the Mountain", Chen Zi'ang's "Du Jingmen"; Zhang Ruoxu's "Moonlight Night on the Spring River"; Zhang Jiuling's "Hukou Wanglu Mountain Waterfall"; Wang Zhihuan's "Climbing the Stork Tower" ; Du Fu's "Wang Yue", "Jiang Village", "Climbing High"; Wei Yingwu's "Chuzhou West Stream"; Gu Kuang's "Farmer's Crossing the Mountain"; Zhang Ji's "Night Mooring on the Maple Bridge"; Dai Shulun's "Suxi Pavilion"; Chu Guangxi's " "Diaoyu Bay"; Chang Jian's "Ti Po Shan Temple Houchanyuan"; Han Yu "Visiting Hengyue Temple and Sui Su Yue Temple Ti Gate Tower"; Meng Jiao "Wandering the Stone Dragon Vortex"; Bai Juyi "Spring Journey to Qiantang Lake", "Ode to the Dusk River" and "Peach Blossoms of Dalin Temple" "Hangzhou Spring View"; Liu Yuxi "Wushan Goddess Temple"; Liu Zongyuan "The Fisherman" and "Jiang Snow"; Li He "Wushan High"; Du Mei "Mountain Journey"; Li Shangyin "Le Youyuan"; Wen Tingyun "Morning Journey to Shangshan" ... There are many poets in the Tang Dynasty who are famous for their landscape poetry, but those who can represent the maturity of landscape poetry are mainly Meng Haoran, Wang Wei, and Li Bai. Meng Haoran, who lived in the Lumen Mountain of Xiangyang in seclusion, was devoted to the mountains and rivers and never became an official throughout his life. He was one of the rare commoner poets in the feudal era who was famous throughout the ages.

Li Bai has a poem "Gift to Meng Haoran": "I love Master Meng, and it is known all over the world. The beauty abandons the crown, and the white head lies on the pine cloud.

The drunken moon frequently makes me become a saint, and I am fascinated. Flowers are of no concern to you. You can look up to the mountains and bow to the flowers."

Meng Haoran is a true hermit. Scholars in ancient times "distinguished themselves and helped the world, but when they were poor, they only took care of themselves."

He chose the second path, with a pure heart and few desires, intoxicated in the natural mountains and rivers indifferently and peacefully, pursuing the highest realm of poetry-natural beauty. His poems are close to Tao's poems, but have their own style.

There are not many poems with powerful atmosphere such as "Steaming clouds and dreamy lakes, waves shaking Yueyang City", "The stormy waves come like snow, and one sits in the cold." The representative ones are those poems that present a quiet, cold artistic conception and are deeply imprinted with the sentiment of the hermit.

His poem describes the feelings of the hermit: "In the white clouds of the North Mountain, the hermit feels happy. When we look at each other, we climb high, and our hearts follow the geese flying into the sky.

...". ("Ascending Lanshan in Autumn to Send a Letter to King Zhang") He wrote a poem about the joy of the Tian family: "An old friend, with chickens and millet, invited me to the Tian family.

The green woods are close together, and the green mountains are sloping outside. Open the pavilion In the garden, we drank and talked about mulberry and hemp.

On the Double Ninth Festival, we will come to see chrysanthemums." ("Passing the Old Friend's Village") The quiet and cold mood, the natural and tranquil mood, cannot conceal the loneliness in the heart. Qing and lonely.

Holding the scroll and meditating, we seem to see a proud and arrogant poet walking alone on the mountain road, with the mountain wind blowing his elegant gown. Wang Wei wrote political poems and frontier fortress poems, but it is his unique landscape and pastoral poems that reflect his unique achievements.

After he witnessed the strife in the officialdom, the upheaval of the world, and experienced the ups and downs of his official career, "I wish I could shoot the generals with my bow, and even if I die, I can still smell the fragrance of my chivalrous bones." His career ambitions and enthusiasm quickly cooled down. . After middle age, he adopted the life attitude of "Qiyuan is not an arrogant official, he is responsible for worldly affairs.

But if you send me a small official, I will grow a few trees." A life path that is both official and hidden.

His landscape and pastoral poems are not only a reflection of his personal soul, but also a projection of the ideological trends of the times in the country of poetry. Wang Wei's landscape poems include not only majestic and spectacular natural scenes, but also more elegant and elegant landscape scenes.

For example: "Hanjiang Linfan" "There are three Xiang towers in Chusai, and nine schools in Jingmen. The river flows beyond the sky and the earth, and the mountains are beautiful.

The county town of Buqianpu, The waves are moving in the sky. On a sunny day in Xiangyang, I am left drunk with the mountain man."

Another example is "Taiyi returns to the capital of heaven, and the white clouds look back from the mountains to the sea." When I enter, I see nothing.

The peaks in the field are changing, and there are many valleys. If I want to stay in the place, I ask the woodcutter across the water. "

The previous poem describes the scenery of Jianghan. Using the landscape and brushwork of ink and wash landscapes, he applied ink in large areas to outline the majestic and majestic scenery of Jianghan, where the water and sky float together, and the mountains are vaguely colored. The latter poem describes the beautiful scenery of Zhongnan Mountain. The imagery is hazy and rich in meaning. The green mist in the mountain is verdant, and the thousands of rocks and ravines are all shrouded in the vast "white clouds" and the misty "green mist".

However, Wang Wei's poems are mostly composed of elegant and elegant pictures with a bit of Zen thought. He is a person with extremely high understanding. His superhuman talents are not only in poetry, calligraphy and painting, but also in poetry, calligraphy and painting. He has great achievements in this field, and he also has great wisdom in Zen meditation and enlightenment. The painter's vision, the musician's hearing, the poet's feeling, and the Buddhist mentality gave him an extraordinary artistic power. He injected his unique soul and feeling into almost every scene, and melted himself into the scenery. , forming the Zhuang Zen realm where things are me and I am things.

Wang Wei's landscape poems use the environment to describe the heart, leaving no trace, with images outside the image, scenery outside the scene, unexpected and intentional, rhyme and harmony, and a long-lasting artistic conception. Such as "Luchai", "Zhulihuang", "Birdsong Stream", "Caoweiwu", etc.

Empty mountains, green bamboos, streams, bright moon, flowers and birds... What a quiet, beautiful, pure and flawless world this is, and what an independent and closed world it is.

This quiet, ethereal and uninhabited state is exactly the poetic state of Zhuang Zen where things and I are forgotten! "Wangchuan Collection" and those landscape works in his later years all shine with a kind of Zen suspense that still exists, showing a picture of things and myself being one, thinking about the harmonious state.

Here, the poet draws nature into himself and dissolves his life into the scenery, forming a "no man's land" where things are me and I am things; the "moss" The sunshine above, the bright moon in the forest, the mountain birds under the moon, the "catkins" that bloom and fall... They are not only external objects, but also the illusion of the poet's quiet inner mind, which is a harmonious landscape of thoughts and situations. Poetry not only contains a kind of static beauty, but also shows the artistic characteristics of "clearness and refinement" and "profound elegance".

Following Wang and Meng, Li Bai opened up a new realm for landscape poetry. The distinctive feature of poetry is the personalization of natural landscapes.

Landscape poetry is originally the objectification of the poet's aesthetic ideal. 3. What are the poems describing pastoral life, and the poem titles are all written.

Mountain Dwelling in the Dark Autumn

(Tang Dynasty) Wang Wei

After the new rain in the empty mountains, the weather is late and autumn comes.

The bright moon shines among the pines, and the clear spring rocks Upstream.

The bamboos are noisy and return to the Huannu, and the lotus leaves the fishing boat.

Rest in the spring fragrance at will, and the king and grandson can stay.

Passing the old friend's village

(Tang Dynasty) Meng Haoran

An old friend invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside.

Open In the garden of Xuanmen, we drank wine and talked about mulberry and hemp.

On the Double Ninth Festival, we still came to drink chrysanthemums.

Village residence

(Qing Dynasty) Gaoding

The grass grows and the orioles fly in the February sky,

The willows are brushing the dike and drunk with the spring smoke.

Children come back early from school,

Busy taking advantage of the east wind Flying paper kites.

"Xugong Store, Suxin City"

(Southern Song Dynasty) Yang Wanli

The fences are sparse and the paths are deep,

The flowers have fallen from the trees and have not yet become shade.

Children rush to chase yellow butterflies.

They fly into the cauliflower and are nowhere to be found.

Children fishing

(Tang Dynasty) Hu Lingneng

A boy with unkempt hair learns fishing,

Sitting sideways on the strawberry grass.

Passers-by ask questions and wave from a distance,

Afraid of being frightened. 4. What are the poems that describe "the beauty of rural life"

1. An old friend invited me to Tian's house with chickens and millet - Meng Haoran·Tang Dynasty's "Guo". "Old Friend's Village"

Translation: An old friend prepared a sumptuous meal and invited me to his hospitable farmhouse.

2. Tonight, I know that the spring air is warm, and the sound of insects comes through the green window screen. ——Liu Fangping·Tang Dynasty "Moon Night"

Translation: Tonight you know the arrival of spring, because you hear the chirping of insects outside the window screen reflected by the green leaves, and for the first time it reaches the house.

3. At the foot of the southern mountain, there are few bean sprouts in the grass. ——Tao Yuanming, Wei and Jin Dynasties, "Returning to the Garden and Living in the Fields, Part Three"

Translation: I am planting beans at the foot of Nanshan Mountain. The weeds are lush and the bean seedlings are sparse.

4. The plums are golden, the apricots are fat, the wheat flowers are sparse and the white cauliflowers are sparse. ——Fan Chengda·Song Dynasty's "Four Seasons Pastoral Miscellany·Part 2"

Translation: The plum trees on the tree have turned golden, and the apricots have grown bigger and bigger; the buckwheat flowers have become snow-white, and the rapeseed flowers have fallen upside down. Seems sparse.

5. The distant village is warm and the smoke is lingering in the ruins. ——Tao Yuanming·Wei and Jin Dynasties, "Returning to the Garden and Living in the Fields·Part 1"

Translation: The neighboring villages are faintly visible in the distance, and the smoke from the kitchen is floating in the village.

6. One or two roosters crow in the rain, and the bridge on the road in Zhuxi Village is tilted. ——Wang Jian·Tang Dynasty "Rain Passes Through the Mountain Village"

Translation: There is a cock crow in the rain, and there are only one or two families in the mountain village. There is a plank bridge diagonally across the Zhuxi River on the village road.

7. There are few people and things in the wild, and there are few martingales in the back streets. ——Tao Yuanming·Wei and Jin Dynasties "Returning to the Garden and Living in the Fields·Part 2"

Translation: When living in the countryside, there are few people to interact with the world, and there are few cars and horses in the remote alleys.

8. Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees. ——Wang Wei·Tang Dynasty's "Autumn Return to Wangchuan Village"

Translation: A row of egrets flew across the vast flat paddy fields; the cries of orioles came from the lush woods beside the fields.

9. Let me drink my new wine, and the chicken will lead to a close game. ——Tao Yuanming, Wei and Jin Dynasties, "Returning to the Garden and Living in the Fields, Part 5"

Translation: Filter the newly brewed wine at home and cook a chicken to entertain the neighbors.

10. Together with Tian’s family, children’s minds blossom. ——Li Bai·Tang Dynasty "Going down to Zhongnan Mountain and passing through Husi Mountain, where people stay and buy wine"

Translation: When a man from Husi Mountain came to his house, the children came out and hurriedly opened the firewood door. 5. What are the poems that describe the longing for pastoral life

1. Summer pastoral miscellany·Part 7

Song Dynasty: Fan Chengda

Working in the daytime Tian Ye Ji Ma, the children of the village are each in charge of their own affairs.

The children and grandchildren are still working for farming and weaving, and they are also learning to grow melons near the mulberry tree.

2. Seven Pastoral Music Songs · No. 6 / Leisurely Living

Tang Dynasty: Wang Wei

The peach red contains the lingering rain, and the willow green carries the morning smoke.

The flowers have fallen, the children have not swept away the house, the orioles are singing, and the mountain guests are still sleeping.

3. One of Seven Pastoral Music

Tang Dynasty: Wang Wei

I am tired of seeing thousands of houses, passing by the north and south.

The official name has a bottom line, but who can spread it in Kongtong?

4. Pastoral Works

Tang Dynasty: Meng Haoran

The poor house is isolated from the dust and noise, but it is necessary to cultivate tranquility first.

There are three paths adjacent to the divination, and thousands of trees are planted with fruit.

I have been promoted to other places in Guangdong, but I have not met him in my thirties.

It is getting late when I write and write swords, and the sun is already dusk in Qiuyuan.

When you wake up in the morning, you will have many thoughts, but when you sit down during the day, you will often have little understanding.

The swans in the sky are envious of the swans, and the chickens and swans are ashamed of each other as they compete for food.

Looking across the Golden Horse Gate, I work hard and sing on the woodcutter road.

There are no friends in the countryside, and there are no relatives in the court.

Who can recommend Ganquan Fu to Yang Xiong?

5. Springtime in the South of the Yangtze River

Tang Dynasty: Li Bai

When I am young, the yellow birds keep singing.

At the end of the world, I lost my hometown, and the old man grew up outside the river.

My heart flies to Qin Saiyun, and my shadow lags behind Chu and Guan Yue.

My life experience is extremely romantic, and my countryside has been in ruins for a long time.

Where does Suiyan go from here? A long song to thank Jinque.

6. Nanxiangzi Jisi returned to his hometown from the county town in March and visited the district to talk about Xiyuan.

Qing Dynasty: Chen Xun

Not needed Asking about the countryside, I returned from ten years old and enjoyed the old days. A smile comes from the knowledge of spring. By the fence, there are more than a few flowers blooming towards me.

My sadness and joy are unfounded, but I feel that my heart is at peace here. Who will be separated from the country and state affairs? Sadly, there were two young men in peace.

7. Autumn rain in the pastoral scene

Tang Dynasty: Geng Mao

The desert is covered with dark clouds, and the rain is drooping. The ancient road is flooded by Lin, and the barren hills are filled with accumulation of days.

When will the five crops be harvested? How many households in an isolated village will be able to cook. The turbulent flow flows through the garden, and the rotten leaves are covered with autumn branches.

In the evening, new woodcutters are wet, and in the morning, the old fishery is moved. Last year's chrysanthemums were left empty, and the flowers bloomed on the east fence.

8. The Sapphire Case

Song Dynasty: Cao Group

If you have plans to return to the countryside, you must return early. It is better to be poor at home. How far have we gone from north to south? Time is running out, poor young people, drifting into old age.

The remaining lights in the lonely pavilion shine. I woke up from the dream when I was startled by homesickness. The moon is falling, the sky is dark, and the river is dawning. There was a chicken singing, the horses neighed, and people got up and went to Chang'an Road again.

9. The capital sent Xin to his hometown

Tang Dynasty: Meng Haoran

The layman Xin from the southern country said he would return to the old bamboo forest. It has not been used for adjusting the tripod, but it only has the heart of Jichuan.

For those who have forgotten their plans, their countryside is in Hanyin. Because you are going to your hometown, I send you a poem from afar and sing slightly.

10. Looking for an old friend in Tanxi

Tang Dynasty: Meng Haoran

Flowers accompany dragon bamboo, and the pond is divided into leaping horse streams. The pastoral people were missing, and they were suspiciously hiding in the cave. 6. Poems about pastoral life

One of the five poems in "Returning to the Garden and Living in the Fields" by Tao Yuanming has no suitable vulgar rhyme. He loves hills and mountains by nature. He accidentally fell into the dust net and was gone for thirteen years. The bird is nostalgic for the past. In the forest, the fish in the pond think of their old abyss. The wasteland is opened up in the southern wilderness, and they return to the garden. The square house is more than ten acres, and the thatched house has eight or nine rooms. The back eaves are shaded by elms and willows, and the peach and plum trees are in front of the hall. The distant village is warm, and the smoke in the Yiyi ruins is heard. Dogs bark. In the deep alley, roosters crow and the mulberry trees top the trees. The courtyards are dust-free and the empty rooms have plenty of leisure. After being in a cage for a long time, you can return to nature. Secondly, there are few people in the wild, and there are few martingales in the back alleys. During the day, the trees are hidden behind the trees, drinking wine. Jue Chen thought. At that time, there were people walking around in the ruins, wearing grass and walking around. We met without saying a word, but the road was full of mulberry and hemp. The mulberry and hemp days have been long, and my land has become vast. I am often afraid of frost and sleet, and they are scattered together with the grass. There are three types of beans at the foot of the southern mountain. The grass is full of bean sprouts and the bean sprouts are sparse. I wake up in the morning to clean up the wasteland and return home with a hoe after the moon. The road is narrow and the grass and trees are long. The evening dew stains my clothes. I don’t regret the stains on my clothes, but I have fulfilled my wish. It has been four years. Go on a trip to the mountains and marshes, and have fun in the wild woods. Take your children and nephews with you and walk in the deserted ruins. Wander among the hills and ridges, where people still live in the past. There are ruins of wells and stoves, and decayed mulberry and bamboo trees. I want to ask about the firewood collectors, these people are Those who are as good as a salary told me that there will be no remnant after death. I have abandoned the court and the market for a lifetime, and this statement is true. Life seems to be an illusion, and it will end up in nothing. The fifth regret is to return alone, and it is rugged and winding. The mountain stream is clear and shallow, When I meet, I wash my feet. I pour my newly cooked wine, and the two chickens bring me close. When the sun enters the room, it is dark, and the thorn bushes replace the bright candles. The joy comes and the evening is short, and it has returned to the sky. Introduction to the poet Tao Yuanming (365-427), His courtesy name was Yuanliang, and his given name was Qian, and his courtesy name was Yuanming. He was also nicknamed Mr. Wuliu. After his death, his relatives and friends privately gave him the posthumous title of Jingjie.

A native of Chaisang people in Xunyang (now Jiujiang City) in the Eastern Jin Dynasty.

Writing background In the second year of Jin Yixi, that is, the year after Yuanming resigned from Peng Zeling, the poet wrote five famous poems "Returning to the Garden and Living in the Fields". This is the poet's farewell to the old and his hymn to welcome the new. What it means The profound ideological changes it reflects and the exquisite and mature artistic skills it expresses have not only been valued by scholars who have always studied Tao Yuanming, but also attracted the majority of Tao poetry lovers. Appreciating the five poems of "Returning to the Garden and Living in the Fields" is an inseparable part. An organic whole. The reason why it is so is not only that the five poems depict the poet's rich and fulfilling secluded life from three aspects: resigning from officialdom, gathering with relatives and friends, enjoying farm work, visiting old friends, and drinking at night. More importantly, in terms of their location, In terms of the emotions expressed, this set of poems runs through the natural nature and joyful taste. Although there are emotional turmoil and turning points in the poems, the joyful and optimistic bright colors shine through the whole poem. . Some commentators are happy to praise Yuanming's "no stickiness" in his chest. In fact, there is still some "stickiness". That is to say, taking the "Return and Lai Xi Ci" written by Yuanming when he resigned from office, it is not true. Is there also the sentence "I am sad but only sad"? That is to say, there is always a sense of melancholy in his heart. A truly pure soul is not born (even though the poet repeatedly declares that he is "rarely unconventional") Rhyme, nature loves hills and mountains"), but it gradually becomes clear in the process of constantly filtering out impurities in thoughts. Just as a person does not want to touch the hidden pain in his heart, the poet is also very reluctant in "Returning to the Garden and Living in the Fields" Referring to the filthy officialdom that he had just emerged from, "falling into the dust by mistake", there is a sense of regret and self-blame. And "having gone for thirteen years" refers to the fact that he "went to Lei to study as an official" since he was 29 years old. , at the age of 41, "How could I bow down to a village boy for fifty buckets of rice" and resign from the magistrate of Pengze County? It has been a decade of ups and downs in the officialdom. However, today I finally got my wish, and I feel relieved at this moment. " The square house has more than ten acres, and there are eight or nine thatched houses." It is filled with a kind of hometown that remains the same, and the affection of "I love my house". "The elms and willows shade the back eaves, and the peach and plum trees in front of the hall." The shadows of the elm and willow trees dance behind the eaves, In the dense overcast land, the breeze calmed the anxiety in the poet's heart. The peach and plum blossoms in front of his eyes were flourishing and posing in front of the hall, which aroused much joy in the poet's heart. The poet was exchanging feelings with the ignorant plants and trees. Looking far into the distance, the smoke from the cooking pot melted into the dusk, and he listened carefully. , vaguely heard the barking of dogs and the crow of roosters. The pile of documents and files in front of him disappeared, replaced by the beloved "Qingqin" and "Strange Books". Ji Kang wrote "There are many things in the world, and the pile of cases", "Guests are piled up" Sitting there, the sound is loud, the noise is noisy and the smelly place is full of tricks." ("The Book of Severing Diplomacy with Shan Juyuan") is regarded as the reason why he is not worthy of being an official. Here, the poet seems to have used it intentionally or unintentionally. The word "dusty net". He tells us that everything that we struggled with in the past to deal with the "dust net" does not exist and will never exist again. In this sense, it does feel a bit like an "empty room"; but there is something in the emptiness. In fact, he restarted a life completely arranged and controlled by himself. "After being in a cage for a long time, you can return to nature." "Jiu" echoes "thirteen years", and "cage" echoes "dust net". "Natural" and "nature" complement each other, and the word "return" points out the joy of "the return of the soul". Yes, officialdom has eroded half of my life and stained my "purity", and today, after all the hardships, the joys come, The poet finally received gratifying compensation. "There are few people and things in the wild, and there are few people in the back streets." I think these two sentences should be understood in reverse: "In order to rare people and things, I came to the wild, and in order to avoid social media, I came to the wild." "Living in a secluded alley". Please note that this is not an objective narrative, but a subjective choice. The poet retreated from officialdom to the "wilderness", from the "wilderness" to the "back alley", "the sun covers the bushes" ", and sitting in the room silently, "having no thoughts about wine". Take precautions at all levels, avoiding the world for fear that it will not be too far away, forsaking friendship for fear that it will not be enough, and abandoning worldly worries for fear that it will not be exhausted. Is the poet too lonely, and even a little far away? As for human feelings, the poet seems to want to deliberately dispel people's misunderstanding, and unfold his own life and spiritual world for us: "When the market returns, people come and go, wearing grass and walking around." Although he does not have the idea of ??"three paths" , but they have their own colleagues who come and go frequently. "There are no words to say when we meet, but we have long conversations." They have a favorite topic. Life in the countryside is simple and even poor, quiet and even lonely. However, it is also true that It is this kind of environment that enables people to acquire a common language and cultivate a simple and sincere feeling. "Hearing many honest people makes me happy and counting the mornings and evenings." ("Migration") The poet did not hesitate to live in poverty, and his children The generation is "young and hungry" ("Yu Ziyan"), and what we are striving for is this true love between heaven and earth. A new life must start from working hard to wash away the shame of being trapped in the officialdom. Perhaps it is the shackles of official status. , The reason for the decline in physical fitness may be that after being away from the countryside for a long time, the agricultural skills are a bit neglected. "The grass is full of beans and the bean sprouts are sparse", and the farming is not good. What is revealed here is a feeling of self-ashamedness and self-encouragement. "Morning Xingli" "Desolate and filthy, return home with the moon and the hoe." Just looking at the time, we can also see the poet's great determination and diligence. He also cleaned up the "desolate and filthy". 7. What are the poems about pastoral life?

1. Dongxi Mei Yaochen When I walked to Dongxi to look at the water, I sat on the isolated island and it was late to leave the boat.

The wild ducks sleep on the shore, enjoying their leisure time, and the old trees are in bloom and have no ugly branches. The short bulrushes are neatly cut together, keeping the flat sand and gravel in a sieve.

Although the love never gets tired of staying, the carriage and horses are tired when I return in the evening. 2. Residence in Wangchuan is presented to Pei Xiucai Di and Wang Wei. The cold mountains turn green and the autumn water flows.

Leaning on a stick outside the firewood door, listening to the evening cicadas in the wind. The sun is setting over the ferry, and the lonely smoke is rising in the ruins.

On the day of return, I was drunk and singing wildly in front of the five willows. 3. Jiangcun Du Fu The Qingjiang River hugs the village, and the Changxia River Village is quiet.

The swallows on the beams come and go, and the gulls in the water are close to each other. The old wife draws paper to make a chess game, while the child knocks needles to make a fishing hook.

But if there are old friends offering Lumi, what else can a tiny body ask for? 4. Water Fairy. Ode to the South of the Yangtze River by Zhang Yanghao A river of smoke and water illuminates the blue sky, and people on both sides of the strait connect their painted eaves. The autumn light is dim in the lotus bushes, and I can see the sand gulls dancing again and again, and the fragrant wind rolls up the ten-mile bead curtain.

Painting boats are coming to the horizon, wine flags are blowing out of the wind, love is killing Jiangnan. 5. Living in seclusion in early summer, Lu You. The Weng family is placed in the scenic spot of lakes and mountains, and the path in the middle of the field is sloping in the shade of locust trees and willows.

Sometimes you can watch herons when the water is full, and there are frogs singing everywhere in the deep grass. The dragon has overgrown its bamboo shoots, but the wooden pen is still in bloom.

Sighing, old people come and go, old friends die, who comes to sleep and drink tea in the afternoon. 6. Chuzhou West Stream Wei Yingwu The lonely grass grows beside the stream, and there are orioles singing in the deep trees.

The spring tide brings rain that comes late, and there is no boat crossing the wild river. 7. Jiyu Wangchuanzhuang by Wang Wei Jiyu empty forest, fireworks are late, steaming rice is cooked.

Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees. In the mountains, I quietly watch the hibiscus trees, and in the Qingzhai under the pine tree, I fold the dew sunflowers.

Let the old man compete with others for a seat. The seagull is even more suspicious of what happened. 8. Yuguoshan Village Wang Jian There are one or two roosters crowing in the rain, and the bridge on the road in Zhuxi Village is slanted.

The woman and the aunt called each other to bathe the silkworms, and they were busy with the gardenias in the courtyard. 9. Inscribed on Yangzhou Zenzhi Temple by Du Mu. After the rain, the cicadas make a noise, and the pines and osmanthus flutter in the air.

The steps are covered with moss, so the white bird stays late. There are deep trees growing in the dusk mist, and the setting sun sets under the small building.

Who would have known that Zhuxi Road, where Gechui is located, is Yangzhou.