Classic Quotations from The Art of Travel

The Art of Travel: The Complete Works of Classic Quotations

In study, work and even life, many people are familiar with some widely circulated quotations, which refer to a person's speech record. What are those widely used quotations like? The following is the complete collection of classic quotations from The Art of Travel that I collected for you. Welcome to reading. I hope you will like it.

The classic art quotations of travel 1 Real life is like a lingering feature film, and our memories and expectations are only for selecting wonderful pictures.

-The art of travel in Alain de Botton.

The only reason why people are unhappy is that they don't know how to stay quietly in their rooms.

He looked at the sofa with the eyes of a traveler and rediscovered some of his own characteristics.

The pleasure we get from traveling may depend more on our mood when traveling than on the destination itself.

What is the mood of traveling? Perception is perhaps its most important feature. We came to a new place with humility. We have no preconceived ideas about what is interesting.

-The art of travel in Alain de Botton.

"What really matters is what you think and see, not speed. Bullets flying too fast is not a good thing; A person, if he is really a person, walking slowly is harmless; Because his glory lies not in walking at all, but in personal experience. "

-The art of travel in Alain de Botton.

The old soul in the cave of the big banyan tree: memory, like expectation, is a tool to simplify and edit reality. Now life is like a long interwoven film, and our memories and expectations are only for choosing wonderful pictures.

-The art of travel in Alain de Botton.

The pleasure we get from traveling may depend more on our mood when traveling than on the destination itself. Traveling alone seems to have an advantage. Our view of the world is usually greatly influenced by the people around us, and we reconcile our desire for knowledge to meet the expectations of others. They may have decided who we are, so we must consciously hide something about ourselves. "I didn't expect you to be the kind of person who is interested in highway bridges." They may express their views in a tone that makes you uncomfortable.

-The art of travel in Alain de Botton.

Nature can make people understand our hearts, it is quiet and beautiful, and it brings us lofty thoughts. No matter the bad words, prejudice, selfish contempt, unfriendly greetings and indifferent human feelings in daily life, we can't defeat us or deprive us of this happy belief. What you see in your eyes is a gift from God.

-The art of travel in Alain de Botton.

At the moment when we meet beauty, we will have a strong impulse, that is, a desire to cling to it: keep it for ourselves and make it an important part of our lives. We have an urgent desire to express: "I am here, I saw it, and it is very important to me."

-The art of travel in Alain de Botton.

"Real life is like a hospital. Everyone is tired of changing beds. Some people like beds near radiators, while others like windows. "

-The art of travel in Alain de Botton.

Taking pictures can slightly satisfy the possessiveness aroused by the beauty of a place; Our anxiety about losing a picture of Zhang Zhengui will gradually disappear with every blink of the shutter.

-The art of travel in Alain de Botton.

Traveling alone seems to have an advantage. Our view of the world is usually greatly influenced by the people around us, and we will reconcile our thirst for knowledge to meet the expectations of others. They may have decided who we are, so we should consciously hide something from ourselves. "I didn't expect you to be the kind of person who is interested in roads and bridges." They may express their views in a tone that makes you uncomfortable. Being closely observed by our peers will prevent us from observing others, busy looking more normal and affect our thirst for knowledge.

-The art of travel in Alain de Botton.

What exactly does it mean to get something from travel in order to enrich your life? Nietzsche made some suggestions. He imagined a person who was frustrated with the present situation of German culture and any attempt to improve it. This man went to a city in Italy, such as Siena or Florence, and found the well-known "Italian Renaissance" just because of the efforts of a few Italians. With luck, perseverance and suitable sponsors, they changed the social fashion and value orientation of this song.

-The art of travel in Alain de Botton.

We see stars and waves; We also saw the beach; Although there are many troubles and sudden disasters, we are always bored here. -Baudelaire's Journey "For me, I always want to be in a place where I don't live now, so going to another place is always a happy thing for me." "Anywhere! Anywhere! As long as it is outside my present world! " Train, let me go with you! Ship, get me out of here! Take me far away. Here, the soil is full of tears!

-The art of travel in Alain de Botton.

City people have no definite views, and they are limited to hearsay and conformity in the street or at the dinner table. Although they live comfortably, they never give up chasing new things, even if they don't lack anything. Happiness has nothing to do with what they want to chase.

-The art of travel in Alain de Botton.

Powerful but despicable things make people feel humiliated, while powerful and noble things make us afraid.

Shame is the eternal crisis of mankind. Our will is often violated and our wishes are often blocked. The lofty scenery will not directly expose our shortcomings. Their attraction lies in providing us with a novel and effective way to face the shortcomings we are willing to be familiar with. The magnificent scenery repeats the lessons that daily life often teaches us in a magnificent way: the universe is powerful and human beings are fragile; Human life is fragile and short;

-The art of travel in Alain de Botton.

Flaubert's Definition of the Motherland In Flaubert's view, a person's nationality should depend on the place he likes. "For me, the motherland is a country I love, in other words, a country that gives me dreams and makes me comfortable."

-The art of travel in Alain de Botton.

It is much easier to find valuable factors in artistic works and expectations than in real life. Expectation and artistic imagination omit, compress or even delete the boring time in life, and lead our attention to the wonderful time in life without embellishing or faking it. As a result, their life charm is vivid and orderly. This charm and order can't be presented in our chaotic real life. Memory, like expectation, is a tool to simplify and edit reality.

-The art of travel in Alain de Botton.

Only by swallowing a toad in the morning can you ensure that you will not encounter more disgusting things all day.

-The art of travel in Alain de Botton.

Everyone loves beauty, but the so-called "love" itself is very complicated, and this proposition itself is not so simple. Only the beauty in travel, Allen said, love is possession, taking photos, signing in, buying souvenirs, drawing and writing, not staying in the contact provided by technology, but really entering but having beauty or appreciating beauty. However, the painting method he advocated disassembled the scene step by step, including light and shade, color, size, angle and composition. In the process of reconstruction, he shifted from loose observation to another position, gained a deep understanding of the components, and then had a deeper memory of beauty.

-The art of travel in Alain de Botton.

The smallest part of nature is infinite.

-Allen de Burton, The Art of Travel.

There are several freezing points in life, which make us refreshed in difficulties, let us keep climbing, inspire us to climb higher at heights, and inspire us to stand up again when we fall.

-The art of travel in Alain de Botton.

Wordsworth said that nature will lead us to look for "all the beautiful and kind things that exist" from life and from each other, which is naturally "the image of beautiful ideas" and has the function of correcting distorted and deformed urban life.

-The art of travel in Alain de Botton.

Nietzsche: "Realist painters are completely loyal to nature" —— A big lie: How can nature be confined to a painting? The smallest part of nature is infinite! So he drew what he liked. So what does he like? He likes what he can draw! "Painters are not simply reappearing, they choose and emphasize, and at the same time they are committed to expressing the truth in their eyes, which deserves sincere applause. We found many things. At first, the pictures on the canvas made us feel very happy, and later we fell in love with them in the places depicted in the painting.

-The art of travel in Alain de Botton.

One of the dangers of traveling is that we can't wait to go sightseeing before we have accumulated and possessed the required acceptance ability, which leads to the wrong timing. Just like the lack of a chain to string beads into a necklace, the new information we receive will become worthless and disorganized.

-The art of travel in Alain de Botton.

The key factor that constitutes happiness is not material, nor aesthetic, but always psychological.

-The art of travel in Alain de Botton.

What a person gets from traveling is not how many beautiful places he has been to, but how many beautiful stories he has found in one place.

-The art of travel in Alain de Botton.

But beauty is short-lived. It is often in places where we never have a chance to meet again, or in certain seasons, light and weather conditions.

-The art of travel in Alain de Botton.

Bad art can be defined as the result of a series of wrong choices, which are not displayed, but the omitted ones are displayed.

-The art of travel in Alain de Botton.

The only reason why people are unhappy is that they don't know how to stay quietly in their rooms.

-The art of travel in Alain de Botton.

Classic Quotations from The Art of Travel 2 1. Painting can teach us to observe: not to glance, but to pay attention. In the process of recreating the scene by hand, we seem to naturally move from a loose position to another position, where we can have a deeper understanding of the elements of beauty and then gain a deeper memory of beauty.

2. Various phenomena in nature, including birds, streams, daffodils and sheep, are indispensable, because they can correct and treat the troubled minds of urbanites.

I forced myself to follow a special spiritual command: look around as if I had never been here. Slowly, my trip began to pay off.

4, painting this love stems from a desire. "Not for fame, not for serving others, not for myself, but for an instinct like eating or drinking." Painting, eating and drinking water can be compared, because they all involve absorbing good elements from this world and importing good things.

5. Users don't regard photography as a supplement to active and conscious observation. On the contrary, they regard it as a substitute, thinking that as long as there is a photo, they have mastered a part of the world.

6. Painters are not simply reappearing, they choose and emphasize, and at the same time devote themselves to expressing the truth in their eyes, which deserves sincere applause.

7. There was no fog in London before Whistler painted the fog in London. Before Van Gogh painted the cypresses in Provence, there must have been many fewer cypresses in Provence.

8. Night is more colorful than day ... Only when you pay attention to it, you will see that some stars are pale yellow, while others glow pink, or green, blue and forget-me-not. Needless to say, it is obviously not enough to add white dots on a blue-black background.

Ruskin told us, "I would rather teach my students to draw and let them learn to love nature than to stare at nature and let them learn how to draw."

10. Why does Flaubert appreciate camels so much? An important reason is that he agrees with the calm, tough and simple nature of camels. He was moved by camel's sad expression and fatalistic survival ability revealed in simplicity. Egyptians seem to have a camel in their nature: they show courage and humility in silence.

1 1. Another benefit we may get from painting is that we can clearly understand the deep-seated reasons why some landscapes and buildings attract us.

12, living in the city with a tourist mentality.

13 rather than trying to accurately reproduce the picture in front of me, I prefer to use colors at will to express myself forcefully.

14. Some people know how to make use of their ordinary experiences in daily life to make themselves fertile ground. When we observe all this, we will divide people into two categories: one can turn decay into magic, and the other can turn magic into decay. Most people are the latter, and the former is rare.

15, the exoticism we found in a foreign country may be what we will suffer in our own country.

At 16 and XXXX, I sincerely like to stay with the osmanthus trees in my yard.

17, pay attention to what we see before going far away.

My goal is not to turn a craftsman into an artist, but to make him a happier carpenter.

19 If you can't enjoy the loneliness of the journey like edward hopper, experience the ups and downs like Flaubert, have a strong yearning for the East like alexander von humboldt, have a curiosity and rich knowledge reserve like alexander von humboldt, and if you don't have much appreciation for beauty and art, then think twice about traveling, or take a walk in your bedroom?

20. Just like seeing the cypresses painted by Van Gogh, we know how to appreciate cypresses better.

2 1, leaves are a rich green when they are fresh, which we seldom see in the north. When it withered and covered with dust, it still didn't lose its beauty, because at that time, the whole landscape had been stained with various shades of gold, green gold, yellow gold and pink gold ... This golden tone combined with blue, including aquamarine and forget-me-not indigo, especially bright cobalt blue.

22. Your art is a compliment to what you like. It may just be a compliment to a shell or a stone.

23. But beauty is short-lived. It is often in places where we will never see each other again, or a rare sight that can only be formed under certain seasons, light and weather conditions.

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