What is the postgraduate entrance examination for Lumei?

Lu Mei’s latest 2021 postgraduate entrance exam color still life is a calf doll, a few apples, a few cherries, two chairs (wood, plastic), crystal glass bottles

From the examination questions over the years, it can be seen that the difficulty is basically the same as in previous years. However, one thing that has changed this year is that the real examination questions have increased the difficulty of composition and highlighted the performance of the material.

Wood material: chair

Plastic material: stool

Soft material: fabric toys

Things you should pay attention to if you want to get high scores

1. Composition; 2. Warmth and cooling Change; 3. In-depth shaping; 4. The overall picture.

From the perspective of several material differences, the test questions focus on the candidate's analysis and in-depth depiction ability. The most important assessment method at the graduate stage is the modeling ability. In terms of materials and pen techniques, the requirements are quite particular. The scoring standards for the color of the Lumei Postgraduate Entrance Examination are divided into five levels.

A level above 135, the composition is complete, the color relationship is correct, and the expression is strong. It fully meets the examination requirements and vividly expresses the texture of the material. (Complete the painting in advance and adjust the picture to improve it)

B file 134-120, the composition is relatively complete, the color relationship is relatively correct, the shaping performance is basically accurate, and the shape can be modeled according to the requirements of the picture. The performance is better. (Allow time in advance to finish the painting)

C file 119-105, the composition is basically complete, the shape is basically correct, and it has a certain expressive power. The texture performance did not meet the examination requirements. (Done in a hurry)

D file 104-90, the composition is relatively complete, there are some problems with the shape, but the deviation is not big. The texture quality did not meet the examination requirements. The expression is average, and the texture performance does not meet the examination requirements. Poor foundation and no long-term training. (It is possible that the painting will not be completed)

E-level below 90, the composition is incomplete, the perspective shape is greatly deviated, and the color relationship is confusing. There is no systematic study. The foundation is poor. (The drawing is basically unfinished)

From the past ten years of exam teaching experience, there are a few points to remind future 2022 candidates to focus on tapping on the blackboard.

1. Because the focus of the Lumei exam is different from that of other general schools, students regardless of whether they have art foundation or zero foundation need to consolidate their sketching modeling abilities from scratch. There should be no opportunistic thoughts. The reason why color still life is tested is that it also requires basic skills in sketching and modeling. Therefore, for many cross-major students, you must be mentally prepared. The postgraduate entrance examination in Lumei and Meizhou is not as easy as you think, but blindly confident people emerge every year who think that they can get into the Academy of Fine Arts in this way. Especially if you don’t understand that the candidates in Lumei and Meizhou memorize information in yy white text. If you can get admitted to the graduate school of the Academy of Fine Arts with just a few tricks, you are simply fanciful. Sorry, I'm sorry that the Academy of Fine Arts' preliminary design exam does not test rote written knowledge. If you take the exam with this kind of mentality, I advise you not to apply to the Academy of Fine Arts. It is better to take the postgraduate entrance examination of some ordinary colleges and universities with low requirements for rote memorization.

Many blindly confident students think that they can get into the Academy of Fine Arts in this way

Lu Mei Postgraduate Entrance Examination Exam Questions Prize

Lu Mei’s modeling ability has relatively high requirements for candidates

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2. Study time: For students taking the postgraduate entrance examination, 1-1.5 years must be reserved for the study cycle. Especially during the current epidemic period, the examination of candidates' self-management ability is very strict. If you cannot Good use of time. Eventually you will fail miserably. Therefore, you must spend enough time to take the Academy of Fine Arts exam. One year can only be said to be just enough time, and it should not be less than 6 months at least, because many people find that they can't finish painting if they don't practice coloring enough. There are even many people who are not anxious to wait until the exam before drawing a few pictures to cope with it. You are determined to be the denominator of the postgraduate entrance exam crowd. Let me tell you the fact that the people who actually passed the exam have practiced at least 200 times.

3. Learning methods: Learning methods are divided into online and offline combinations. In the Internet era, many smart people will find the best way to obtain exam information through the Internet. If a person wants something, he will do everything possible to search for it. By comparing the existing information, he will select the most useful parts for him. In contrast, people who don’t want to learn will have 10,000 reasons to make excuses for not learning. Therefore, regardless of the online or offline teaching format, the final result still depends on the subjective initiative of the learner. The online and offline teaching format is only a necessary objective condition. People who know how to learn will draw inferences after the teacher gives lectures, but those who don’t know how to learn may not necessarily draw inferences from others after the teacher lectures.

Usually start from bit by bit

Key points to pay attention to when coloring

1. Starting shape

1) Starting shape Color selection

When novice artists are creating shapes, they usually start with pencil. Once there are no problems with the composition, they start with gouache. The colors commonly used when starting gouache drafts include dark colors such as plain and cooked brown, because these colors are easier to modify and cover.

2) Composition problem.

The commonly used compositions we use include the following:

·Triangle: solid, stable, and least prone to mistakes.

·Circle: compact and soft, with a full picture.

·S-shaped, V-shaped: the picture is lively and full of rhythm.

·Horizontal linear shape: calm and open, with tension in the picture.

·Vertical line shape: solemn and solemn, the picture feels rigorous.

Note: The above compositions are likely to be exposed to art students. During the drawing process, you need to pay attention to the overall effect of the picture. Don't be too crowded, don't be too loose, and pay attention to moderation.

Triangular composition, polygonal composition, circular composition, horizontal composition, C-shaped composition, S-shaped composition

2. Spread large color blocks (first pass of color)

This stage There are four main things you need to do:

·Find the inherent color

·Distinguish the relationship between light and dark, determine the black, white and gray

·Determine the tone of the picture and unify the light source< /p>

·Initially grasp the form of still life

Note: At the stage of laying color blocks, some candidates are prone to get stuck in details. In fact, color is the same as sketching. You must always pay attention to the overall picture and never stick to a certain object.

3. In-depth stage (second color pass)

This stage is an in-depth characterization stage. There are many points that need to be paid attention to, such as:

Because There is a base color in the first pass, so the color in the second pass needs to be fuller. Don't worry about the second pass of color completely covering up the first pass, this is inherently an in-depth process.

·Pay attention to the depiction of the body. Strict body shape will make the picture look calm and clean, and try to avoid frizzyness. Don’t make your brushstrokes too greasy, crisp brushstrokes are a plus.

·Always pay attention to the relationship between light and dark. Here I borrow the classic jingle: the dark part of the light part cannot be darker than the light part of the dark part, and the light part of the dark part cannot be lighter than the dark part of the light part.

·Pay attention to the use of environmental colors. Environmental color is a phenomenon that is mainly affected by natural light and artificial light, causing changes in the inherent color of objects. As long as objects live in the same environment, they will be more or less affected by the color of the environment. Especially hard and smooth objects will be more affected by environmental color.

·Pay attention to the depiction of projection. Some babies easily ignore the existence of the projection, resulting in a floating picture without a stable feeling. When drawing a projection, you should also pay attention to the changes in virtuality and reality of the projection, and be careful not to draw the projection too rigidly.

·Pay attention to the relationship between virtuality and reality in the picture. The main principles can be referred to: near reality and virtuality far away, realness in front and virtuality behind, hard reality and virtuality far away.

4. Detailed characterization and subsequent adjustments (the third color pass)

This stage is the final adjustment stage of the picture. What needs to be done in this stage is basically the same as the work that needs to be done in the in-depth stage. Consistent, but just pick out the parts that need tweaking.

In addition, if the previous parts are all about addition, this part may require appropriate subtraction. For example, if there are areas that are overly painted or areas that affect the overall picture, they should be appropriately reduced.

In this part, we also need to pay attention to some details, such as whether the highlights are placed in the correct place, the shape of small objects, and whether the shadows are drawn in place, all of which need to be carefully adjusted.

The following are the training works of zero-based students and their usual works are for reference only to inter-professional candidates