Who is Li Keran's son?

Li Geng was born in Beijing on 1950. 1986 oriental art is taught by the school of art, Minsk technical university, Germany. From 65438 to 0986, he was an art professor in the academic department of Kyoto University of Plastic Arts in Japan. He is currently the Executive Dean of Li Keran Painting Academy, an academic member of Li Keran Art Foundation, a researcher at China National Painting Academy, and a professor and researcher at Kyoto University of Plastic Arts.

National first-class artist, librarian of central research institute of culture and history, director of China Artists Association, member of Chinese Painting Committee of China Artists Association, member of China Photographers Association, director of Beijing Painting Academy, chairman of Li Keran Art Foundation, president of Huangshan Painting and Calligraphy Institute, director of China Tibetan Culture Protection and Development Association, director of China Painting Society, vice president of Heshan Painting Society of China Artists Association, and president of Huang Art Research Association.

Influenced by his family, Li Xiaoke loved Chinese painting since childhood. In 1970s, he began to help his father Li Keran create and live, and systematically studied China's landscape paintings under his father's guidance. Since the 1980s, he has traveled to Tibet, Qinghai, the source of the Yangtze River, the source of the Yellow River, Gansu and other western Tibetan areas to sketch, photograph and experience life. In recent years, I have been to Huangshan, Taihang Mountain and Yanshan Mountain for many times to sketch. While inheriting the tradition of Chinese painting and Li Keran's artistic spirit, artistic creation adopts an open attitude, pays attention to absorbing the nutrition of foreign art, deeply faces life and times, finds its own personalized painting language from the strong feeling of life, emphasizes expression on the basis of heavy experience, and forms a special expression style of ink painting. The ancient capitals of Beijing, Tibet and Huangshan have become three important parts of the "Mohist School" series of artistic creation. Their distinctive painting language and style have been affirmed and praised by professional circles, and have also attracted the attention and welcome of collectors at home and abroad. In 2003, he began to create a series of prints of Tibetan relics, exploring humanistic care and visual expression from a special perspective of Tibet, which aroused strong repercussions from the art world and all walks of life. Over the years, he actively participated in the popularization of public art, insisted on the education of China landscape painting, and trained a group of young and middle-aged landscape painters and students. He planned many important academic art exhibitions and paid special attention to the artistic development in Tibet. Since 2005, he has initiated and planned exhibitions of Tibetan contemporary paintings, such as Snow Field Color Training and Great Beauty Tibet, and made efforts to promote the development of Tibetan contemporary paintings. August 20 15, for commemorating the 70th anniversary of War of Resistance against Japanese Aggression's victory, he specially created a huge landscape work "Unity is Strength" for Tiananmen Gate.

Ink and print works are collected by many art galleries, important institutions and collectors at home and abroad.