Montage noun explanation

The term montage is explained as follows:

Montage (French: Montage) is a transliterated foreign word, originally an architectural term, meaning composition and assembly. It is often used in three art fields and can be interpreted as an artificial collage editing technique of meaningful time and space. It was first extended to film art, and later gradually became widely used in derivative fields such as visual arts, including interior design and art paint.

Composition

Montage generally includes two aspects: picture editing and picture synthesis. Picture synthesis: a unified picture work composed of many pictures or patterns juxtaposed or superimposed. Screen editing: The method or process of making this artistic combination is to arrange and combine a series of shots shot in different locations, from different distances and angles, and in different ways to narrate the plot and portray the characters.

Meaning

When different lens groups are connected together, they often have meanings that each lens does not have when it exists alone. For example, Chaplin's shots of herding workers into the factory gates were joined together with shots of herds of sheep; Pudovkin's shots of melting glaciers in spring were joined together with shots of workers' demonstrations, making the original shots take on new meaning.

Eisenstein believed that when two pairs of lenses are connected together, the effect is "not the sum of two numbers, but the product of two numbers." With the function of montage, movies enjoy great freedom in time and space, and can even constitute movie time and movie space that are not consistent with the time and space in real life.

Montage can produce a third kind of action besides actor's action and camera action, thus affecting the rhythm of the film. As early as not long after the advent of movies, American directors, especially Griffith, noticed the role of movie montage.

Later Soviet directors Kuleshov, Eisenstein and Pudovkin successively discussed and summarized the laws and theories of montage, forming the montage school. Their relevant works had an impact on film creation. far-reaching impact.

Theoretical function

Choose and choose materials through the cutting and combining of shots, scenes, and paragraphs, so as to make the performance content clear and achieve a high degree of summary and concentration .

Guide the audience's attention and stimulate the audience's association. Although each shot only shows a certain content, combining shots in a certain sequence can standardize and guide the audience's emotions and psychology, and inspire the audience to think.

Create a unique film and television time and space. Each shot is a record of real time and space. After editing, the time and space are recreated to form a unique film and television time and space.