Traditional Culture Encyclopedia - Photography and portraiture - What do you think of photography as a major or profession?

What do you think of photography as a major or profession?

(1) At the beginning of photography, I still felt that I had taken a good shot when I saw what I had taken.

Generally speaking, the cinematographers at this stage have just bought a camera and are shooting wildly everywhere, feeling confident and surprised, especially those who have just bought a SLR camera, and the shooting effect is too good compared with the previous DC. Of course, it is not excluded that hand-held SLR always uses P gear or automatic gear. I just bought a digital SLR and took more than 30,000 photos a year. It's really a slap in the face, and I don't know what the shutter feels like. Generally speaking, the works produced at this stage do not pay attention to composition and light ratio, and there are even many burnt works. What can I say? Enjoy it and cherish yourself.

(2) began to learn everywhere, pay attention to imitation, and gradually have some decent works.

At this stage, cinematographers began to pay attention to technical learning, but they often only learned how to zoom to shoot the explosion effect, how to shoot with follow-up, and how to shoot images with glasses, which means something metaphysical, but at this time, people often began to call you master, haha, very interesting.

(3) Scared, afraid to shoot, afraid to take out the camera, afraid that the work will not be recognized.

Film friends who can reach this stage have generally accumulated a certain amount, and began to pay attention to the quality, composition and content expression of their works, and began to be strict with themselves, unwilling to waste the shutter at will. In fact, many cinematographers may feel strongly at this stage, mainly because they have reached a bottleneck stage. If they break through the technology, they will make great progress and form their own style. If they can't break through, they may never make any special films again. It's a little extreme, but it's roughly the same.

(4) The stage where there is no sword in the heart and a sword in the hand.

If film photographers pay attention to study, accumulate more in technology, think and summarize more in life, and dabble in literature and art, they will reach the level I said. There may be many levels at this level, but in general, you can still shoot excellent works freely. Of course, every time they shoot, such photographers will carefully consider, plan ahead, choose different perspectives and different ideas to shoot, and the films they shoot will naturally be extraordinary.