What is the difference between panorama, middle shot, close shot and close-up in photography?

In photography, panoramic view, middle view, close view and close view are distinguished mainly according to the parts of the characters. The specific methods are as follows:

Panoramic picture: it mainly shows the whole body of the characters, with a wide range of activities, clear figure, dress and identity, and clear environment and props. When shooting the interior, it is usually used as the general angle of the camera.

Mid shot: The picture stuck in the left and right parts of the knee or under the picture of the local scene is called the middle shot.

Close-up photo: When shooting a person's chest or a part of an object, it is called a close-up photo. Close-up images are the embodiment of observing people at close range, so close-up images can clearly see the subtle movements of people.

Close-up picture: the lower edge of the picture is above the adult's shoulder, or the part of other subjects is called close-up. Close-ups are full of pictures and closer to the audience than close-ups

Extended data:

Application of Jing turtle;

As a single picture, Jingbie only expresses a visual form, and once they are arranged and combined with the content, they will inevitably play a vital role in the expression and performance of the drama content and narrative focus.

From the analysis of visual language and lens law, the more important the narrative content is, the more we should adopt a series of scenes such as middle shot and close shot. On the other hand, it adopts a series of visions and panoramas. Of course, this is a routine method for directors and photographers to handle shots for the main characters, and its starting point is mainly to design and use scenes for the actions of the characters.

In modern film language, people pay more and more attention to scenery as an element of environmental modeling, which has formed a change in the concept of narrative lens. Drama content, narrative focus and environmental modeling have become the main focus of visual language appeal. This makes the panoramic series of scenes visually compatible.

Photographers should also proceed from the director's overall requirements, and make visual modeling stand out in the picture composition according to the narrative focus and the specific requirements of the drama content when completing different scenes.

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