Traditional Culture Encyclopedia - Photography and portraiture - Five forms of lens movement

Five forms of lens movement

There are five basic forms of motion shots: push, pull, shake, move and follow.

1, Push: Push the lens, push the lens, indicating that the subject is not moving, the shooting machine moves forward to shoot, and the shooting range changes from large to small. Pushing the camera forward can bring the picture closer quickly and attract the audience's attention to one point.

2. Pull: When the subject is stationary, the lens moves backward, and the field of vision changes from small to large, which can also be divided into slow pull, fast pull and sudden pull. The effect on the screen is retrogression, which can explain the environmental background.

3. Shake: The camera and video camera are fixed, the fuselage moves up and down, left and right, and rotates on the chassis on the tripod, so that the audience can look around as if they were standing in the same place.

4, mobile: also known as mobile shooting. Broadly speaking, all kinds of sports shooting methods are mobile shooting. However, in the usual sense, mobile mountain spring shooting refers to placing a camera and a camera on a vehicle to shoot an object while moving along a horizontal plane.

5. Shooting: Combined with shaking shooting, a shaking shooting mode can be formed.

6.Follow: refers to following the shooting. The following techniques are flexible and diverse, so that the audience's eyes are always fixed on the human body and objects being followed.

7. Dumping: it refers to throwing a shot, that is, sweeping a shot, that is, throwing it from one subject to another, showing a sharp change without revealing the traces of editing, as a means of scene change.

8. Up and down: refers to the rise of the shooting lens, and down refers to the decline of the lens. Clever use of lifting can strengthen the illusion of space depth and produce a sense of height. It is usually used to show the scale and momentum of events, or to show a person's subjective video in ascending or descending movements.