Why is photographer Dahl Wolf a fashion history?

Louise Dahl-Wolff was one of the most famous photographers in the middle of last century. She is a female photographer who combines art and fashion perfectly. Because she is good at shooting with outdoor natural light, she is known as an "environmental fashion photographer". Her works have a strong personal style, comfortable daily clothes and accessories that highlight women's self. Such simple, true and fashionable photographs have influenced many later masters. Through her lens, the model is elegant and calm, natural and elegant, but playful and chic. She opened the door to women's fashion. She filmed Bazaar at the age of 4 1 and filmed it for 22 years. Louise Dahl-Wolfe's selfie is as simple as the aunt in the cloakroom and quite self-deprecating.

Louise Dahl-Wolfe was born in 1895, a Norwegian immigrant family in San Francisco, California, USA. 19 14, Dahl-Wolf began to contact art at the San Francisco Art Institute. After that, she spent six years studying painting, anatomy and composition. Then 1923, Dahl Wolff came to new york Columbia University to study design, decoration and architecture. Long-term knowledge accumulation has laid a solid foundation for her to promote the relationship between art and fashion.

Dahl Wolff Redefines Fashion Dahl Wolff has been the main photographer of Bazaar of Fashion for 22 years, along with Carmel Si Nuo, editor-in-chief, Alexei Brodovich, artistic director and Diana Vreeland, fashion editor. It is here that she started the golden age of fashion photography together with Snow, the editor-in-chief and Vreeland, the legendary fashion editor. During her tenure, she has been advocating the change from a formal social photo to a natural and relaxed photography style-returning to nature and integrating nature with man. As a female photographer, the model is more independent and dominant under her lens, even if it is sexy, it is also a kind of "lazy sexy". This natural, true and slightly extraordinary photography style has been imitated by later generations. Dahl-Wolfe has played an important role in redefining the form of fashion, and her description of American fashion still affects people's ideas. When the photographer Louise Dahl-Wolfe was hired by Harper's Bazaar in 1936, what we now think of as fashion photography actually did not exist. Years later, Dahl-Wolff recalled that at the beginning of her career, "there were no real fashion photographers at that time, only master artists like edward steichen happened to be doing fashion shooting."

An indissoluble bond with independent women. Carmel Si Nuo, editor-in-chief, often goes to France, Spain, Tunisia, Cuba and other parts of the world with Paidar Wolff and freeland to look for inspiration, hoping to see unusual works. In addition to these amazing shooting locations, Dahl-Wolf and freeland's works also contain their unique styles-the female models they choose to shoot are independent women who have their own jobs and dare to consume champagne at will.

Husband is a key figure in Dahl Wolf's photography. Dahl-Wolff began to take up photography after meeting Anne W. Brigmann, a member of the early photography separation school. At first, she worked as a designer in new york for several years and briefly worked as a food photographer for women's family and friends. Dahl Wolf's first real fashion photography job came from Saks Fifth Avenue Department Store. Then on a trip across Europe and North Africa, she met her future husband, American painter and sculptor Meyer Wolf. Her husband gave her great inspiration in photography, including composition and characterization, which deeply influenced Dahl-Wolf's later works. 1933, the couple moved to new york.

Dahl Wolff's photography style explores the potential of models. During his tenure at Harper's Bazaar, Dahl Wolff shot 86 covers for the magazine and collaborated with classic Hollywood beauties including Vivien Leigh and Ingrid Bergman. There is a cover shot by 1943 for lauren bacall, a model aged 17. Lauren bacall on the cover of Vogue magazine caught the attention of director Howard Hawkes' wife, who introduced lauren bacall to him. After that, Howard Hawkes signed a filming contract with lauren bacall, and let her star in Prison Break with humphrey bogart.

At a personal retrospective exhibition of Louis Dahl-Wolff held in the Museum of new york Fashion Design Institute, Dahl-Wolff's works won the attention of everyone at that time. The photos she took concentrated on the "lazy feeling", which made people shine. Many people think that Dahl-Wolff's photos have a sense of harmony, implying accurate proportions in nature. The beauty presented by the model in the photo is from the inside out. Whether it is Leng Yan's coquetry or calm elegance, it perfectly combines the beauty and fashion of women.

Apply painting color theory to photography. In order to commemorate Dahl-Wolff's career and show the elegance of fashion photography in the first half of the 20th century, Aperture Publishing House will release Louise Dahl-Wolff's photo collection of the same name this month. This book comprehensively introduces the evaluation of the works of influential photographers. As the daughter of a Norwegian immigrant family, Dahl Wolf grew up in San Francisco. At first, she wanted to be a painter. She studied design, architecture and art history at the San Francisco Art Institute. When a painting instructor commented that her work was "the essence of superficial form", she gave up painting, and later she became interested in photography because of the influence of her alumni at that time. Dahl-Wolf still wrote in 1984' s autobiography "Photographer's Scrapbook", "My success as a photographer is mostly due to my previous practice, especially the knowledge I learned in color theory, which has helped me a lot". "I think Dahl Wolff was one of the first photographers who could use color film well. From the moment I saw her first color photo, I knew that Bazaar could become what I wanted, "Carmel Si Nuo, editor-in-chief of Bazaar, later wrote.

Having said that, let's enjoy it together. Fashion photographers in the middle of last century were different from today. Hang a film camera around your neck and take a model out to work. Without today's digital lens, lighting and other software and hardware, the beauty of photos is more real and natural. Here are some photos of Louis Dahl Wolff. Let's feel the charm of the master's lens together.

Perhaps, it is a fashion history in itself.

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