How to write a paper about light and shadow in photography?

Author: claude monet claude monet

Impressionism is an important stage in the transition of European art from realism to modernism in the middle of19th century. Impressionist painters entered the French painting world with an innovative attitude, pointing to Chen Xiangyin's classical painting school and artificial romanticism.

Monet, the greatest impressionist master who takes light as the leading role, once painted two paintings, one on 1875 and the other on 1886.

In the first painting, the characters in the picture are represented from the perspective of looking up. On the woman's side, the pleats rotate because of her rotation, which dynamically presents this subtle movement, while the parasol she holds balances the woman's movement.

The gray-green tone of the parasol blends with the sky, which blends the characters with the picture and makes them jump out of the silence. The clear sky is dynamic in front of people. The little boy in the distance in the picture deepens the layering of the picture, which not only highlights the woman holding the parasol, but also makes the distant sky look higher.

However, in Impressionism, "light is the real protagonist of the picture". This painting adopts the methods of juxtaposition, overlapping and complementary colors of primary colors, forming a new painting language. In order to express the dynamic changes of objects and the colorful strangeness of light, the painter adopted the method of juxtaposition of small strokes and tones. Some colors are no longer allocated on the palette, but yellow and blue are juxtaposed and sometimes overlap, and yellow and green, blue and orange are complementary and contrasted, which makes the colors produce new harmony in the strong visual impact.

Light and shadow only rely on these two figures to jump and shuttle in people's eyes. The sky behind a woman is as transparent and changeable as water, as if it could be punctured with one finger.

The sun shines on a woman's clothes through the blue sky. Because of the light and shadow, the dark color of a woman's upper body shows that she is in the shadow of an umbrella. Monet is good at capturing light and shadow on the skirt with the breeze-the brilliance of blue sky, the color of dark green grass, and the light yellow flowers at women's feet. They are reflected in women's skirts and sleeves. The flowers and plants leaning along the breeze at the woman's feet seem to smell the fresh taste of the mixture of soil and flowers.

Describing with vague brush strokes is a major feature of Monet's painting techniques. This is also the inevitable result that impressionism needs to pay attention to light and shadow rather than the theme itself. In this painting, we can still see the woman with an umbrella, but the appearance of her son who forms a triangle with her to stabilize the picture is simplified to a person with only two black eyes.

However, because of this, we don't have to dwell on the techniques of pictures, but we can spend more thoughts on the comfort of mother and son walking in the morning and the quiet and beautiful breeze and blue sky.

Therefore, the victory of Impressionism lies not only in that it has opened up a refreshing and strange road, but also in that it can record the painter's own feelings and pass them on to others. This kind of spiritual shock is incomparable to other schools.

It can also be seen that Monet's early work style emphasizes the instantaneous sensory color to build a gorgeous world composed of colors. It broke through the classicism that bound painting at that time, liberated painting from the simple realism of objects, and opened up a new school of painting that captured "the beauty of moments" with eyes.

The woman with a parasol, painted by 1886, is not far from the first painting in composition, and the characters are exactly the same in clothes. However, compared with the first painting, the characters are in a less important position, and Impressionists rarely draw characters. Color change in the landscape is Monet's eternal theme. Therefore, the second painting "Woman with a Parachute" is enough to see the trend of Monet and even the whole impressionism.

Large areas of dark green and brownish red are dignified colors in the painting. Instead of paying attention to the entanglement of light and shadow in the early sky and the influence of light and shadow on the characters, a picture is covered with more and more colors, and even the characters themselves are only part of the colors in the picture (the recognizable face of the woman in the previous picture is completely omitted here). In other words, we can feel that the wind in the picture is no longer the morning breeze, but the evening wind at sunset. The cloud behind the blowing word moves fast in chunks, and the burning sun shines on the grass, drowning the women's feet. The shadow formed by the parasol on the woman's upper body is in sharp contrast with the skirt that seems to be burning when the lower body is illuminated by the sun. The fluttering scarf gives people a visual impact.

Two almost identical works, the theme is a woman with a parasol, but the artistic conception is different from that of Wan Li. This is the core of impressionism-the light and shadow at this moment. Light and shadow are always changing, running water is fleeting, the colors in the air are myriad, and the flowers on the ground are enchanting. What remains unchanged is the capture of shadows and the follow-up of light.

This painting is Monet's early impressionist painting. In the middle of the photo, on the right stands a woman with a parasol, and on the far left is her son. It was a sunny morning, and two mothers and children were walking on the grass.

The whole painting only uses simple natural colors such as blue, green and brown, giving people a quiet and comfortable feeling. The female officials in the painting occupy most of the space in the picture and become the interesting center of the painting. And the younger son on the left also forms a triangle with the parasol and the young lady, which achieves a balanced effect.

Although this painting is Monet's early work, it can also be seen that he captures the light and shadow and instant impression in the painting well. The woman's face and upper body in the painting are dark, indicating that she is in the shadow of a parasol. The shadow area of the whole parasol, face, dress and grass is in contrast with the light color of the lady's dress (as is the younger son), just as it is seen in reality. In addition, the swaying headscarf and the folds on the long skirt also enhance the movement of the picture.