What scenes have become classics because of the actors' mistakes?

Take stock of those classic movies that have been made by a mistake, an accident and an accident.

The Storm of the Wharf (directed by elia kazan 1954)

One of the most famous scenes in film history-Marlon Brando and the White Gloves. From the seaside, from the 40th second to the 2nd minute and 03rd second.

In the film, Brando plays Terry as a gangster who is responsible for the death of Edie's brother. He wants to meet Edie and talk. It is conceivable that he will be full of embarrassment and guilt when he sees Edie. Seeing them talking while walking, Terry felt that a force for good was pulling him out of the evil control and his soul was being torn apart. Terry sometimes falls behind. She wanted to get rid of him, and he was afraid to face her. At this time, Edie took out a pair of gloves from her pocket to put them on, but one of them accidentally fell to the ground-it was a complete accident. Director Kazan could have stopped, but he wanted to see how Brando handled the accident.

Brando picked up his gloves. In this case, most actors will give it back to each other, which is natural and will not interrupt the progress of the play. However, Brando unexpectedly played with gloves and seemed not ready to return them. Eva marie saint, who played opposite him, was a little at a loss at the moment. She wanted to reach out and pick it up, but she didn't know whether Brando would pay her back, so she shrank back. Her mind should turn around several times in one second. At this time, the two men walked to a swing and Terry sat on it. He carefully took off the dust on his glove, kept pulling his finger sleeve and put it on his hand.

The gloves are small, and Terry may feel a little tight. He has been looking for words (he is nervous, but he has been hiding it well, and Edie's nervousness is written on his face, and he doesn't know where to look). In the process, Edie aimed at the gloves many times. She wanted to get it back, but she never seemed to get the chance. Finally, when Terry took out the gum and put it in his mouth, Edie suddenly stepped forward-they had kept a certain distance before-and took the gloves from Terry.

These movements about gloves were inadvertently completed by Brando and Eve in rehearsal, which originated from a mistake, but the actor took advantage of this mistake and gave the play more meaning. I'm afraid even the actors themselves may not have a full understanding of this at that time. Kazan kept this design during the official filming.

For Terry, he wants to turn over a new leaf, but he doesn't know if he is qualified to do so. His inner hesitation was completely expressed through gloves. He put it on awkwardly, as if experiencing Edie's life or position (of course, some people will interpret his behavior as a kind of rape), and finally he was infected by Edie's kindness and purity. Edie's attitude of wanting to get her gloves back at any time shows that she is not ready to accept him, and they are still in a hostile state.

It is not surprising that Brando can improvise like this. It's not entirely because he is a actors studio law student personally taught by Kazan. In fact, it can be said that he is the natural expression of his own temperament. Brando is tall and strong, full of masculinity, which is recognized by everyone. But he actually has a certain femininity, or childlike innocence, which is reflected in many of his films and stage performances. He playfully put on a lady's glove, which is the expression of this childish and feminine feeling. Reflected in the role, that is to say, Terry's heart is not as tough as his appearance, but he also has a very weak side (more will be revealed later in the film).

Best of all, all the thrilling struggles around this glove are expressed by subtext. Terry and Edie have been talking all the way, which is the purpose of their meeting. It doesn't seem to matter who took the gloves, but a mistake made later made the meaning of this scene completely different. (Author of this paragraph: magasa)

Graduate (1967, directed by mike nichols)

According to dustin hoffman himself, there are two kinds of such situations among graduate students.

1, in the movie 36:43, dustin hoffman, who plays Ben Ming Jie, feels shy and nervous as his true self after touching Mrs Robinson's chest. Unable to say the next sentence, he turned around and hit his head against the wall several times in the distance, with a bang. He thought that of course the director would call Ka and remake the scene, but he didn't. At this moment, Mrs Robinson turned around and immediately picked up the following lines.

Benjamin, will it be easier for you in the dark?

B: Mrs Robinson, I can't do that.

You what?

This is completely wrong.

This scene dramatically adds a real background to Benjamin's "green" characteristics.

The second example is not about actors, but more like the tacit understanding between directors and actors.

At the end of the film, after the church robbery, Benjamin and his sister got on a minibus together. Both of them are very excited.

But at this point, the lines have been said.

The director didn't shout card.

The actor doesn't know what to do. They dare not move, but wait for the director's order and can't help but continue to play.

The smile on their faces disappeared.

Occasionally, they can squeeze out a little smile, but it disappears immediately. Two people's eyes become vacant.

The theme song "The Sound of Silence" sounded. This unintentional remark just makes the future of two young people who have just been immersed in the great happiness of successful marriage robbery seem very confused.

Years later, when dustin hoffman recalled this "graduate", it seemed that these two paragraphs impressed him the most. (Author of this paragraph: Xie Yu)

Infernal Affairs (directed by Liu Weiqiang/Siu Fai Mak in 2002)

In fact, this is not a mistake, but a free play like a god. )

Huang Zhicheng told Chen Yongren to escape from the roof, and Chen Yongren turned to leave.

That "hey" was blurted out by Huang Qiusheng inexplicably, but it was not owned by the script. Tony Leung Chiu Wai's blank stare is a real reaction.

When you look back after watching the movie, you will find that this conversation, which seems to be talking about Zen, is the last conversation between two people.

Do you feel forced to suddenly skyrocket?

If it's a Wong Kar-wai movie, you should hear Tony Leung Chiu Wai's voice-over here.

"I don't understand what he means. I don't know why he stopped me, but he said nothing. He is a very strange man, and I have always known him. But 12 minutes and 7 seconds later, he landed on the roof of the taxi behind me. I seem to suddenly understand what he means. "

Thanks to @ Rebecca and @ Emperor for their guidance. This passage is from Kurosawa's autobiography "Frog Oil"-so Huang Qiusheng should have thought it over. Thanks to Tony Leung Chiu Wai's tacit understanding!

The following are the relevant quotations from Oviductus Ranae:

I broke up with my brother at Shinkubo station. I got into a taxi. Brother said, take a taxi home and then walk up the steps of the station.

My taxi was about to leave when my brother ran down the steps and stopped it. I got off the bus and stood in front of him: "What is it?"

My brother stared at me for a while and said, "Nothing, nothing!" " "

Say that finish, he went up the steps again.

When I saw my brother again, it was already a corpse covered with blood-stained sheets.

(Author of this paragraph: Li Dapeng)

Godfather 1 (directed by francis ford coppola 1972)

Godfather 1 When Godfather Don Corleone calmly explained to Bonasera what "friendship" was, an uninvited guest came in the first full-length shot: a gray cat sat on Marlon Brando's knee. Director Coppola said: "Malone's cat was not planned." I saw it wandering around the studio and took it in Malone's hand. "Brando loves children and pets, so it's natural. But it almost ruined that set of shots, and our radio group couldn't hear Brando's lines clearly at all, so we were afraid to use subtitles. The problem is the cat. Its grunting gasps drowned out Brando's voice and could still be heard at the movies. (Author of this paragraph: Zhang Xuetian)

Sweet Honey (directed by Chen Kexin 1996)

One of the shots in Chen Kexin's classic love movie "Sweet Honey" was taken wrong, but it became the most wonderful shot in this movie.

Brother Leopard, played by Ceng Zhiwei, was unfortunately shot. Bao Ge's wife Aqiao (Maggie Cheung) goes to identify the body. The scene is like this:

Probably because he was shot in the head, beyond recognition. Maggie Cheung demanded that the body be handed over. Brother Bao is a gangster with a white tiger on his back, haha.

After turning over, Maggie Cheung suddenly laughed-(Goddess, are you swollen? It's not in the script. You can still laugh when you see your husband's body! ! ! . But fortunately, director Chen didn't stop, and the finishing touch was retained. Laughing before crying is more vivid ~ ~ ~ ~ ~)

I cried so sadly, pear blossoms brought rain, and with the sad background music, I almost burst into tears and touched my heart. . . .

……

I saw the white tiger on the left side of the dragon and the Mickey mouse in the middle, hitching ~ ~ ~

It turns out that this Mickey Mouse terrier laid the groundwork in the movie as early as when Bao Ge and Maggie Cheung first met-

Maggie Cheung is a massage girl. The first guest she received was Brother Bao. At that time, she said:

Every time I see such a foreshadowing in a movie, I can't help but marvel ~ ~ ~

Director Chen commented on this scene of laughing first and then crying: laughing and crying to be Chen Kexin's sweetheart. (Author of this paragraph: Ar, Se, N, Al)

Shaolin soccer (200 1 Director: Stephen Chow)

Above all:

As you can see, "shaolin soccer" Stephen Chow and Huang Yifei improvise cheaply, the latter is slightly better than half a chip, and Master Xing laughs three times. The real final "Wow, your head" has been cut off, which was originally abandoned. Later, Stephen Chow saw it. It was so funny that it couldn't hold on. Makeup editing was still useful. This group of clips created the Best Supporting Actor in the Master Brother Award. (Author of this paragraph: Soth)

The Taste of Women (1992 directed by Martin Brest)

He just finished his last wish before committing suicide, and the sudden emptiness and powerlessness of life are reflected in this shot.

Director Martin Brest later revealed that the scene of falling into the trash can was just an accident, but he still survived in the film. (Author of this paragraph: royal washing mobile phone)

The Interface of Yokogawa (directed by Sh?ichi Okita 20 13)

What impressed me the most was this photo, which was conquered by Yoshitaka Yuriko's superb acting skills. Looking at yourself from the car, what kind of mood should it be? Outside the window is a face of "last year today" peach blossom and "once the sea" Wushan cloud. Look again, although "Apricot Flowers and Willow" is "good every year", but "I can't bear to look back at the old photos", laughing is "to express my sorrow for adding new words" and crying is because "the old things are far away".

Without Yoshitaka Yuriko's knowledge, the two assistant directors disguised themselves as Sijie and Xiangzi. However, the director didn't tell Gao Ji beforehand. Gao Ji was startled when shooting, but the scene that should have been crying ended in laughter.