Traditional Culture Encyclopedia - Photography and portraiture - How to shorthand beauty in wedding photography? And composition?
How to shorthand beauty in wedding photography? And composition?
(a) for ugly, try to avoid close-ups and recent photos.
(2) For people with chubby faces, they can be properly covered with veiled hands or other trinkets, and at the same time, the camera position can be improved.
(3) When shooting with big eyes and small eyes, the angle of the subject should be adjusted, and the small eyes should be close to the lens.
(4) the shooting of "rolling your eyes"; Try to keep the photographer's eyes to one side and catch the moment when his eyes turn, not the moment when his eyes are wide open.
(5) "cross-eyed" shooting; Photographers should try to find a suitable angle so that the eyes of the subject appear on the opposite side of the picture at different times.
(6) For the subject with a long neck, the plane should also be raised to allow the subject's hand and jaw.
(7) For people with a sharp chin, you should use a combination of high position and the subject's bow.
(8) It is the most difficult to shoot "nose up", just don't shoot the front. 2. There are usually three commonly used composition modes, also called formulaic mode composition;
(1) close-up
(2) Seven doppelgangers
(3) Whole body
When shooting a scene, the height of the camera will also decrease with the expansion of the shooting range. When shooting a bust, the height of the camera is approximately equal to the height of the subject's nose; When taking photos of seven heads, the camera position is about the height of the subject's chest; When taking a full-length photo, the height of the camera should be at the waist of the subject. The so-called composition is to arrange various shooting elements in a specific scene to achieve the effect of expressing the object of appeal. Nowadays, the popular portrait photography skills usually use the following methods to express the theme in composition and framing, and write it for your reference and correction.
(1) Use the difference of depth of field before and after to highlight the theme of the characters.
(2) Use the method of size contrast to make the main body bigger and the foil smaller.
(3) Emphasize the subject through color contrast.
(4) The main body is stationary and moves with the body, so the stability of the main body composition is relatively strong.
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