A composition about Meyer Levin.

I'm also doing an analysis of Meyer's works, and this is what I'm looking for! I hope you are useful.

!

Characteristics of Meyer's works

Meyer's works are based on "conforming to nature". The surface material is often white, lined with green natural scenery, which often makes the building fresh and refined. Meyer insists that the building must adopt a bright white facade, because the sharp contrast between white and nature can make people sincerely admire the color of nature and blend with the surrounding landscape, which is also the place where Meyer succeeds. This contrast technique is also very common when dealing with the interior space of buildings. For example, in the opposite corner of the inner staircase surrounded by heavy walls inside the house, an outer staircase composed of metal railings can be set up.

Meyer's handling of the external modeling of the building is also quite organized. Through the emptiness of public space and the reality of private space, through the horizontal and vertical cutting of the whole volume part, people feel the smoothness of its facade. Generally speaking, Meyer's design concept is quite simple and clear, and it won't make people feel ambiguous. Modernist ideals are more obvious in his designs, such as "internal function determines external form", "anti-decorative sculpture style", "international style exhibition" and so on. From Meyer's earliest Smith residence to today's various designs, we can see that he insists on his own architectural concept and is one of the few architects who should be constantly changing.

He is very good at designing the relationship between the building itself and the surrounding environment to be very harmonious, and using vertical space and natural light reflection in the building to achieve the effect of enriching light and shadow. He explained the old architectural vocabulary from a new angle and reassembled it in the geometric space. In particular, he advocated that the architectural style should return to the Dutch style in the 1920s and the cubist composition and light and shadow changes advocated by le corbusier, emphasizing the mutual penetration of curved surfaces and focusing on pure architectural space and volume.

Meyer once said: "I will skillfully use light, scale, changes in scenery and the relationship between motion and stillness." Architecture is a thoughtful science, which consists of moving space and static space, in which the concept of space is like oxygen in the universe. Although I have been paying attention to the spatial structure, I am not referring to the abstract concept of space, but the spatial structure directly related to light, spatial scale and architectural culture. ""White is an excellent color, which can well separate the building from the local environment. Just as porcelain has a perfect interface, white can also make buildings show their unique style characteristics in a gloomy sky. Snow White is one of the greatest features in my works. It can clarify the concept of architecture and emphasize the role of visual images. White is also the best appreciation in light and shadow, ethereal and physical display, so in the traditional sense, white is a symbol of purity, transparency and perfection. "

Godfather of white buildings

"White" is an indispensable element in Meyer's architecture. The white wall is like drawing paper, on which light and shadow can freely make moving pictures. "White" is our first impression of Meyer's works. Although white buildings may not be white, as far as Meyer is concerned, the title of "white godfather" is worthy of the name. In front of all kinds of fashionable designs marked by colorful walls, red, yellow, blue and green pipes and dazzling decorations, his white building has its own extraordinary style. Contrary to the popular design of exposing the true colors of materials after World War II, his white smooth surface has obvious unnatural effects. This is the characteristic of Meyer's architecture and the charm of his architecture-purity. However, purity does not mean monotony, and an exquisite design can be a design full of artistic expression at the same time. If the large steel and glass spaces in Mies' later period give people a cold feeling, Meyer's works have another artistic conception. Although some of his materials come from modern architecture, there is no depressing atmosphere on the whole, because the volume of some parts inside and outside has been skillfully increased or decreased, giving the building an obvious sculpture flavor.

In this way, a novel image is presented to us: in the geometric body dominated by straight lines and interrupted by curves from time to time, the internal scene is clearly displayed through the elegant glass wall. These deep spaces alternate with white solid walls, creating a special sense of rhythm and rhythm. They are not from the repetition of the same component, nor from the unilateral emphasis on horizontal or vertical sense, but from some internal echo, which makes his architecture full of some artistic sense. (

biographical notes

American architect, an important representative of white school in modern architecture. He studied at Cornell University in Ithaca, new york. In his early years, he worked in new york S.O.M Architecture Office and brower Office, and held teaching positions in several universities. 1963 start your own business.

Meyer's works are based on "conforming to nature". His noodles are often white, which makes people feel fresh and refined against the background of green natural scenery. He is good at using white to express the harmonious relationship between the building itself and the surrounding environment. Use the vertical space of the building and the reflection of natural light to achieve the effect of enriching light and shadow. He explained the old architectural vocabulary from a new angle and reassembled it in the geometric space. In particular, he advocated returning to the cubist composition and light and shadow changes advocated by De Steagall and le corbusier in the Netherlands in the 1920s, emphasizing the interaction of curved surfaces and focusing on pure architectural space and volume.

Meyer's representative works include Frankfurt Museum of Decorative Arts, The Hague City Hall and Central Library, Doug geissler House in Michigan (1974), Bronx Development Center in new york (1976), New Harmony Art Club (1978) and Atlanta Art Museum (1983).

American neo-modernist architect, an important representative of the white school in modern architecture. He studied at Cornell University in Ithaca, new york. In his early years, he worked in new york S.O.M Architecture Office and brower Office, and held teaching positions in several universities. 1963 start your own business. Meyer is one of the "new york Quintets", and his works are often called "White School".

Meyer's works are based on "conforming to nature". His noodles are often white, which makes people feel fresh and refined against the background of green natural scenery. He is good at using white to express the harmonious relationship between the building itself and the surrounding environment. Use the vertical space of the building and the reflection of natural light to achieve the effect of enriching light and shadow. He explained the old architectural vocabulary from a new angle and reassembled it in the geometric space. In particular, he advocated returning to the cubist composition and light and shadow changes advocated by De Steagall and le corbusier in the Netherlands in the 1920s, emphasizing the interaction of curved surfaces and focusing on pure architectural space and volume.

Richard Meyer was born in Newark, New Jersey, USA, 1934. He was interested in architecture at an early age. After graduating from high school, he entered MIT to study architecture. At that time, because the United States had just left Europe for independence, the whole society had no dependence on the European continent economically and culturally. Therefore, after graduating from college, richard meier embarked on a pilgrimage to the European continent to explore the roots of European traditional architecture. He also visited le corbusier (1887- 1965) and alvar aalto (1898- 1976) and asked them for advice. This also had a considerable impact on richard meier's architectural thought. After finishing Europe, I worked in SOM and Marshall Brewer (1902-1981) successively, then ended my relationship with Marshall for more than three years in 1963 and started my own business.

At the beginning of the establishment of the firm, Richard Mayer took some small cases such as indoor maintenance. Later, his parents asked him to design a house for them, so richard meier went to the drowning villa designed by Wright to experience that level of space, and tried to extend Wright's indoor space to the external environment and apply it to his own design. However, because the environmental conditions of the two bases are not exactly the same, richard meier suffered setbacks. Disappointed, he turned to study the works of other masters, but many of le corbusier's ideas coincided with his ideas, so he planted richard meier's early works and took the route of le corbusier.

1967, richard meier designed his famous masterpiece Smith House, which showed his respect for the natural environment. For the relationship between outdoor and outdoor light, richard meier has also made considerable efforts. For example, the rising sunshine in Ran Ran accurately enters the bedroom, and the gentle sunshine in the afternoon enters the living space, which makes people admire the architect's intentions.

1970, richard meier and Michael Greis (1934-), Charles Gowasu mai (1938-), Peter eisenmann (1932-), John. 1929-2000) and other five people, because of the same idea and similar views on modernist architecture, combined their works into a book, and because of their special style, they were called the New York Five. Their works have a common feature, that is, the appearance of buildings is mostly smooth and pure white, with modernist sculpture style, so they are also called white school.

Because of his interest, richard meier also studied collage. Meyer himself thinks that he has learned a lot from collage. As it turns out, in his design, he used many clip art techniques such as "analyzing and reorganizing objects" from time to time. Meyer admitted that he didn't have any innovation in modeling, but reorganized the vocabulary used by his predecessors and produced some new meanings. For example, Smith House is just a reorganization of two prototypes Dom-ino and Chitrohan in le corbusier.