What are the film styles and characteristics of Wong Kar-wai? (film review)

Wong Kar-wai once said: I only make movies to bring the joy, sadness and loss of my childhood to the audience. Looking for memories and savoring time, in his eyes, time and space will not be an obstacle to his dialogue with the past. He travels in movies and enjoys his own world. Romantic and colorful world, soothing the emotion of music, he is good at expressing his thoughts with colors, bright and warm. In China's film industry, his flexible use of aesthetic ideas is unique.

2. Tone

Tone is the prelude to all memories, in this era of visual culture. The pictures in Wong Kar-wai's films are exquisite and ambiguous. What impresses people most in Wong Kar-wai's films is not a certain line, but the color style of a certain picture. In Wong Kar-wai's films, gray, white, black and red are always the main theme, ambiguous, depressed, decadent, lost and gloomy, like an old film, telling a legendary story.

3. Music

Wong Kar-wai said: "For him, movies are always light and sound, and music is a part of sound. Music is also the need to create an atmosphere, and it can also remind people of a certain era. " The music in Wong Kar-wai's films often has a strong narrative, which will leave a deep impression on people every time they appear. A novel published by 1972 and a film released in 2000 are intertwined into a story of 1960.

4、? talk to oneself

Wong Kar-wai's films are usually narrated in monologues, which is one of his major characteristics. This one-way emotion focuses on expressing people's sense of loneliness, loss, alienation between people, and the obstacle of lack of communication between people, which conforms to the pursuit of human nature to a certain extent and is a means of expressing self-desire. In Wang's films, people are often immersed in their own world. They refuse to communicate with others, remain silent and choose to express their inner feelings with monologues.

5. The structure of story narration

Traditional movies usually tell a complete story, and basically the plot design of each story has to go through four stages: beginning, development, climax and ending. On the other hand, Wong Kar-wai's films are not.

He doesn't want to tell a complete story, but his fundamental purpose is to present an atmosphere that may be deliberately ignored-a state that reflects the truth of human nature. Wong Kar-wai's films adopt a lot of narrative strategies of fragmentation. ?