What is Li Yuanchun's best role in the performing arts after the death of a famous performing artist?

Li Yuanchun, a famous Peking Opera performer in China, was the former head of Beijing Opera Troupe and a national first-class actor. To say that his best performing art is opera. However, such an old artist left this world forever on June 5438+February 19 this year, at the age of 9 1, leaving a group of opera fans and fans to take care of themselves.

Li Yuanchun's kung fu is great, especially his basic skills are solid, his shots are also vigorous, his shooting and tumbling are fierce, and his figure is beautiful. He is a very accomplished martial arts actor, especially good at performing monkey shows. He loves drama very much, so he is still a Chinese Peking Opera. Lifetime achievement award? Winner.

Grandpa Li Yuanchun studied and received education in Li Lanting when he was young, and he didn't start his drama career until the 1940s. Li Yuanchun's plays are usually based on martial arts dramas, and their movements are neat and wonderful, which is admirable.

Li Yuanchun used to be a member of the Beijing Municipal Political Consultative Conference, a director of the Beijing Federation of Literary and Art Circles, and a director of the Beijing Association for Revitalizing Peking Opera and Kunqu Opera. Later, he and his sister organized the Beijing Chunqiu Peking Opera Troupe, and the two protagonists and their sister Li organized the Beijing Chunqiu Peking Opera Troupe. Among them, Monkey King Thrice Defeats the Skeleton Demon, three thieves' banana fans, shoplifting by Song Wu, Song Wu, Tian Bo Tower and Tong Tianxi are more exciting and common. Later, in the 1950s, brothers and sisters established the Beijing Youth Peking Opera Troupe. Common repertoires include colorful flag martial arts dramas and distinctive monkey dramas, such as: Dragon Boat Bowl, Leopard, Eighteen Arhats Fighting Wukong, Noisy Dragon Palace, Noisy Heavenly Palace, Crossing the Sea and Flagging, etc.

I used to think that Chinese opera couldn't keep up with the changes of the times, and no pop songs were more worth listening to. But in rural areas, as long as there are singers singing in the shed, the audience is guaranteed to be full. Those old men and women squinted and listened, just as they said: they will watch the doorway, but they will not watch the excitement.