Shooting skills of red leaves

The golden wind brings the coolness of the red leaves.

With the autumn getting stronger and the first frost coming, the leaves of many trees suddenly turn yellow and then red like drinking wine, which shows the charm of layers of forests and makes Shan Ye and courtyards look radiant in autumn.

Drunk red leaves all evoke people's thoughts and make people feel the charm of autumn.

Maple leaves are beautiful, brilliant red in autumn, very beautiful. For example, Zhao Xi in Hangzhou, Zhejiang Province is full of Acer truncatum, which is beautiful. The leaves of cotinus coggygria are purple after frost, which looks like a round fan. They are mainly distributed in the north-central region of China, and are planted in Xiangshan and Badachu in the suburbs of Beijing.

Liquidambar formosana (also known as Feng Dan) turns into spring red in autumn due to frost, which is gorgeous and dazzling. After first frost, maple leaves are still better than Qixia Mountain. Thousands of forests and thousands of fires are flowing in Chiba, and people seem to be in the rosy clouds.

The ancient maple in Yuelu Mountain in Changsha is poetic and picturesque after frost. Overlooking Tianping Mountain in Suzhou, it is spectacular with patches of rosy clouds and golden colors.

Sapium sebiferum is widely distributed in the southeast of the mountain and in the vast areas of Jiangsu, Zhejiang, Anhui and Jiangxi provinces. In late autumn, it is scarlet, and it is particularly bright under the reflection of sunlight. Leaves show uneven frost and turn red earlier than maple leaves. In addition, miyaluo Hongye Scenic Area is the largest scenic spot for viewing red leaves in China. Every time in late autumn, thousands of trees in Qian Shan are spectacular.

Shooting red leaves:

First, we must pay attention to framing. Facing the vast autumn scenery, we should choose a higher perspective to shoot. While shooting big scenes, don't forget to "pick" some small scenes. From a subtle point of view, you can take close-ups of some branches and broken leaves. Red leaves and yellow leaves with white seeds are clearly an oil painting with bright colors and strong brushwork.

Second, we should pay attention to the choice of light. When shooting a panoramic view of a large scene, the sun rises or sets in the west, showing warm colors. In the case of steady light, the colors of leaves are very saturated, and the colors of autumn leaves are dazzling. Lin Qiu under the side backlight, the distance and light and shade are distinct. In the backlight, bright sunlight shines from behind the tree, which makes the autumn leaves feel crystal clear, and the close-up can fully show the texture and color of the leaves.

Third, we must control the exposure. Autumn clouds can be said to be the most beautiful of the four seasons. Blue sky and white clouds can be seen everywhere on crisp autumn days. When shooting the red leaf scene against the blue sky and white clouds, if the brightness of the sky prevails, it will inevitably lead to underexposure of the scene. We need to measure the light of the red leaf scene, and then reduce the exposure appropriately, taking into account the image density of the scene and ensuring that the sky is not exposed. In order to reduce the reflection and make the red leaves more saturated, a polarizer can be used.

As shown above, "Frost leaves are red in February flowers": Autumn frost dyes leaves red, yellow, purple, orange red or mixed colors, which is really like Danxia. Technically speaking, the beauty of autumn leaves is due to the use of a long focal length lens, and the shallow depth of field with a large aperture blurs the messy background well.

Hà Thu's aftertaste still exists.

Lotus is a photographer's eternal shooting theme. Lotus has a long flowering period, and flowers can still be seen from June to 10 every year. From budding lotus buds to blooming flowers, to withering, until the withered lotus stalks are left, you can shoot for more than half a year.

Looking for the beauty of incomplete: Autumn is a good time to shoot the residual lotus, because at this time, Chi Lian shows a sad beauty through the shape of the residual lotus. Pure and pure, of course, can show the beauty of lotus, incomplete, given a certain meaning, but also can reflect the beauty of lotus. The key is to know and understand its life feelings. As long as you run your imagination, trust your feelings and give life, the photos you take will definitely give people a sense of freshness. It is necessary to observe from multiple angles with a unique eye, compare repeatedly, find the extraordinary in mediocrity, capture the magic from modeling and deformity, and choose the best angle to shoot, so that the picture will have visual impact.

Lighting: Lotus has different light and shadow modeling effects in various lighting directions. Under the side light, the image has rich layers and strong light and shadow effect, which is suitable for expressing the shape and details and can highlight the noble, beautiful and charming charm of the lotus. However, the proportion of light and shade should not be too large, the color contrast should not be strong, and the shadow part can be properly filled with light. Backlight and side backlight have dramatic effects, which can best express the texture and details of lotus flowers. The light passing through petals and leaves has a sense of transparency, which makes its shape outlined by beautiful contour light.

Shooting Angle: Different shooting angles have different forms of Hà Thu, showing different tastes and artistic effects. Head-up angle is the most primitive and true feature, and Hà Thu's reflection can be taken into the picture together, and the reflection and the real thing set each other off. High-angle overhead shooting is suitable for big scenes, with lotus leaves floating on the water and petals dotted among them, which makes people feel comfortable and pleasing to the eye. Low-angle backhand can better show He Tingting's immortal posture and noble quality.

Composition: A good picture is not the product of simple photography technology, it contains the author's aesthetic and artistic pursuit. We should be good at screening and produce typical images through observation, comparison and refinement. Including: first, shooting and framing, using close-ups and close-ups is more appropriate. The telephoto lens is more convenient to shoot, and the focal length of the lens is mostly 200 ~ 400 mm to reach the main body; The lens will reflect the fantastic aura of the circle. Second, the composition of the picture-subject and companion. The subject is the structural center of the picture and should occupy a certain area and a prominent position. The subject should be slightly away from the center of the picture, so that the picture is stable and not rigid. The foil echoes the main body, which can be smaller buds, leaves, surrounding environment and background outside the main body. Third, the balance and coordination of screen space allocation. A painting should have a sense of stability, integrity and harmony. In fact, in terms of morphological layout, it is a combination of leaves, buds and lotus. Sparse and dense have their own advantages and disadvantages. Secrets are easy to choose, so as to choose the best among many; Sparse gives more space for composition. You can't have too much content and too much weight on one side, and the content on the other side is scarce, too light and lacks a sense of stability. Picture balance can be achieved without real images, such as projection, tone brightness, virtual and real changes, color distribution and so on.

Aperture and shutter speed: the cooperation of aperture and shutter speed not only determines exposure, but also is an important means to shape artistic image. The flexible combination of the two can achieve many creative effects. First, increase or decrease the abnormal combination of exposure, with the help of bright or dark background, high-key and low-key effects can be obtained; Then, the combination of the aperture close to the limit and the shutter speed either blurs the background or foreground with a large aperture or creates a dynamic wind with a slow speed.