Comprehensive motion camera for sports photography

Comprehensive sports shooting refers to the shooting in which the camera organically combines various sports shooting methods such as pushing, pulling, shaking, moving, following and lifting in a shot to varying degrees. Television pictures shot in this way are called comprehensive motion shots.

1, integrating the characteristics of motion cameras.

First, the comprehensive motion of the comprehensive motion lens produces a more complex and changeable picture modeling effect.

Secondly, the motion trajectory of the TV picture formed by the comprehensive motion of the lens is the result of multi-direction and multi-mode motion synthesis.

2. Synthesize the function and expressive force of the motion lens.

First, comprehensive action shots are conducive to recording and representing a relatively complete plot in a scene in one shot.

Second, the comprehensive motion lens is a powerful means to form the formal beauty of TV picture modeling.

Thirdly, integrating the continuous dynamics of motion shots is conducive to the reproduction of real life processes.

Fourthly, it is beneficial to the formation of ideographic ambiguity to synthesize the diversity of motion shots through the picture structure.

Fifth, the comprehensive motion lens can be in tune with the melody changes of music in a long continuous picture, forming a sense of rhythm of the integration of picture image and music.

3, comprehensive motion lens shooting

First, in addition to the special requirements of special emotions on the picture, the movement of the lens should strive to remain stable.

Second, every transformation of the lens action should be consistent with the transformation of the character's action and direction, and with the transformation of the plot center and emotional development, forming a perfect combination of off-screen changes and in-screen changes.

Third, pay attention to the change of focus during plane motion, and always treat the subject modeling within the depth of field.

Fourth, the cameraman is required to cooperate tacitly, coordinate his actions and keep pace.