Traditional Culture Encyclopedia - Photography and portraiture - Who created the farm landscape oil painting?

Who created the farm landscape oil painting?

The pleasure of free play, the pleasure of getting rid of all thoughts and getting sensual pleasure, is perhaps the most perfect expression in painting in this period, because it can directly satisfy and delight the eyes without the assistance of reason. Thanks to Rococo's unique and elegant paintings, long before the concept of "art for art's sake" was formed, we saw that an art needs to be evaluated through art itself rather than content. This kind of lightness and cheerfulness is most perfect in Hua Tuo's new paintings, which earned him the title of "master of romantic celebration" specially created for him by the college. His works mainly include Fa Zhou Xi Tai Island, a Greek island that worships Aphrodite, the goddess of love. Just like the extraordinary performance at the garden party, just like it was popular in aristocratic palaces at that time. In front of the bright future of Love Island, the queue of lovers moves in a saturated warm color, which makes people and nature meet beyond the hazy outline and set foot on a golden boat with little love god hovering around and rose-red sails. Men are diligent and elegant, women wear silk dresses, behave gracefully, and have charming expressions of courtship, reserve and obedience, all of which make the surrounding scenery quiet and poetic, so as to experience the gentlest feelings of people. This is an elegant world, which has nothing to do with court reality. The artist doesn't want to hide this from the audience. Because just as the actors on his screen are all ideal figures in that era, the landscape is also a paradise that can only be dreamed, just as the natural form loses its authenticity in warm and bright colors and becomes a pure painting structure. Half a century later, as Hua Tuo knew, in Frago Nader's place, this love poem, which could never be sung, became a simple love game. The lady on the swing-said to be the lover of a rich baron-represents the role that women in the18th century generally like to play: playing a petite and enchanting shepherdess in a duet with her amorous lover. A wonderful park scenery, unreal as a setting in a light tone, is the place where this pastoral poem takes place, emitting an innocent atmosphere, but not without excitement. Lady is the kind of naive and mature type, which is advocated by Rococo style. She is good at using clever innocence to achieve her goal. Here, the swing can free her from direct entanglement and urge her to do her best to show off. She let her wide skirt dance carefree and let her lover see a charming scene. It is not clear now: who is the shoe that swings high happily? Is it this man or the statue of little love god? There is a third actor in the background, who is responsible for pushing the swing-so, is he a participant in the love triangle? However, the carefree and often frivolous rococo style has not only been respected and recognized in painting, but also caused criticism in this society. William hogarth, an Englishman, is like this. He attacked the immoral behavior of his time with a series of satirical and condemning cartoons. They are loved by the public, but not because of the goal of social criticism and moral education, but because of the reality and humor of their expression. So this kind of protest has no effect on the people and things concerned, and only the revolution can judge this condemnation. Looking at the rococo art in the18th century from a modern perspective, it should be said that Madame de Pompadour is the representative and organizer of those who like luxury styles, and has the characteristics of "popular support". So it was not until Rococo-style works appeared that the fashion of "* * *" was aroused among the nobles. It can also be said that the nobles advocated gorgeous atmosphere and induced rococo art. At that time, men and women in the upper class were enthusiastic and personally participated in craft activities, so that some of these behaviors reached the point of being ridiculed and absurd. In the16th century, when King Charles IX of the declining king of valois promised to give the Spanish king a gun made by himself, the Spanish ambassador was greatly surprised. /kloc-in the 0 th and 8 th centuries, Louis XVI's wife Mary complained all day that her husband was immersed in his workshop and didn't even have time to take care of his wife. Louis XVI devoted himself to studying the mystery of clocks and locks in his workshop. In these two cases, we seem to catch a glimpse of those tragic figures, and their roles are incompatible. These people found a paradise of self-comfort in manual labor. But this is an ominous sign for the emperor who doesn't care about state affairs. The whimsical and changeable Rococo style, which was all the rage, ended with the death of Madame de Pompadour and was replaced by the neoclassicism advocated by another mistress of Louis XV, Madame Dubali. However, the glory of Rococo style has its own vitality beyond the times, and modern people all recognize it as a prelude to the Art Nouveau movement in the19th century. And those surviving artworks are still shining, telling people the fashion of that era and stories that people don't know.