How to write an animated script?

First of all, there must be a text decomposition table. The first line is: scene shot number, scene shot action content, dialogue time (seconds).

You can make your own form. Then fill in according to the animation shots in turn.

The scene is the environment in which your lens is located. Such as (night position) or (indoor during the day) or something.

Just fill in 1234 in the order of animation shots.

The scene is just the distance between the main objects in your lens, which is common (close-up of the scene in the panorama)

Let me explain it to you.

A large-scale picture formed by remote shooting introduces the environment and shows the plot content related to the environment.

Panorama A picture composed of the whole subject in a specific environment. The audience can see people and the environment clearly.

The picture formed by the main part of the middle lens attracts the attention of the audience to the characters, and further analyzes the relationship with the associated characters.

Take a close-up shot of the local composition of the main body of the picture, look at the expressions of the characters and participate in emotional activities.

A close-up of an incomplete part of the subject shows the key details of the characters and situations.

There are also unusual large horizons and close-ups, which you should be able to understand.

Lens: Commonly used are horizontal lens, overlooking lens, bird's eye lens, frontal lens, portrait lens (side lens), over-the-shoulder shot, etc. These shots are explained in Baidu Encyclopedia, which is very simple. If you don't know, you can check it yourself.

Camera movement: generally divided into push, pull, shake, move and follow the camera.

The push-pull technology of lens is a set of opposite technologies, and one of them can often be used to realize the other in nonlinear editing. Pushing the lens is equivalent to walking directly along the straight line of the object to see the object, while pulling the lens means that the camera keeps leaving the object. Of course, both of these technologies can be realized through a zoom lens. The role of push lens in shooting focuses on highlighting important Russian figures or objects in later films, which is the most common role of push lens. It can make the audience's line of sight gradually close to the subject, and gradually guide the audience's observation from the whole to the part. In the process of pushing the ground, the content contained in the picture gradually decreases, that is to say, the movement of the lens abandons the superfluous things in the picture, highlights the key points and leads the audience's attention to a certain part.

The zoom lens can also achieve this effect, that is, gradually push the short focal length to the long focal length, so that the sedan chair can be blown and the south liver can be improved. What are you thinking about? What is the sign of the grave? M, why do you want to take advantage of the lower lines? Br> pulling the lens is just the opposite of pushing the lens. This means that the camera keeps moving away from the subject, and you can also shoot with a zoom lens (gradually adjust from a long focal length to a short focal length). It has two functions, one is to show the position of the protagonist or scenery in the environment. The lens moves backward and gradually expands the field of vision, which can reflect the relationship between the part and the whole in the same lens. Second, it is also necessary for the connection between shots. For example, the former is a close-up shot of one scene and the latter is a shot of another scene, so it is much more natural for the two shots to connect like this.

The push-pull effect of lens is different from zoom. For example, in the technique of pushing the lens, the method of using zoom lens is equivalent to magnifying a part of the original subject. The effect on the screen is that the relative position of the scene remains unchanged, and the scene remains unchanged, but the original picture is enlarged. It is more suitable to use zoom lens to achieve this lens effect when the main body of the shooting scene has not changed and it is required to approach the object at any speed without continuous jitter. Moving the lens to push the lens is equivalent to observing close to the subject. The effect in the picture is that the objects in the scene move backwards and the size of the scene changes. This is very effective when shooting narrow corridors or indoor scenery. There is a clear difference between moving the camera and using the zoom lens to achieve the push-pull effect of the lens, so we need to have a clear understanding of the shooting concept and cannot simply replace the two.

The camera shake technique was initiated by French photographer Dixon in 1896, and also developed according to people's visual habits. When using the panning technology, the position of the camera does not move, and the lens changes the shooting direction, which is very similar to when we stand still and turn our heads to see things.

There are several types of panning lenses, which can swing left and right, up and down, tilt or mix with moving lenses. The function of panning is to let the audience show the scenes to be shown one by one. Slow panning skills can also cause prolonged space-time effects and give people an impression.

Shake the lens to show the content from beginning to end in one go, so it is required that the purpose of the lens picture at the beginning and end of the film is clear, and a series of processes between the two lenses should also be the content to be shown. Moving the telephoto lens away from the subject will also cause lateral movement or lifting.

The movement speed of the pan/tilt lens must be uniform. When it starts, it will stagnate for a moment, then gradually accelerate, decelerate at a uniform speed, and then stagnate, and the left picture will be slow.

The lens shifting technique was inspired by Promio, a French photographer in 1896 Venice yacht. He imagined "shooting with a moving film camera to make a stationary object move", so he pioneered the "side lens" in the film, that is, putting the camera on a moving car and shooting on one side of the track.

The purpose of this kind of lens is to show the spatial relationship between people and things, people and things in the scene, or to show something coherently. There are similarities between moving lens and shaking lens, both of which are to show the relationship between subject and companion in the scene, but the visual effect on the screen is completely different. Pan-tilt lens means that the position of the camera is fixed, and the shooting angle and the angle of the object are changing, which is suitable for shooting distant objects. However, the moving lens is different, that is, the shooting angle is unchanged, the camera itself moves, and the angle with the object is unchanged, which is suitable for shooting objects and subjects with close distance.

Mobile phone photography is mostly dynamic composition. When the subject presents a static effect, the camera moves to make the scene pass through the picture in turn, resulting in a visual effect of patrol or display; When the subject is dynamic, the camera moves with it, forming a visual effect of following. It can also create a specific mood and atmosphere.

When moving the lens, you can use other moving tools, such as airplanes in high-altitude photography, trains and cars in the wilderness, in addition to the moving car laid on the track. Its movement can be roughly divided into lateral movement and deep movement according to the direction of movement. When the camera is not moving, changing the focal length or moving the subject in the background can also achieve the effect of moving the lens.

Follow-up lens refers to the camera that follows the moving object, which has the forms of push-pull, swing, lifting and rotation. Follow-up keeps the dynamic subject in the picture unchanged, while the foreground and background may be constantly changing. This shooting technique can not only highlight the subject in motion, but also explain the direction, speed and posture of the object and its relationship with the environment, so as to keep the movement of the object coherent and help to express the mental outlook of the characters in the dynamic.

Next is the content dialogue. It is easy to understand, that is, to describe the content of your shooting scene and the dialogue of the characters in written language.

Finally, time. Refers to the duration of your shot or picture, in seconds. To emphasize, it is the duration of a single picture, not the cumulative time.

That's all. Actually, I just learned it in class recently. I hope it helps you.