The more detailed the profile of Zhang Yueran, the better, thank you,

About Yueran

Zhang Yueran, female, was born in Jinan, Shandong in 1982. She graduated from Shandong Experimental Middle School in 2001 and was admitted to the English and Law double-major class of Shandong University. She is now Graduated from the Computer Science Department of the National University of Singapore. Published works include: short story collections "Sunflower Lost in 1890" and "Ten Loves". He is one of the most influential young writers in China and is one of the most influential young writers in China. .

Zhang Yueran began publishing literary works at the age of 14, and has published works in important literary journals such as "Harvest", "People's Literature", "Furong", "Flower City", "Novel World", and "Shanghai Literature" . His works such as "The Fall of Tao" and "Black Cat Never Sleeps" were published in the "Sprout" magazine, which caused great repercussions in the youth literary world and were reprinted by many newspapers and periodicals such as "Xinhua Digest". In 2001, he won the first prize in the third "New Concept Composition Competition". In 2002, she was rated as "the most talented female writer" and "the most popular female writer" by the sprout website. In 2003, he won the second place in the 5th "Singapore College Literature Award" in Singapore. In the same year, he won the second place in the "New Literary Grand Prix" of "Shanghai Literature". In 2004, he won the Most Promising Newcomer Award at the 3rd "Chinese Media Awards". Won the Spring Literary Award in 2005. The latest novel "Oath Bird" was selected as the best novel in the "2006 Chinese Novel Ranking". In 2008, Zhang Yueran won the 2008 "Maotai Cup" People's Literature Award for Outstanding Prose Award for "Full Moon Night and Others".

Zhang Yueran is a very thoughtful female writer. She once said in "Interview with Yang Lan" that she did not want to be called "post-80s" and other pronouns.

Yue's/works

"Sunflower Lost in 1890" August 2003 Writer's Publishing House

"Cherry Far Away" January 2004 Chunfeng Literature Publishing Society

"Are you here to review my sadness?" May 2004, Shanghai Translation Publishing House

"Red Shoes" July 2004, Shanghai Translation Publishing House

"Ten Loves", July 2004, Writers Publishing House

"Narcissus has gone on a carp", January 2005, Writers Publishing House

"Oath Bird", November 2006 Guangming Daily Publishing House

"Carp" series theme books (expected to be published every two months) Jiangsu Literature and Art Publishing House in June 2008

Four volumes of collected works have been published

< p>"Cherry Far Away", June 2007, published by Tomorrow Publishing House

"The Narcissus Has Ridden on a Carp", published by Tomorrow Publishing House, June 2007

"Neo Road", June 2007 Tomorrow Publishing House

"Day as Night Room" June 2007 Tomorrow Publishing House

This anthology is open-ended, and Zhang Yueran's outstanding works will be added one by one in the future.

Yue’s/Statement

"80 Chronicles" is a fake book published without Zhang Yueran’s permission. Its existence not only deceives the readers, but also damages Yueran’s honor.

"Amber" and "Flying Sorrow" were not written by Yue Ran, but are only collections of Yue Ran's single texts.

The book "Red Shoes" published by Henan Literature and Art Publishing House in April 2008 did not obtain Yueran's consent. The pictures used in the book were scanned directly from the original book "Red Shoes" without the consent of Ms. Yan He, the original book binding designer. The pictures are of extremely poor quality.

"The Wind-Blowed Summer" is recommended by Yue Ran, not written by Yue Ran. The author is Rococo. In order to make illegal profits, the publisher printed the three characters "Zhang Yueran" in the "Zhang Yueran Recommendation" in an extremely large size, and also printed the three characters "Rococo" in the original author's name to be thin and blurry, making it easy for people to think that this book was written by Yueran. write. We should be strongly dissatisfied and firmly opposed to the publisher's shameless behavior of using Zhang Yueran for hype.

"An Ran under the Basket" is not Zhang Yueran's work. It is just an article signed by the author "Yue Ran" published in a special issue of "Post-80s", "The Minimum Story", and has nothing to do with Zhang Yueran. relation.

Carp's/Introduction

"Carp" book series

"Carp" is edited by the young writer Zhang Yueran, and the first volume "Carp·Loneliness" was released in 2008 It is on the market and is expected to release one volume every two months. The "Carp" book series has created a new publication concept of "theme books" in mainland China. This series of books follows the form of books in form, and integrates the concept and light and shadow of magazines in editing and design. In terms of content, it transcends the barriers of traditional books. Each book revolves around the same theme. In terms of content arrangement, Dominated by highly literary works, the subject matter focuses on the current living conditions and inner world of young women, allowing them to find their companions in the process of growing from girls to women and understand their true selves.

For the author and the work, "Carp" is an elegant and sharp container, which can hold good novels and touching pictures and complement each other. For readers, "Carp" is a brand-new reading portal. Open it, dive into it, and start a different kind of reading journey.

Publication catalog of the "Carp" book series

"Carp·Loneliness" June 2008 Jiangsu Literature and Art Publishing House

"Carp·Jealousy" October 2008 Jiangsu Literature and Art Publishing House

"Carp·Lies" January 2009 Jiangsu Literature and Art Publishing House

"Carp·Ambiguous" April 2009 Jiangsu Literature and Art Publishing House

Introduction to the content of "Carp? Loneliness"

"Carp? Loneliness" takes "loneliness" as the theme, and uses the strong loneliness in Japanese popular literature that is most concerned by young people as an introduction to show and explore women's "Loneliness" Different aspects of the psychological state of "loneliness". This book includes the latest novels and essays by Japanese best-selling writer Aoyama Nanae, 1980s writers Zhang Yueran, Zhou Jianing, An Yiru, 1970s writer Zhou Jieru, and Taiwanese female writer Hu Shuwen. Among them, the life and inner state of the post-80s generation in China and Japan are shown, and it also brings about the collision of authors and works from the 1970s and 1980s.

"Carp" is edited by the young writer Zhang Yueran, and has created a new publication concept of "theme book" in mainland China. This series of books follows the form of books in form, and integrates the concept and light and shadow of magazines in editing and design. In terms of content, it transcends the barriers of traditional books. Each book revolves around the same theme. In terms of content arrangement, Dominated by highly literary works, the subject matter focuses on the current living conditions and inner world of young women, allowing them to find their companions in the process of growing from girls to women and understand their true selves.

Introduction to "Jealousy"

This is a book that explores the "jealousy" emotion in the depths of human nature. Zhang Yueran's own novel "Strange Aunt" tells the story of a woman who can never The story of a strange woman who feels jealous, tries to feel jealous, and experiences human emotions. The story continues Zhang Yueran's consistent style, which is weird and coquettish. The two novels "Lute" and the charming "Omelette" by the young German writer Judi Hellman respectively show the heaviness of the heart tortured by jealousy through understatement of life scenes; Zhou Jianing's "Mister Paul" " vividly depicts a down-and-out, slovenly loser in life, describes the sympathy between him and the protagonist, and the subtle and fleeting feeling of jealousy that emerges from it; Ge Liang's "Dragon Boat", A terrifying ghost story captures the stubborn and evil inner demon of jealousy. The novel part of "Carp·Jealousy" conducts an in-depth analysis of almost every aspect of jealousy in human nature.

And when Pamuk, Su Tong, Mianmian, Peng Haoxiang, Wang Xiaohui and others face the jealousy in their hearts, readers can gain insights into people's hearts from these frank self-confessions.

Ultimately, Zhang Yueran's purpose is to slowly penetrate into the confused and troubled hearts of the generation born in the 1980s through this series of discussions and questioning on "jealousy". What does the jealousy of the post-80s generation look like, where does it come from, and where is it going, all in "Carp·Jealousy".

Introduction to "Carp? Lies"

"Carp? Lies" is the third book in the "Carp" series of themed books edited by Zhang Yueran.

This book starts from the ubiquitous existence of "lie" in ancient and modern times, at home and abroad, and uses multi-angle special topics to deeply explore and analyze the obscure theme of lies in the chaotic field of Chinese and Western literary and film works, the spirit of the times, and personal life. , from Agatha's mystery novels to Andersen's fairy tales, from Pinocchio to Emma to Pan Qiaoyun, as well as the American dream that everyone loves in the Wei and Jin Dynasties, this book revolves around lies, their manifestations and their derivation - such as "reincarnation", "the end of the world", "elixir", etc., are analyzed one by one; there are also important novels by mainland writers Zhang Yueran, Zhou Jianing, Su, Lu Nei, Han Lizhu and others, as well as contemporary writers Paul? Auster's interviews, etc., thus presenting readers with a multi-faceted interpretation of lies in the 1980s, giving readers a rich and unique reading experience.

Introduction to the content of "Carp·Ambiguous"

"Carp·Ambiguous" reanalyzes the cultural core of ambiguity. The origin of ambiguous culture is in the East. It is implicit, blank, and lingering. "Carp·Ambiguous" uses two works, "Witch Words" by Zhu Tianwen and "Fine Snow" by Japanese "shadow" master Junichiro Tanizaki, to revisit the unique and subtle beauty of ambiguity in Eastern classical culture.

Ge Liang, a doctor from the Chinese University of Hong Kong, takes us back to the 1940s to see how Eileen Chang, who was studying at the University of Hong Kong at that time, experienced and interpreted the ambiguity in Hong Kong. Hong Kong poet and photographer Liu Wai-tang tells us how young art workers in Hong Kong live and create in an air of ambiguity. There is also an exclusive interview with the famous poet Lin Xi. See how this "person who knows ambiguity best" reveals his heart. He explains "ambiguity" by saying "I have never been passionately in love but have been in love", which is extremely accurate.

Constellation expert Nao Nao, decorator Youya, young director Cheng Liang, and book reviewer btr also have unique insights into ambiguity. Why are we ambiguous? Do we feel afraid of the distance between souls?

In the newly added essay column, Zhang Yueran used an article "Self-Mutilation" to describe his most secret habits since childhood, in order to find himself and gain insight into his soul. Lu Nei, Zhou Jianing, and Su De continue to present their latest short stories. Capote's short stories are no less inferior to his "Breakfast at Tiffany's".

There are also Flounder and Puppet making their debut, but the editors are confident that their novel will surprise everyone.

It is worth mentioning that "Carp? Ambiguity" deliberately added a dialogue between the two editors Zhang Yueran and Zhou Jianing as the opening chapter before some topics, expressing their personal views on this topic and their work on the topic. The thoughts and ideas in this topic are planned to give readers a sense of presence and a salon atmosphere. This salon dialogue format will be continued in future issues.

Yue's/Quotations

This is excerpted from the "Pengcheng Evening News" on June 17, 2008, which published Han Han, Guo Jingming, Chunshu, Zhang Yueran, and Lu Mianyi ***5 classic quotations from writers born in the 1980s. Later, these quotations were reprinted and logged by major media. They witnessed that the writers born in the 1980s began to become the new backbone of the literary world in the changing times. Yueran’s quotations are now excerpted here. Worth checking.

1. This is fierce love, it moves so hard, like a bouncing pulse that you can’t hold, and you don’t know how to comfort or calm it down.

2. Happiness is endless, but it is difficult to reach far.

3. Who can afford time and hugs? Keep giving and never give up. A cigarette, a dream of going up and down the elevator, and a pillow of yellow rice.

4. Dreams are thoughts worth every child’s sorrow every moment.

5. The moisture during love evaporates on the sunny day after love, leaving no trace of pain.

6. I feel like my youth jumped and disappeared into a valley without fame or echo.

7. He lay at her feet, like a faint stream too subtle to be worth mentioning. She crossed over, left, and then drifted away.

8. I smiled and looked at everyone around me indifferently. It was a hysterical smile, the intersection of two extremes. I have forgotten how to cry.

9. Sitting alone in the corner, I leaned against the cold wall with an expressionless face, absorbing the only bit of heat from the hot tea in my hand.

10. The island is actually a scar of the ocean. The ocean overflows and just wants to cover it and make it flat and smooth again. So, please don't be afraid.

Yue's/tail bunch

It would indeed be biased to classify Zhang Yueran as an idol based on her beautiful appearance, because as Mo Yan said: "Zhang Yueran's novels The value of this book is that it records the psychological growth trajectory of sensitive and sad teenagers, and reveals the reality that is very suitable for the psychology of this age. What they like, hate, yearn for, and resist can be found in her novels. Find the answer." Her meticulous details, rich and novel imagery, and poignant and moving writing are all worthy of the title of "the most talented female writer".

Extended reading:

1. Zhang Yueran’s personal website: /

2. Zhang Yueran’s BLOG: /m/adore

3. Zhang Yueran Tieba:/pcwb/html/2008-06/17/content_6690810.htm