Robert Doisneau's collection of Du Wanuo's works of the same name

If Paris is a theater, Robert Doisneau is a patient audience, waiting for his play to be staged day and night, and occasionally being promoted to director. He, Henry Cartier-Bray and Eugè ne Ajette are also called the four French photographers. Although influenced by Blacet, they have his unique orientation of "French humanistic photography". These images are not only the important cultural assets of France, but also the image assets of the whole world.

In French photography, Robert Doisneau and Leigh Cartier-Bresson are neck and neck masters. The photography of these two people is mainly documentary, but their styles are quite different.

Bresson often travels around the world, his works are profound and serious, and he cares about the sufferings of ethnic groups everywhere. Du Wanuo, on the other hand, only takes Paris where he lives as his creative base, and likes to capture humorous moments in ordinary people's daily life.

Black and white photography has taken us to another height, another time and space. Although we may not be deeply impressed in our hearts, I hope we can understand the essence of Robert Doisneau's works through the theme that exudes the flavor of the times in that time, space and cultural background.

This classic album will be presented to domestic readers in the form of "Time Album". This is not only a book, an excellent and exquisite photo collection, but also a perpetual calendar, an excellent gift and collection to commemorate the time. Robert Doisneau's black and white works remind me of the earliest photographic equipment-photographic cassette. Humans discovered the mystery that light source is the source of all images as early as the pyramid period.

After a long time, photography has become a way to capture images, and then it has gradually been regarded as an expression.

With the appearance of celluloid film, more modern cameras have overwhelmed the early studio photography with their flexible and portable characteristics. This technological breakthrough allows photographers to shoot at will. Robert Doisneau's heart is full of light and shadow.

In the palace of classic works, we often appreciate the black and white works of photographers such as Robert Doisneau, henri bresson, Guilan Nipps, ansel adams and Manuel Bravo, which are timeless.

In fact, time is quite ironic for photography. Time is an indicator of exposure, and accurate exposure is an indispensable factor in creating excellent works, but photography is also the condensation of one and a half seconds, which captures ordinary instantaneous life and then reproduces it, making people taste fine. This is photography, an art constrained by different concepts of time.

However, the surprise of this photo exhibition is that it can lead you from the era of electronic photography, which pays attention to instant satisfaction and global communication, to the time and space that is not just a visit, and feel the meticulous technological process of photographers taking negative images first, then developing them into positive images and recording them on photographic paper. All works are the crystallization of time, patience and technology.

If photography is the condition of a good photographer, it is only the basic condition. Paris in Robert Doisneau's lens contains not only skillful skills, but also the author's profound understanding of the social, cultural and urban characteristics of Paris.

Culture is the carrier of human existence and communication, which contains all artistic expressions and life forms. Therefore, understanding culture is a very important topic.

Robert Doisneau understood the city, especially his favorite city, as a living carrier, an interaction with the city and its residents, a dialogue between cultural relics and children, and between future generations and urban designers.

Visiting "Time Passes-Robert Doisneau Photography Exhibition" is like entering a time journey, a long-lost colorless visual journey.

However, it is the lack of these colors that we are used to, which makes this exhibition shine in the 2 1 century.

We live in a world of color, and color reflects everything in our senses too directly.

However, black-and-white photography leads us to another sensory level and into another time and space. Although we may not be deeply impressed in our hearts, I hope we can understand the essence of Robert Doisneau's works through the theme that exudes the flavor of the times in that time, space and cultural background.

If we do this, if we can talk to the photos, we can go back to that time and space through Robert Doisneau's eyes and explore the unique culture of Paris. This is communication. All we need is a visitor to this photo exhibition, that's all.