Who are the beautiful women in Tsui Hark's movies?

Tsui Hark, Jianghu people call him Xu Laoguai.

Sounds like strange characters in martial arts novels.

Bian Xiao really liked him and called him Lao Xu.

Anyone who is not blind can see that he has a "martial arts dream" in his heart.

If four words are used to describe Lao Xu's style, it must be chic and elegant.

No matter how many teenagers take it out again, his movies are still amazing.

Simply put—

Compared with other directors, Tsui Hark is the kind of person who knows what he wants.

He is a strong self in making movies and has never been a "good boy".

And because he was too opinionated, he fell out with John Woo when filming "True colors of heroes" and with Hu Jinquan when filming "the legendary swordsman".

He is used to laughing and cursing, unrestrained and out of control.

Never talk about pursuing "art"—

Movies are about making money and doing business. There is nothing noble about them.

But in fact, many times, he combines business and art perfectly.

He has the shadow of the generation of Hong Kong movies that we used to like very much-

Very interesting.

Fortunately, it is very "live" and very casual.

It's like we can't see actors like Tony Leung Ka Fai wearing women's clothes and hoods in the mainland, and we can't see actors like Tony Leung Chiu Wai hanging two sausages on their mouths.

Zhu Yingtai in butterfly lovers may be a naughty girl who can't read.

Not smart, not virtuous, and occasionally a little confused.

Liang Shanbo is not a bookworm who has read many sages.

But a 24-year-old filial piety, funny, happy and sad man.

At that time, Nicky Wu felt tender and could squeeze out the water!

Dong Fangbubai in the legendary swordsman is not necessarily a man.

But Brigitte Lin, he is both good and evil.

Every unexpected start makes me feel very fresh.

Lao Xu is a top player in making China movies.

Freehand composition+exquisite colors create a beautiful picture.

And his grasp of the role and his choice of actors are rare.

In the film circle, we often hear many actresses being crowned as "X Girls".

For example, let Zhang Dao fall in love with the face of a typical oriental beauty.

Small eyebrows, small eyes, small face, delicate facial features and beautiful appearance.

But for Lao Xu, we have never heard anyone call his chosen actor "Dick Girl".

But deeply obsessed with the unique part of their temperament-

She is brave and handsome.

Her simplicity and loveliness.

Her ghost horse is very naughty

She is full of amorous feelings.

In his Jianghu, female beauty has its own customs.

Lao Xu is famous for her hot beauty in the industry.

The role of Dong Fangbubai was originally given to Anita Mui.

It's great to play Dong Fangbubai with a woman.

And recommend Brigitte Lin, everyone opposed, only tsui hark insisted.

The world of mortals is ridiculous, infatuation is the most boring and supercilious.

Before meeting Tsui Hark, Brigitte Lin had been playing the beautiful girl in Qiong Yao's plays.

After meeting Tsui Hark, we discovered that such heroism is no less than that of a man.

Thick eyebrows and cold eyes, both good and evil.

Even men are eclipsed in front of her.

There are countless victories in the world besides the idle life.

Joey Wong's Nie Xiaogan is really attractive.

Red lips and white teeth, fluttering clothes, and a smile that makes people fall.

Lao Xu is very good at finding the bright spots in women.

A thousand kinds of flying flowers are not as good as a dream on earth

Tsui Hark+David Henry Hwang+Li Bihua = a match made in heaven.

Maggie Cheung is thin and not sexy at all.

I found her beauty in Chen Musheng's eyes and her literature and art in Wong Kar-wai's eyes.

But without Tsui Hark, how do you know that Maggie Cheung still smells so coquettish and penetrating?

The waist is graceful enough, the eyes are frivolous enough, the tone is lingering enough and the temperament is enchanting enough.

One look, one action, is already naked seduction, enough to win thousands of women.

From then on, I didn't take Hengtang Road, for fear of seeing mandarin ducks flying in opposite directions.

Bian Xiao selfishly thinks that Zhu Yingtai played by Yang Caini is the most agile one.

There are both the natural carving of girls and the fortitude of women.

The last part of the funeral scene, that year, insulted and cried and hurt friends.

In the yellow sand all over the sky, the red yarn falls lightly on Zhu Yingtai of plain clothes.

That kind of looking back will never be forgotten.

In fact, this is AB's most beautiful work.

Even our widely criticized lesbian baby in Anzhou, Lao Xu can shoot very elegantly and artistically.

She was radiant as soon as she appeared.

Have the introversion of women in China's traditional values.

There is also the true nature of Lao Xu who dares to love and hate the world of mortals.

As the saying goes, high mountains and flowing water are hard to find.

He is their bole, and they are his bosom friends.

Lao Xu is famous for the speed at which he makes movies.

Wong Kar-wai has been shooting the same subject for ten years, and he may only need 100 days.

So he is actually a very prolific director.

But fast doesn't mean shoddy. Even many times, he has reached the point of finding fault.

He is often molested;

Tsui Hark filming is a ticket game! Drawing cartoons is the main business.

He made every scene by himself, and painted it very carefully.

Compared with the old bird's rules.

Kurosawa's strangeness

Jiang Wen's freehand brushwork

I have nothing to say about it.

His split shot is full of professionalism.

Lao Xu is obsessed with technological innovation in movies.

One eighth or one tenth of the new wave in Hong Kong should belong to him.

Du Qifeng once commented:

The film creation directed by Tsui Hark for more than 40 years has emerged in an endless stream, which has also had a far-reaching impact on Hong Kong films.

Lao Xu especially likes 3D technology, playing everywhere in the desert and underwater.

Flying swords of dragon gate is a desert scene shot by a group of people.

The wind and sand all over the sky are magnificent, and there is quite a feeling of rolling red dust in the film.

Renjie's Dragon King even got an underwater 3D camera from Australia.

This is the first time that China has used underwater 3D cameras (there are only three in the world), which can be said to be in the forefront of the world.

Is to give the audience a visual impact of tens of seconds or minutes. Few people in China can stick to this point.

Some people say that the fascination with visual effects ruined Tsui Hark.

Actually, it is not. But over the years, he has changed, and he has become a "law-abiding".

Pierre didn't like Lao Xu.

I hate that he always imposes self-awareness on the characters themselves.

I don't like his pursuit of the ultimate picture.

I hate that he often tells stories indiscriminately.

Now-he has changed, but I feel lost.

Look at those classics again, there is a sense of urgency.

It seems that even those memories are getting old together.

Even in an interview with New Culture, he sighed:

"I really feel old."

A friend on Zhihu asked:

Why is Tsui Hark's works in the past ten years so rubbish that some people praise him?

Probably because his works before he turned 40 were too dazzling.

Once in a lifetime, not seeking perfection, but seeking profundity.

After Zhang Yimou's Living, Xiaogang Feng's world without thieves and Chen Kaige's Farewell My Concubine. ......

In fact, looking back, it is difficult for every director to innovate at the peak of his career.

However, youth is always rampant.

When Tsui Hark was the youngest, he made a movie that surprised Paiye all his life.

Even if the hero is dying, he is still Tsui Hark, Tsui Hark is still him.