Where was Liu Fan born?

Liu Fan; Date of birth: 1979.4, male; Professor, School of Arts, Southwest University, Director of Film and Television Arts Department, Doctor of Film Studies. Main research interests: film and television creation theory and practice, film history and film criticism. Vice Chairman of Chongqing Film Association, Executive Director and Deputy Secretary General of China Film Critics Association; Director of the Theoretical Review Committee of the Chinese Film Association, Deputy Secretary-General of the Film Screenwriter Education Committee of the Chinese Film Association, and member of the Youth Federation of Southwest University. At the same time, he served as a member of the Chongqing Film Review Committee, an expert judge of the "Five One Project Awards" in Chongqing, an expert judge of the main competition unit of the Beijing University Student Film Festival, and a reviewer of the Journal of Southwest University (Social Science Edition); Won the second "Young Cultural Newcomer" in Chongqing. The screenwriter "Return" won the first prize of 20 18 Xia Yan Cup excellent script collection (sponsored by the State Film Bureau); As a screenwriter and producer, the film "White Clouded Canggou" was selected as the Asian Newcomer Award in the 22nd Shanghai International Film Festival (International Class A Film Festival), and was nominated for best cinematography and best actor. The film also won the "Outstanding Domestic Film Award" of the 28th China Golden Rooster and Hundred Flowers Film Festival ("* *10") and the annual cutting-edge technical award of 14 China Youth Film Week (sponsored by China Film Association).

The master's thesis "A Brief Introduction to the Reform of Mainland Film System since the New Period" was awarded the Chongqing Excellent Master's Thesis Award by Chongqing Academic Degree Office in 2005.

Chinese name: Liu Fan.

Nationality: China.

Ethnic group: Han nationality

Date of birth: 1979.4

Occupation: teacher

Graduate school: Shanghai University Film and Television College

Main achievements: remarkable achievements have been made in the theory and practice of film and television creation and the study of film history.

Representative works: The screenplay "Home" and the movie "White Clouds and Cangdogs".

Education: Doctor of Film Science.

Gender: male

Position: Head of Film and Television Art Department, Southwest University College of Literature

Position: Professor, Art College, Southwest University

Personal introduction

1997 -200 1 studied in the audio-visual education department of Southwest Normal University; 2006 54 38+0-2004 Studied in Film Science Department of Chinese Department of Southwest Normal University. 20 14 received the doctor's degree in film science from the School of Film and Television of Shanghai University; Since July 2004, he has been teaching in the Film and Television Department of the Chinese Department of Southwest Normal University. Now he is a professor, doctor, tutor and director of the Department of Film and Television Arts of Southwest University.

lecture course

Drama, film and television creation practice and major literature reading;

research direction

Theory and practice of film and television creation, film history and film criticism;

main occupation

Representative results:

Presided over the national social science fund art project "From business infiltration to cultural leap-a comparative study of Hollywood blockbusters and China blockbusters" (1 1CC097), which has been concluded;

Presided over the social science planning project of the Ministry of Education "Creative Destruction-Analysis of Industrial Culture from American Blockbusters to China Blockbusters" (09YJC760045), which has been concluded;

Presided over the key project of social science planning in Chongqing, "Research on Chongqing Film Development Strategy in the New Era" (20 19TBWT-ZD 15), which is under study;

Presided over Chongqing social science planning project "Chongqing Huimin project field investigation and typical significance" (completed) and two basic scientific research fund projects of central universities (2008XW07), which have been completed;

2. Open:

Research on the Occurrence and Development of China Blocks (Monograph), People's Publishing House, 20 15,11;

"VR is not the future of film art" and "Research on Literature and Art"; September 9, 20 18;

Investigation on the living conditions of cinemas in Chongqing film market, literature and art research; August 8, 2009;

"What happened to the martial arts blockbuster" and "Guangming Daily"; 20 1 1 (reproduced by Xinhua Digest);

Learning notes and film art; 20 18 issue 4;

From to: the effective transmission of national ideology and the secret splicing of audience desire, Film Art, No.4, 2065438+06;

A Study on the Movie Consumption Pattern of "Net Generation" Audiences —— Based on the Survey of Chongqing Urban Youth Groups, Film Art, No.5, 2015;

Contemporary domestic comedy films: audience's purport, mob carnival and game spirit, Film Art No.3, 2015;

Ode to patriotism and pseudo-heroes, film art; 20 13 02;

Man: absurdity and happiness in mashup: film art; 20 12 04

Starry sky: a literary youth's love affair, film art; No.20 12 1, 1

Ideological strategy and film art in ethnic minority films in the past seventeen years; 20 1 1 04;

East Wind Rain: the epic and narrative paradox of the film art Nieba: No.5 September 2065438+00;

Image history: writing history in reconstructing images into history and film art; June 2009165438+1October No.6;

The game in the reform of district and county film companies —— Taking Chongqing film art as an example: No.3, 2008;

A preliminary study on the viewing mode of streaming media, film art, 02, 2006; (NPC copied materials are reproduced in full)

Ticket price problem: the bottleneck of the healthy development of China film: film art, 04, 2005; (NPC copied materials are reproduced in full)

Wang Shuo's Doctrine in Xiaogang Feng's Films, Film Art, No.3, 2004;

The spread of American drama in China and its core competitiveness, modern communication; 20 10 March 3;

The occurrence and irretrievability of myth —— About the box office of China's martial arts blockbuster, Modern Communication; The third issue in March 2008;

After 55%: Questioning China film market and modern communication; The third issue in March 2007;

Mainstream blockbuster: Deng Xiaoping Theory's model in cultural practice, Contemporary Film,No. 12, 2009;

Film industry and system and contemporary film research; June 6, 2008;

Hunting monsters: the localization of magic movies and the acceptance of women's eyes, Journal of Beijing Film Academy; 20 15 No.5

Settle. Small probability event. Ironic humor--narrative analysis of domestic black comedies in recent years. Journal of Beijing Film Academy. 20 10 April 2;

Clumsy drinking and crazy exposure —— Analysis of the product placement in Call of Destiny and Journal of Beijing Film Academy: August 4th, 2008;

Research on the Magic Martial Arts Movies in Contemporary China: Mythological Resources, Cultural Tradition and Secular Interest, Journal of Southwest University No.2, 2016;

Entertainment Effects and Ideological Strategies of Ethnic Minority Movies in Seventeen Years, Journal of Southwest University, No.6, 2014;

On the Dilemma of Current Martial Arts Blockbusters from the Adaptation of Zhao's Orphan Movies, Journal of Southwest University, 2012,04;

Industrial Significance and Market Strategy of China Wushu Mega-system, Journal of Southwest University, No.5, September 2008; (NPC copied materials are reproduced in full)

China Film Industry Report 2006 and Journal of Southwest University; The third issue, May 2007

Overview and thinking of Chongqing rural film Huimin project and Sichuan opera:1October 20 10/issue;

Ten-year blockbusters and Sichuan Opera; Issue 4, 2006;

Imagination and Reference of Middle-earth —— On the Ecology and Types of Magic Movies and Film Literature: June 6th, 2008;

On the Standard Context Film Literature in Urban Youth Films,No. 1, June 2007.

Stories, Characters and Values —— A Comparative Analysis of Chinese and American Blockbusters: China Film Market, 20112.

3. Creative achievements:

The screenplay "Return" (screenwriter)

The movie White Clouds. Canggou (screenwriter and producer)

The film "Secret Documents" (screenwriter)

The film Zhou Xin (screenwriter)

The movie "Lao Liu's Marriage Journey" (master plan)

Part-time honor

Vice Chairman of Chongqing Film Association

Executive Director and Deputy Secretary-General of China Film and Television Review Society

Director of the Theoretical Review Committee of China Film Association.

Deputy Secretary-General of Film Screenwriters Education Committee of China Film Association.

Member of Youth Federation of Southwest University

At the same time, he served as a member of Chongqing Film Review Committee.

Expert Judge of Chongqing "Five One Project Awards"

Expert judges of the main competition unit of Beijing University Student Film Festival

Expert in Review of Journal of Southwest University (Social Science Edition)

The screenwriter "Return" won the first prize of 20 18 Xia Yan Cup excellent script collection (sponsored by the State Film Bureau); As a screenwriter and producer, the film "White Clouded Canggou" was selected as the Asian Newcomer Award in the 22nd Shanghai International Film Festival (International Class A Film Festival), and was nominated for best cinematography and best actor. The film also won the "Outstanding Domestic Film Award" of the 28th China Golden Rooster and Hundred Flowers Film Festival ("* *10") and the annual cutting-edge technical award of 14 China Youth Film Week (sponsored by China Film Association).

Personality assessment

Academic Conference and Social Impact: Liu Fan was invited to attend many domestic high-standard academic conferences such as China Film Forum of China Golden Rooster and Hundred Flowers Film Festival, Domestic Film Forum of China Film Research Center and China Youth Video Forum sponsored by China Film Association, and submitted reports to the conferences. The opinions of some papers were interviewed and published by authoritative media such as Xinhua News Agency and People's Daily, and attracted the attention of relevant departments. His theoretical article "What's wrong with martial arts blockbusters" attracted great attention after it was published in the headline of 201kloc-0/Guangming Daily on August 8. Dozens of websites, including Xinhua News Agency, People's Daily, Phoenix.com and Civilization.com, China, reprinted and forwarded the full text. Official website, China Federation of Literary and Art Circles, reported Liu Fan's view that the primary market tends to be saturated, and the development of the secondary market in film districts and counties should be strongly supported and guided. Guangming Daily reporter interviewed Liu Fan on the current China film and television script creation, and the relevant views were published in the article "Screenwriters, how not to screw things up" in February 8, 201Guangming Daily. Liu Fan was interviewed twice by Chongqing Satellite TV's Financial Times reporter on topics such as "Chongqing Cinema Development", "Transformers and Product Placement", and related programs were broadcast on Chongqing Satellite TV in the evening prime time.