How to quickly master the hand-painted copying skills of hand-painted renderings

How to quickly master the hand-painted copying skills of hand-drawn renderings

As the saying goes, practice makes perfect. Similarly, for fast hand-drawn renderings, you must practice more. Only when you are familiar with it can you master the skills. You can move freely in drawing, and copying is one of the basic means to practice rapid expression. Copying can start with drawing. For beginners, it may be difficult to get started. At this time, you can start by using copy paper to draw on the model, slowly figure out and master the skills, and then transition to comparison after you are familiar with it. The stage where the model is drawn by oneself. Copying is very important for learning the technique of quick hand-drawing renderings. The object of copying can be other people's renderings, or it can be photos in professional books, ranging from decorative expressions of large shopping malls and office buildings to small interior decorations. Furnishings and small decorative components can be used as objects for practice. Copying is also optional. As long as you have paper and pen, you can practice anytime and anywhere as long as you see good decorative works. Below is the knowledge I bring to you on how to quickly master the hand-painted copying techniques of hand-painted renderings. Welcome to read.

1. Learn how to see:

You can learn how to see through copying. One is to look at perspective processing; the other is to look at the author's design and expression techniques. The perspective processing of hand-drawn renderings is very critical. Whether the vanishing point is well chosen and whether the perspective angle is ideal or not are the key to the success or failure of a rendering. When copying other people's decorative works, you need to carefully figure out why the vanishing point is set in this way, the perspective angle is chosen in this way, and what benefits this processing has on the perspective, space and three-dimensional sense of the picture. When looking at photos of decoration examples, you can also try to figure out why the photographer took such a shooting angle, and what positive effect such angle has on the interpretation of indoor and outdoor spaces. In short, by trying to figure out perspective processing during copying, the practitioner's sense of perspective can be cultivated, and the practitioner's ability to grasp the sense of space and three-dimensionality can be improved, thereby enhancing the ability to deal with perspective expression. In the process of copying, we should also carefully look at some of the author's decorative techniques in the work, such as the expression of different furnishings, different decorative components, and different decorative materials. The author's line organization, block conversion, and light and dark relationships in these places are How to deal with it and what is unique about it, these are the objects for us to learn. By learning from them, we can continue to accumulate our own experience. Therefore, for students majoring in decoration, "seeing" is very important. When copying, you must first learn to see, understand and understand.

2. Learn how to draw:

After you understand, you also need to be able to draw. Hand Painting 100 believes that the purpose of copying is to learn how to draw and to exercise your ability to draw independently. The drawing of fast hand-drawn renderings first requires the author to correctly establish the vanishing point in the perspective relationship, find the perspective angle, and quickly and accurately draw the overall perspective effect of the picture. At this time, it is no longer possible to use the rules step by step like drawing ordinary renderings. The ruler slowly seeks the perspective relationship. If this is the case, the effect of rapid expression cannot be achieved. Therefore, to quickly draw the perspective effect, we must rely on the sense of perspective cultivated during daily training and copying, as well as the accumulated experience in the sense of space, three-dimensionality, etc. With the daily accumulation, we can achieve what we have in mind when writing. There are many people who can draw the perspective lines accurately even with freehand, and can freely control the choice of perspective angle, and can express the effect they want to highlight at will, and can achieve the pursuit of strong perspective effect. Another aspect of learning how to draw is to be good at using different expression techniques to express quickly, such as the organization of different lines, the processing of different light and shade, the expression of different materials, etc. This requires learning from other people's experiences through copying. Integrate everything and internalize what you have learned and practiced into your own experience accumulation, so that you can calmly adjust and use it freely when using it, and comprehensively use various techniques to show the best effect.

3. Solve the problems you have in your stomach:

As the saying goes: "If you read thousands of volumes, you will be inspired to write." The same is true for drawing quick hand-drawn renderings. It requires that there be something in the stomach first, that is, there must be materials. Through copying exercises, you can master two aspects of materials:

(1) Materials for drawing quick hand-drawn renderings, including people, vehicles, indoor furniture, furnishings, hangings, murals and commonly used greening materials. . To be proficient in drawing quick hand-painted renderings, it is required to be proficient in drawing some commonly used items and scenery in decorative renderings. For example, in terms of greening and scenery, it is required to be proficient in the painting methods of Bo Kui, Phoenix tail bamboo, Monstera deliciosa, Brasiliensis and so on. The drawing methods of more than ten kinds of green plants such as trees and trees, and the methods of matching characters and vehicles require proficiency in the expression methods of more than a dozen kinds of characters and vehicles, etc., so that they can be easily used when drawing quick hand-drawn renderings;

(2) Decorative design materials. Through copying, you can accumulate a lot of materials and experiences about decorative symbols, decorative elements, decorative details, decorative design techniques, etc. These can be used as practitioners in future decorative designs. The basic elements and sources of ideas enable practitioners to learn from the knowledge and experience of others, draw on the strengths of hundreds of schools of thought, and design their own ideal decorative works with ease.

4. Practice of spatial and proportional relationships:

Through copying, you can also achieve the purpose of training spatial relationships and proportional relationships. An excellent quick hand-drawn rendering requires the author to accurately handle the spatial relationship and proportional relationship between different objects, which requires the author to have good judgment and feeling for the size, proportional relationship and spatial position relationship of different objects. , the displayed objects should not have too large proportion errors and spatial misalignments, otherwise the picture may be deformed or imbalanced, which is intolerable. However, through copying, practitioners can improve their abilities in these aspects, and draw Figure out accurate spatial and proportional relationships.

5. Treat copying as a means of lifelong learning:

Today’s concepts and techniques of interior, architecture, landscape design and expression are changing and developing rapidly, and new concepts and techniques are constantly being introduced. Emergence requires us to strengthen our study and keep up with the times. Copying can not only be used as an effective means of knowledge updating and information accumulation, but also an effective means of lifelong learning. The cloning of the latest professional development materials not only allows us to accumulate a large amount of new professional knowledge, but also allows us to maintain a good understanding of the subject. Tracking the latest professional development direction, maintaining the continuous exploration and innovation of new decoration concepts and methods, constantly innovating and developing in terms of decoration design and performance.

;