What is the biggest problem in the production of 800?

For "the biggest problem in 800 years of production", Nicole responded:

In this process, I found many difficulties. There is no place to shoot. Should it be a real shot, a scene shot or a shed shot? How can we realize the relationship between the north and south sides of Suzhou River that the director wants to reflect?

Finally, with the strong support of Huayi, we realized our dream of real-life shooting. Because we have the opportunity to get close to the long-dreamed industrialized production process, although it is still far from real industrialization, at least we are making progress every day, which is very exciting.

20 13 years, 20 15 years before you found this place. Directors, photographers and artists stay there like foremen every day, just planning to dig a river in an open space and build a one-to-one four-row warehouse with more than 60 buildings. It's the first time for them to try, and they can finish what they want to do before they try. In the end, all the difficulties are not difficult.

Extended data:

The production of scene props in the film 800;

This 200-acre building was built brick by brick, which not only excavated a new Suzhou River manually, but also built 1: 1 buildings on both sides of the river. When shooting, the demolition plot of Baisha, Ningbo was set as the scene of the Battle of Songhu.

In order to pursue the truth, the crew spent a year and a half designing and building a 200-acre, 68-building real scene at Huayi Brothers Film World (Suzhou) shooting base, digging the Suzhou River 200 meters long and restoring a "hell" and a colorful "paradise" on both sides of the strait.

The whole film used 300 flares to reproduce the lighting effect on the battlefield of the Battle of Songhu. * * * burned more than 300 kilograms of cigarette oil and nearly 5 tons of old newspapers, and set up 50,000 bullet points on the ground equivalent to the sum of the top ten war dramas, creating a real battlefield filled with smoke and gunfire.

In order to present the best visual effect, ensure the realism of the picture and highlight the aesthetic value, photography director Cao Yu set up more than 2,000 desk lamps on the set to match different shots.

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