Which photographer does Bresson belong to?

Full name is henri cartier bresson, French.

A world-famous humanistic photographer, the founder and practitioner of the decisive moment theory. Known as "the father of modern news photography"

The Decisive Moment was written by French photographer Cartier-Bresson in his photo collection. He put forward the aesthetic concept of photography in Aesthetics of Photography, especially by snapshot, which summarized the decisive things in a very short fraction of a second and expressed them with powerful visual composition. At the same time, this concept of snapshot photography has also been praised by famous photographers such as German photographer Dr. Eric salomon, British photographer Bill Brandt and Hungarian famous war photographer robert capa, and it has become the most effective means of news photography.

"I'm not interested in processed or directly taken photos ... the camera is a sketch book, a tool for intuition and spontaneous reaction, and an immediate slave to my doubts and decisions. In order to give meaning to the image, the photographer must feel that he is involved in the viewfinder to get something ... The photographer needs to rely on extremely simple methods to achieve simple performance ... He must always adhere to the greatest respect for the subject and himself! "

Henri Cartier Bresson

Bresson: "In photography, the smallest thing can also be a great theme."

Bresson put forward the most famous "decisive moment" in the history of photography. He believes that everything in the world has its decisive moment. He decided to capture the moment of ordinary life with the photographic style of decisive moment, and grasp the appearance and connotation of things in a very short time to make them eternal. This is the case with Marilyn Monroe. Bresson accidentally captured this photo of Monroe. From this frozen moment, people saw that Monroe was born with beauty and refined manners.

Bresson believes that photography bears an important social responsibility, and every photographer should have a deep sense of dignity and realize that no matter how brilliant the picture is and how sophisticated the technology is, if it is far away from love, understanding of human beings and cognition of human destiny, it will definitely not be a successful work. Bresson's ideas are lofty, but the materials he chooses are usually very small. "In photography, the smallest thing can also be a great theme." Therefore, his lens is aimed at people and things that we can see and know in reality. It is he who makes us discover that there is beauty and affection in this habit. Boys (1958) embody this style. Its theme is not great, but it is a famous work by Bresson. A boy walked home with a big bottle in each hand, as if he had completed a glorious and arduous task. The characters in the photo are very natural and real, showing Bresson's skillful capture kung fu.

Before Bresson, photography developed more as a technology, and Bresson made photography conscious. Any master can be surpassed, but some people can never be ignored. Bresson is one of them, and even some schools were formed by criticizing him. But whether you agree with him or not, it is undeniable that Bresson lent the world a pair of eyes with his sense of professional dignity, and let people discover the beauty that they have never found around them, but the real beauty and dignity need not be explained.

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