Who can tell me the details of Thomas Fersen?

Thomas Fersen, a singer with crazy animal complex, regards his unique folk world as a huge zoo, puts all possible animals into his music, tells them stories, plays the violin for them and leads a large group of animals to swing in the street. Almost crazy behavior makes Thomas Fersen an immortal symbol. That one hangs on the wall of the old house and smiles forever.

Thomas Fersen didn't dream of becoming famous overnight. Those impetuous sparks always make him uneasy. What he cares about is that the best ideas are disappearing from us. Thirty or forty years old, there is no trace of age in his music. Even over 50, he can still tell us those fantastic ideas. This old man, known as "the godfather of the new generation of French music", was born in Paris in 1963. Thomas Fersen's father is a bank clerk and his mother is a nurse. He grew up in an ordinary family, but he has a high talent for music. Thomas Fersen/Kloc-started to touch music at the age of 0/5. Thomas Fersen was once fascinated by punk music when the punk trend entered France. He began to cooperate with different bands and formed his own two bands UU and Figure of Fun. The style of the band was greatly influenced by Britain, and the band also chose to sing in poor English. In the early days of the dissolution of young bands and music, Thomas Fersen chose to travel, leaving his footprints in North America and Scandinavia in northern Europe. After a two-month trip, Thomas Fersen returned to France (article source: French), chose to play the piano with his wife in a small cafe, and accumulated rich experience in creation and performance. 1990, Thomas Fersen signed the famous French WEA brand and was able to cooperate with his old friend Vincent Frerebeau.

In the two years after signing the contract, Thomas Fersen has been writing songs and participating in small performances. 1993, Thomas Fersen, who was nearly 30 years old, officially released his first solo album Le bal des oiseaux. This French singer who is good at playing with words and has wonderful poetic inspiration can always find the topic of singing from the animals around him or the vegetables in the kitchen. He adapted myths and legends in the tone of animals, telling the lives of ordinary people and weaving their dreams. The album Le bal des Oiseaux of the same name is about the happiness of young people's lives (article source: French). In early spring, everything in the wild is boiling quietly, bidding farewell to hometown and dancing in another cloud in the sky. "Dancing with birds by the river, do you feel young?" Thomas Fersen's smoky voice can sing relaxed songs. Thomas Fersen boasts that his voice can wander between tom waits and Tommy Contri, deep but not sad, brisk but not impetuous. Folk songs, jazz and blues have merged in chansons's ballads and become a colorful music festival. Thomas Fersen is a light figure strolling on the stage. After the release of Le bal des oiseaux, it received rave reviews. Thomas Fersen also won a reputation. He frequently participated in various music festivals and performances, and won the title of "Best Newcomer of the Year" in the selection of "Victoires de la Musique" that year (article source: French). The "late bloomer" singer finally found her own stage after years of waiting.

After the album was released, it was a non-stop tour, during which Thomas Fersen did not forget to take time to write songs for the next album. From 65438 to 0994, Thomas Fersen flew to Denmark to record his new album Les Ronds de Carotte, which was finally released in France from 65438 to 0995. The release of the second album made Thomas Fersen gain both music and business benefits, and people once again appreciated Thomas Fersen's eccentric ideas. Unlike the first album, which was designed by traditional photographer Robert Doisneau, Les Ronds de Carotte invited a more fashionable photographer, Jean batiste Mondinaud, so the image of Thomas Fersen crawling with a rabbit on his shoulder appeared on the album cover. The songs in the album follow Thomas Fersen's consistent humorous style. He won't let you fall into the trap of his songs, but always gently guides you into the life he tells. "Ne pleure plus" records what happened in long lyrics (article source: French). A distant city has fallen, birds have disappeared, the sea is no longer floating, but your life goes on. Don't cry in front of the mirror. Even if there is sadness, Thomas Fersen will still push complexity down like a gentleman. He knows that life is always meaningless and self-annoying. "der rosenkavalier" once again resumed its humorous tone. Thomas Fersen is leisurely holding his carrot. In this era, owning a carrot may be the richest. After all, neither the car nor the house will be held tightly by you.

The infatuation with improvisation and the pursuit of uncertainty make Thomas Fersen's randomness have a charming sense of directness. A sudden performance sounded on the street corner, and the surprise and accident were self-evident. In the third album "Days of Poisson" released by 1997, Thomas Fersen will improvise more thoroughly. In this album, Didier Lockwood and Richard Galliano were invited to work together. Gypsy music, jazz and Latin music are mixed with exotic feelings in Thomas Fersen's already rich music. Maybe only Thomas Fersen can sing for a fish lying quietly in his pocket. "I am a saint" is Thomas Fersen's self-performance. He said he was an angel. He said he could influence everything. These are all things that are happening in the music industry. He will use instrumental music and singing to retrieve long-lost memories. In this era when we force ourselves to forget, Thomas Fersen let us fall into the maze of memory (article source: French), communicate with ourselves in images, ask him how he felt in music, take tiny steps under the magnificent building, stand on tiptoe, and cut off the fence between the coast and the path while looking at the infinite space on the other side. This is all the desire in Thomas Fersen's music. The British Divine Comedy can be another partner of Thomas Fersen, one with the elegance and humor of an English gentleman and the other with the romance and humor of a French street. They become narrators walking in their respective cities, and they are willing to discover the wonders of trivial life and then tell them in a soothing way. They are nosy people who are willing to hide in symphony music and talk to themselves. Their songs can be complaints that some people don't want to hear, or memories that some people relish.