From entry to mastery of digital SLR photography catalogue

Chapter 65438 Composition Principles and Golden Rule of +0

1. 1 photographic composition from painting 2

1.2 Make full use of "golden section" and "three-way" 3

1.3 Four swords that highlight the main elements 5

1.4 Grasp the balance of photographic composition 7

1.5 Grasp the contrast elements in photographic composition 7

1.6 Extraordinary feelings brought by different perspectives 8

Linear expression of 1.7 in photographic composition 9

Horizontal line composition 9

Vertical line composition 9

Diagonal composition 10

Curve composition 10

Composition of confluence line 1 1

Radiation composition 1 1

1.8 body expressions in photographic composition 12

Triangle composition 12

Frame composition 12

Tunnel composition 13

Chessboard composition 13

Chapter II Composition of Scenery

2. 1 conventional ingredients 16

Clever use of the horizon (three equal horizontal lines) 16

Sunset beauty (horizontal line composition and central composition) 18

Impressive sun view (nine-square grid composition and central composition) 2 1

Characteristics of shooting in the early morning and evening (light and dark contrast composition and radiation composition) 22

Sky, clouds and light (morphological composition and radiographic composition) 24

Sea and sky meet (horizontal line composition) 28

The shape of the coastline (curve composition) 30

Various customs in the sea (triangle composition and contrast composition) 3 1

How to emphasize the fall of waterfalls (vertical line composition) 36

How to shoot waterfalls from a distance (panoramic composition and tunnel composition) 36

Photographing the water flow near the waterfall (triangle composition and far-near composition) 37

The river posture (tunnel composition and curve composition) 38 is depicted.

Using rocks to express the movement of rivers (curve composition) 39

Journey to the desert (light and dark contrast composition and curve composition) 40

Expressing the sense of distance of mountains (comparative composition of distance) 43

Expressing the rhythm of the mountain (diagonal composition) 43

Emphasize the light at the top of the mountain (contrast composition) 44

Representing the posture of the mountain (triangle composition) 44

Plateau scenery (near and far composition and morphological composition) 45

Shooting hills and terraces (checkerboard composition and color contrast composition) 48

Emphasize the lines of the tree (vertical lines) 49

Emphasize the growth momentum of trees (radiation component) 50

How to express the morphology of trees (comparative composition and morphological composition) 52

Emphasize the existence of trees (contrast composition and local composition) 55

Shooting red leaves on rocks (triangle composition) 58

Shooting Yellow Leaves in Autumn (Vertical Line Composition) 58

Snow-covered coast or ground (curve composition) 59

Snow-covered branches (triangle composition) 60

Frozen branches and leaves (comparative composition) 60

Urban Fountain (vertical composition) 6 1

Beautiful scenery of artificial lake (balanced composition and tunnel composition) 62

Scenery with special shapes in the city (C-shaped and O-shaped composition) 64

Reflection in water (central bisection composition and contrast composition) 65

Panoramic view of the city (overhead composition) 67

2.2 Unconventional Composition 7 1

Use water reflection (reflective patterning) 7 1

The old house reflected alone in the water (reverse composition) 7 1

Raise or lower the horizontal position (unconventional horizontal mode) 72

The creation of dynamic situation (composition of inclined horizon) 73

The sense of rhythm of expression (rhythm composition) 74

Generation of Three-dimensional Effects (Frame Composition and Convergence Line Composition) 75

Shooting a large-area foreground (foreground shadow composition) 76

Exaggerated visual effects (unconventional perspective composition) 78

The lines of the display object (in the form of dividing lines) 79

Seeking stability in imbalance (fulcrum composition) 80

Representing the rhythm of waves or deserts (rhythm composition) 8 1

Show the characteristics of the scene itself (special pattern composition) 82

Chapter III Portrait Composition

3. 1 conventional ingredient 86

The position of the eye (three-dimensional composition) 86

Arrange the position of the characters in the picture (nine squares composition) 86

Using reflective objects as props (symmetrical composition) 87

Maintain a sense of balance in the picture (balanced composition) 88

Shooting a Curved Model (Controlling Depth of Field Composition) 88

Blurred foreground or background (blurred background composition) 89

Show the model's figure (S-shaped composition) 89

Shooting people sitting or squatting (triangle composition) 90

Shooting standing portraits (vertical composition and triangular composition) 9 1

Profile photo of sitting model (L-shaped composition) 92

Shooting the model lying on the table (diagonal composition) 92

Using Steps to Display Model (Diagonal Combination) 93

A guide line (convergent line pattern) 93 is used.

Shooting of two people (contrasting symmetrical composition) 94

Shooting a model sitting on a rope chair (focus composition) 95

Little girl lying on the beach (horizontal composition) 95

Use eye contact (diagonal composition) 96

An orderly arrangement of pavilions (rhythmic composition) 97 is used.

Use the grid as the background (complex and simple contrast composition) 97

Background lines (dividing line patterning and vertical patterning) 98 are used.

3.2 Unconventional Composition 99

Reduce the proportion of people in the picture (breaking the composition of the trichotomy) 99

The abstract form of characters (incomplete abstract combination) 10 1

Artistic conception creation (fuzzy theme composition) 10 1

Partial representation of characters (open combination) 102

Openness of wide-angle lens (spatial open composition) 102

Highlight the slender legs of the model (perspective composition) 103

Get the animation effect of the whole body through overhead shooting (perspective composition) 104

Inverted graphics (inverted composition) 105

High lens (high angle composition) 105

People in the door (circular composition and frame composition) 107

Perfect feeling (composition with overlapping characters and background) 108

Mysterious Creation (Shadow Composition) 108

3.3 Thematic Photography Composition 109

Daozi drunk 109

Dream racecourse 1 14

Bone carving with red makeup 120

When love is out of focus 127

Chapter IV Composition of Other Themes

4. 1 Shooting small plants such as flowers, branches and leaves 134

Solitary Lotus (Central Composition and Jiugongge Composition) 134

Life and death depend on each other (near-far composition) 135

Lotus has its own lotus leaf collocation (color contrast composition and focus composition) 136

Pay attention to the image of a single flower (central composition and contrast composition) 137

Highlighting the main body in the flower (contrast composition between reality and reality and heart-shaped composition) 138

Enhance the sense of form of the picture (triangle composition) 140

Shoot small flowers on branches and vines (diagonal composition and contrast composition) 14 1

Laughing in the Woods (comparative composition) 142

Shooting regular flowers (horizontal composition and diagonal composition) 143

Large flower border under wide-angle lens (head composition and chessboard composition) 144

Dream Blues Mulan (Checkboard Composition) 144

Description ability of macro lens (diagonal composition and open composition) 145

Sunflowers under the blue sky (unconventional portrait composition) 148

Performance of different framing ranges (unconventional closed and open composition) 149

4.2 Shooting animals such as insects and birds 150

Represents a creature with a certain physical beauty (body composition) 150

How to arrange the position of the subject (trichotomy and nine-square composition) 15 1

Landing butterfly (focus composition) 152

Purple Genie (Contrast Symmetry Composition) 153

Small organisms in flowers (central composition) 153

Catching Little Frogs in Water (Comparison of Reality and Diagonal Composition) 154

Hidden lizard (tunnel composition) 155

Shooting birds (diagonal composition) 155

Photographing seabirds foraging in water (symmetrical composition and horizontal composition) 156

Fly with me (parallel composition) 157

Open Peacock (Contrast Composition) 157

4.3 documentary photography 160

Spatial compression (near-far composition) 160

Action prompt (blank and action composition) 16 1

Local power supply (open composition) 162

Maintain a sense of balance in the picture (balanced composition) 163

Show a certain sense of depth (composition of polymerization line) 164

Capturing people (paying attention to composition) 165

Happy life of rural children (framed composition) 167

Foreign Street Customs Deduction (Balanced Component) 168

We have run out of articles.

The fifth chapter uses the light principle and the golden rule.

5. 1 Detailed description of basic light quality 172

5.2 Direction and application of photographic lamps 175

5.3 Understanding Color Temperature 178

Chapter six is like running out.

6. 1 conventional light consumption 180

Create a refreshing beauty (Guang Shun) 180

Make the characters have a certain level of light and shade (front light) 18 1.

Strong contrast between light and shade (side lamp with reflector) 182

Three-dimensional sense of characters (side backlight with reflector) 183

Show the graceful figure (backlight with reflector) 184

Single light shows human skin texture and facial contour (high single light plus reflector) 185.

Outline the outline with a lamp (high position is illuminated with a strong light) 185

Single lamp realizes the perfect combination of figures and shadows (high position single lamp) 186

Double Light Softening Character Skin (Double Light Softening Box) 187

Two lamps to create a low-key portrait (side light+front light or front light) 188

Three lights highlight people (main light+auxiliary light+side light) 189

The three lights present a three-dimensional sense of people (left and right main side backlight+auxiliary lighting) 189.

Four lamps create a floor plan (the first two lamps+the last two lamps are illuminated) 190

Four lights to achieve a clear and three-dimensional face (the first two lights are main and auxiliary light+the last two lights are flat light) 190

Make the model's skin whiter (using external flash) 19 1

Use soft indoor lighting (using ambient light) 19 1

6.2 Unconventional light consumption 192

Artistic silhouette effect (using backlight) 192

Create a portrait under strong light (using backlight) 193

Create overexposed effect (using overexposed background) 194

Interlacing effect of light and shade (using window light) 195

Emphasize the intensity of light (combination of solid and shadow) 195

Create a sense of rhythm (using rhythmic shadows) 196

Show shadows alone 196

Rigid and flexible armed cool model (using soft lens) 197

Chapter 7 The scenery is used up

7. 1 conventional light consumption 200

Bright Scenery Shooting (Guang Shun) 200

Representing the three-dimensional sense of the building (front light) 200

Desert shadow (sidelight) 20 1

Mongolian yurt (side lamp) 20 1

Dream Grassland (Backlight) 202

Dream Seascape (Backlight) 203

The outline of the building (backlight) 203

General tone landscape (scattered light) 204

A combination of cloud and light (transmitted light) 204

Use filters to add beauty to the picture 205

Shooting the Scenery at Sunrise and Sunset 206

Create an autumn atmosphere with golden tones

A black background 207 is obtained by spot metering.

Photographing beautiful elements in water (using natural light and water reflection) 208

Display the lighting effect of water surface (using lighting and water reflection) 209

Shooting flowers with natural light (scattered light) 209

Display Mosaic Texture Effect with Light (Backlight) 2 10

7.2 Unconventional light consumption 2 1 1

Roof lamp scenery 2 1 1

Backlight silhouette creates a special atmosphere 2 1 1

Skillfully use facula to beautify the picture 2 13

Using the early morning light to create a cool tone 2 13

Emphasizing local scenery with light 2 14

Jinhai 2 15

High-altitude sea of clouds and beautiful skylight 2 16

Unique night view 2 17

Chapter VIII Exhaustion of Commercial Products

8. 1 How to shoot jewelry (side light and top light) 220

8.2 How to shoot electronic products (side light and top light) 22 1

8.3 How to express the outline of glass (side light) 222

8.4 How to shoot cosmetics (background light) 223

8.5 How to express the texture of food (strong light) 224

8.6 How to express wine (soft light) 224

8.7 How to shoot porcelain (soft light) 225

Exposed articles

Chapter IX Exposure Principle and Golden Rule

9. 1 What is the correct exposure 228

9.2 Three Elements of Exposure 229

9.3 Common exposure combinations 232

9.4 Application of exposure compensation 233

Chapter 10 Conventional exposure

10. 1 how to represent the star-shaped sun (small aperture)120066.100000000666

10.2 How to control the aperture (small aperture and slow shutter) when shooting night scenes 236

10.3 shooting the moon (using a small aperture) 237

10.4 How to get a fantastic background (large aperture) 237

10.5 Shooting rain and snow scene (controlling shutter speed) 238

10.6 How to express the hazy feeling of waves (slow shutter) 239

10.7 How to show the sea view with splashing waves (high-speed shutter) 239

10.8 Make Snow White (increase exposure compensation) 240

10.9 Make the color more gorgeous (reduce exposure compensation) 240

10. 10 stands for animal fur (exposure compensation) 24 1

10. 1 1 Makes people's skin whiter (by increasing exposure compensation or using flash exposure compensation)/26661

10. 12 Shooting colorful high altitude on the plane (using polarizer)/kloc-0 /40066.00000000666

Chapter 1 1 Unconventional Exposure

1 1. 1 How to get a confusing lighting effect (large aperture telephoto lens)/266661

1 1.2 how to show the lines of traffic at night (small aperture, slow shutter) 30066.000000000005

1 1.3 how to shoot a dynamic night sky (slow shutter) 506661

1 1.4 how to take an abstract and blurred picture (slow shutter+dithering effect) 50666.000000000005

1 1.5 how to highlight a person in a flowing crowd (slow shutter) 366661

1 1.6 Shooting racing car (slow shutter panning) 248

1 1.7 fireworks (door b) 249

1 1.8 Get radial effect (intermediate amplification) 250

1 1.9 Dream Forest (using the method of double exposure) 25 1

1 1. 10 making of white background (using large aperture in backlight) 25 1

Colored articles

Chapter 12 color principle and golden rule

12. 1 color composition concept 254

12.2 color element 254

12.3 the application of photographic colors56661

12.4 photographic color configuration 258

12.5 The influence of shadows on the picture color 260

Chapter 13 Portrait Photography Color

13. 1 character makeup modeling 264

13.2 clothing color matching 266

13.3 Influence of environmental color on picture color 269

13.4 light utilization 27 1

13.5 Create a girl next door (light makeup and bright colors) 272

13.6 cute little woman (sweet dress) 274

13.7 Create sexy and charming beauty (smoky makeup and sexy clothes) 276

13.8 Create individual style (exaggerated modeling) 278

Chapter 14 How to grasp the color of landscape photography

14. 1 Take excellent photos with an excellent difference of 280.

14.2 Influence of environment on scenery 28 1

14.3 color contrast 282

14.4 The expression of the subject's own color 283

14.5 Utilization of Shadow 286

14.6 the function of the filter 287

Chapter 15 commercial photography color

15. 1 Color matching in food photography 290

15.2 How to express different types of ornaments 292

15.3 color matching in family photography 294

Lens products

Chapter 16 Choose the lens according to the subject.

16. 1 landscape camera lens 298

Shooting large scenes (16~35mm or 17~40mm wide-angle zoom lens) 298

Daily landscape capture (24~70mm or 24~ 105mm standard zoom lens) 300

The meaning of compressed space (70~200mm medium telephoto zoom lens) 302

Shoot some distant scenery (70~300mm telephoto zoom lens) 303

Shooting scenery with strong perspective (14mm wide-angle fixed-focus lens) 304

Get a distorted picture effect (16mm fisheye lens) 305.

Shooting tall buildings (24 mm moving lens) 306

16.2 portrait camera lens 307

Flexible imaging, high-quality picture (70~200mm medium telephoto zoom lens) 307

Suitable for shooting various scenes (24~70mm standard zoom lens) 309

Show people with a certain tension (16~35mm or 17~35mm wide-angle zoom lens) 3 1 1.

Creation of Fantasy (135mm standard fixed-focus lens) 3 13

Outstanding representative in portrait photography lens (85mm medium focus fixed focus lens) 3 15

A slightly blurred background sets off people (50mm standard fixed-focus lens) 3 17

Shooting environmental figures (35mm wide-angle fixed-focus lens) 3 19

16.3 ecological photography lens 32 1

Detailed description of insects and flowers (macro lens of 100 mm or 105 mm) 32 1

Perfect clarity and blur ability (300 mm fixed focus lens) 323

Powerful zoom effect (80~400mm or 100~400mm telephoto zoom lens) 325

"Bird hunting" weapon (600 mm telephoto lens) 326