Photography Skills of Car Portrait (2)

POSE 2 sits on the console and integrates the driving space.

Regard the cockpit space as a complete and unified whole, and the integrated space will make shooting more free and make the model stand upright in the whole space.

In the interior space, the driver's seat and the co-pilot seat are regarded as an organic whole, which makes the model have more spacious posture space. In a larger space, the model can sit completely upright in the car. Sit between two seats, so as to maximize the use of integrated front row space. This posture focuses on the posture of the head, legs, waist and arms. Let the model sit on the center console between the two driver's seats. The space on both sides of the driver's seat is enough to accommodate the whole person's body and keep the upper body upright. According to the size of the space in the car, the model can be ordered to keep bending and abdomen, so that the upper body will not take up a lot of space, and the abdominal fat will not be too much. It will be difficult for the body to maintain this state, but it will be very effective. One extra thing to note is that this posture still depends on the specific height of the model, and it is difficult for a model who is too tall to do this posture.

Keep your center of gravity back and keep your upper body upright.

Avoid leaning forward

Lean forward, but keep your center of gravity in your abdomen. This will make the upper body more upright, but the overall effect will make the whole body shorter.

Avoid leaning forward

Lie prone to block the upper limbs and have a good figure.

Leaning forward makes the whole person's center of gravity front, which will make the model look top-heavy in the camera, and the messy hair will block the curve of the upper body.

Lie prone to block the upper limbs and have a good figure.

Too advanced, out of proportion

The center of gravity is completely lowered and the waist is upright, which will lengthen the upper body shape. The natural drooping of the hand will cause imbalance between the upper and lower parts.

The direct-view light bitmap is too far from the scale imbalance.

The only picture among all the pictures that needs three flashlights. In the picture, you need to shine from two directions behind the model at the same time, so as to ensure the uniform light in the back and brighten the contours on both sides of the body. Another light source, as a supplementary light source for the model's face, not only has the effect of supplementing light to the face, but also brightens the front of the model's body. Set on the side where the face naturally faces. Let the light over-illuminate along the model's body, and let the light change from bright to dark on the body.

Backlight hits the windshield, which is very important in character sketch.

Light up the side door to fill the light for the model in the picture and make her face light up.

Visible light bitmap

Posture 3 Put down the front seat and lie on the crosswalk.

It is also the front row space, where the model lies, and the cockpit space makes the whole model's figure completely elongated, showing a curve from head to toe.

Lying in the car is a posture that is easier to show your posture than the conventional sitting posture, but it is also a more difficult posture. The first half of the car is posed so that the waist of the model is completely attached to the center console, and only the shoulders of the upper body are supported on the passenger seat. Waist contact with the gear platform, legs together, feet on the driver's seat backrest. The head naturally turns to the lens. Does this pose look like the one in the picture? Suffering? Posture. But once the stress point of the body is found, it is very simple and labor-saving to pose this position.

Put down the front seat and lie on the corner.

1. Legs together

Put the driver's seat back down, put your feet on the back and support your legs. At this time, you should pay attention to the calf not to be excessively curled. Excessive curling will lower the thigh curve and make your legs shorter in the picture.

2. Put your hand out. l？ shape

Manual? l？ The shape of the head and waist keeps the center of gravity of the upper body in the picture. Another suggestion is to cross your hands on your chest, which is also a new choice.

3. The head direction conforms to the overall shape.

The head is the focus of the whole prone position, and it is also the visual starting point in this picture. The orientation of the head will directly affect the picture. Touch one side of your head to the seat and let your hair hang down naturally. Make sure that the head keeps rotating. If you follow the direction of the body, the extension of the whole body will be incomplete.

Visible light bitmap

Shine forward from the back space to brighten the whole body curve.

The windshield illuminates the position where the model is lying, resulting in a backlight effect.

Visible light bitmap

Lying in an S-shape, the seat line is under the skylight in posture 4.

Lying posture is the biggest difference between fresh and sexy style. Lying down can show a girl's intelligence, but also show another sense of decadence in posture.

Shoot down through the skylight and let the model lie in the fallen driver's seat. Lying in the driver's seat, you just need to push your waist forward, keep it hanging, and the rest of your body can completely fit the driver's seat. When shooting from above, you can't completely relax your body, and you still need to keep the depth of the overall curve of your body. The hip position is fixed, so it is necessary to turn the upper body slightly to one side and form it between the thigh and the calf? l？ Form.

The direction of arm flexion and leg flexion should conform to the overall picture.

Avoid lifting your legs in the same direction as your arms. Visible light bitmap

Hit two lights from one side of the door and polish your face and figure at the same time.

Visible light bitmap