Spend time with beautiful models and share their experience in car model photography.

I like both car models and photography. I have photographed many models and scenes, and gained a lot of photography experience to share with my model friends.

First of all, we should find a suitable time and scene. The sunrise in the morning is perfect. The scenery on the observation deck can serve as a good background. Under the irradiation of sunlight, the gravel has a sparkling effect on the water surface, making the work more eye-catching.

Picking up the car at a 45-degree angle can reflect the design language of the front face and the beauty of the lines of the car body, which is very suitable for publicity [hee hee] [hee hee].

Can't the brightness be too high at noon? Never mind, you can find a shady place and put the model on the marble table. It would be better if there were flower beds. Stick the camera end of the mobile phone to the ground, then try to adjust the height and press the shutter at the right angle. A real car photo was born!

Seeing a car from a person's perspective and height is often used to it. So if the model is well shot, it can be confused with the real car to achieve the visual effect of the real car. It can be combined with some scene shots, such as plastic road piers, license plates, and photos showing part of the rear car to achieve the real car effect.

If you can't find the right angle, you can use your mobile phone to "watch" the model back and forth. The so-called viewing is to observe the model from a human perspective, so as to find a good perspective, which will be much easier.

The afterglow of the sunset often captures the details, as if the sun were shining on the car body, showing the beauty of the side lines of the car body and setting them off. Don't shoot with the light behind your back. Dark cars will have a dull and low effect, and try to reflect the lighting effect more realistically.

If you pay attention to the details of the car body, you can pour some water on the asphalt road to set it off. In the process of retouching, you can use the ratio of 4:3 to cut, pay attention to the middle details, and make the visual impact of the whole picture better.

The details of the interior should be appreciated as much as possible from the perspective of real cars in life. If the shooting space is too narrow to focus, you can take it away and cut it, so that the retouching space is much larger and you can cut off the general details.

If you want to shoot the effect of cars on the expressway, you can consider finding a marble platform at the intersection, bringing two models (one in your bag and one in your hand) and an important road pier model, or adding a doll with a scale of 18 to set off the effect.

Let's put the pier in a straight line, not too far away from the model, and wipe the straight line marks on the marble countertop with paper dipped in water to imitate the road surface after watering.

With the lights of the commercial street and the sunset as the background, the visual impact of black marble and the road surface is integrated, and then the brightness is lowered a little, plus a little contrast, to achieve a visual feast that blends with the real car. Is it the same as a real car? [color] [color]

I have taken the most beautiful background photo at present, without any retouching, and the effect is amazing

Shooting trucks can be done in the sand, and the mobile phone is placed on the ground, which can better reflect that "trucks are monsters in cars." Don't worry about the wear of the background, blurring helps to highlight the theme of the vehicle.

Compared with the real car, the photo is a real license plate, and there is no P picture.

There is almost no difference between the workmanship of Passat B7 and the front face, but the configuration is different.

I drive, not to mention [tears] ...

If you have any questions about car model photography, you can talk privately [hee hee] [hee hee]