Classic Quotations from The Art of Travel

The Art of Travel is a collection of essays written by British writer Alain de Botton. The following is the content of "the art of travel" in classic quotations. Welcome to read!

1, the smallest part of nature is infinite. Alain de Botton

Before going far away, let's pay attention to what we see. Alain de Botton

3. The key factor of happiness is not material, nor aesthetic, but always psychological. Alain de Botton

The only reason why people are unhappy is that they don't know how to stay quietly in their rooms. Alain de Botton

Only by swallowing a toad in the morning can you ensure that you won't encounter more disgusting things all day. Alain de Botton

6. Powerful but despicable things make people feel humiliated, while powerful and noble things make us awe. Alain de Botton

My goal is not to turn a craftsman into an artist, but to make him a happier carpenter. Alain de Botton

8. Your art is a compliment to what you like. It may just be a compliment to a shell or a stone. Alain de Botton

9. The pleasure we get from traveling may depend more on our mood when traveling than on the destination itself. Alain de Botton

10, real life is like a lingering feature film. Our memories and expectations are only for selecting wonderful pictures. Alain de Botton

1 1. Bad art can be defined as the result of a series of wrong choices, which are not shown but ignored. Alain de Botton

12. What a person gets from traveling is not how many beautiful places he has been, but how many beautiful stories he has found in one place. Alain de Botton

13, real life is like a hospital, and everyone is tired of changing beds. Some people like beds near radiators, while others like windows. Alain de Botton

14. Another benefit we may get from painting is that we can clearly understand the deep-seated reasons why some landscapes and buildings attract us. Alain de Botton

15 rather than trying to accurately reproduce the picture in front of me, I prefer to use colors at will to express myself forcefully. Alain de Botton

16, I forced myself to follow a special spiritual command: look around as if I had never been here. Slowly, my trip began to pay off. Alain de Botton

17. There was no fog in London before Whistler painted the fog in London. Before Van Gogh painted the cypresses in Provence, there must have been many fewer cypresses in Provence. Alain de Botton

18, painters don't simply reproduce, they choose and emphasize, and at the same time devote themselves to expressing the truth in their eyes, which deserves sincere applause. Alain de Botton

19 but beauty is short-lived, and it is often found in places where we never see each other again, or in certain seasons, light and weather. Alain de Botton

20. What's the mood of traveling? Perception is perhaps its most important feature. We came to a new place with humility. We have no preconceived ideas about what is interesting. Alain de Botton

2 1, users do not regard photography as a supplement to active and conscious observation. On the contrary, they regard it as a substitute, thinking that as long as they have a photo, they can grasp a part of the world. Alain de Botton

22. Taking photos can slightly satisfy the possessiveness aroused by the beauty of a place; Our anxiety about losing a picture of Zhang Zhengui will gradually disappear with every blink of the shutter. Alain de Botton

23. Flaubert's definition of the motherland In Flaubert's view, a person's nationality should depend on the place he likes. "For me, the motherland is a country I love, in other words, a country that gives me dreams and makes me comfortable." Alain de Botton

Wordsworth said that nature will lead us to look for "all the beautiful and kind things that exist" from life and each other, which is naturally "the image of beautiful ideas" and has the function of correcting distorted and deformed urban life. Alain de Botton

25. The Old Soul in the Big Banyan Cave: Memory, like expectation, is a tool to simplify and edit reality. Now life is like a long interwoven film, and our memories and expectations are only for choosing wonderful pictures. Alain de Botton

What really matters is what you think and see, not speed. Bullets flying too fast is not a good thing; A person, if he is really a person, walking slowly is harmless; Because his glory lies not in walking at all, but in personal experience. Alain de Botton

27. City people have no opinions, and they are limited to hearsay and conformity in the street or at the dinner table. Although they live comfortably, they never give up chasing new things, even if they don't lack anything. Happiness has nothing to do with what they want to chase. Alain de Botton

28. One of the dangers of traveling is that we can't wait to go sightseeing before we have accumulated and possessed the required receptivity, which leads to the wrong timing. Just like the lack of a chain to string beads into a necklace, the new information we receive will become worthless and disorganized. Alain de Botton

Whether it is something pleasing to the eye or something tangible, the key to our happiness from it seems to depend on the fact that we must first meet some more important emotional or psychological needs, such as understanding, love, catharsis and respect. Alain de Botton

30. Some people know how to make use of their ordinary experiences in daily life to make themselves fertile ground. When we observe all this, we will divide people into two categories: one can turn decay into magic, and the other can turn magic into decay. Most people are the latter, and the former is rare. Alain de Botton

3 1. At the moment when we meet beauty, we will have a strong impulse, that is, a desire to cling to it: keep it for ourselves and make it an important part of our lives. We have an urgent desire to express: "I am here, I saw it, and it is very important to me." Alain de Botton

32. In my opinion, the concept of the motherland, that is, one must live on a small piece of land marked with red or blue on the map and hate those who live on plots marked with green or black, is narrow, ignorant and extremely stupid. I am the brother of all living things, the brother of human beings, the brother of giraffes and crocodiles. Alain de Botton

33. Painting can teach us to observe: not to glance, but to pay attention. In the process of recreating the scene by hand, we seem to naturally move from a loose position to another position, where we can have a deeper understanding of the elements of beauty and then gain a deeper memory of beauty. Alain de Botton

34. It is much easier to find valuable factors in artistic works and expectations than in real life. Expectation and artistic imagination omit, compress or even delete the boring time in life, and lead our attention to the wonderful time in life without embellishing or faking it. As a result, their life charm is vivid and orderly. This charm and order can't be presented in our chaotic real life. Memory, like expectation, is a tool to simplify and edit reality. Alain de Botton

35. What does it mean to get a "full life" from travel? Nietzsche made some suggestions. He imagined a person who was frustrated with the present situation of German culture and any attempt to improve it. This man went to a city in Italy, such as Siena or Florence, and found the well-known "Italian Renaissance" just because of the efforts of a few Italians. With luck, perseverance and suitable sponsors, they changed the social fashion and value orientation of this song. Alain de Botton

When we travel, if we give up walking at 100 miles per hour and relax, we may become healthier, happier or smarter. The world is far beyond our vision, no matter how slow people walk; Walk fast, they won't see more.

37. Nietzsche: "Realist painter" is completely loyal to nature "-A big lie: How can nature be confined to a painting? The smallest part of nature is infinite! So he drew what he liked. So what does he like? He likes what he can draw! "Painters are not simply reappearing, they choose and emphasize, and at the same time devote themselves to expressing the truth in their eyes, which deserves sincere applause. We found many things. At first, the pictures on the canvas made us feel very happy, and later we fell in love with them in the places depicted in the painting. Alain de Botton

Traveling alone seems to have an advantage. Our view of the world is usually greatly influenced by the people around us, and we will reconcile our thirst for knowledge to meet the expectations of others. They may have decided who we are, so we should consciously hide something from ourselves. "I didn't expect you to be the kind of person who is interested in roads and bridges." They may express their views in a tone that makes you uncomfortable. Being closely observed by our peers will prevent us from observing others, busy looking more normal and affect our thirst for knowledge. Alain de Botton

39. Everyone loves beauty, but the so-called "love" itself is very complicated. The proposition itself is not that simple. Only the beauty in travel, Allen said, love is possession, taking photos, signing in, buying souvenirs, drawing and writing, not staying in the contact provided by technology, but really entering but having beauty or appreciating beauty. However, the painting method he advocated disassembled the scene step by step, including light and shade, color, size, angle and composition. In the process of reconstruction, he shifted from loose observation to another position, gained a deep understanding of the components, and then had a deeper memory of beauty. Alain de Botton

40. We may confuse the local people, because we appreciate the details that they think are strange on the road or on the narrow street. We risked being knocked down by a car because we were attracted by the roofs of government buildings or inscriptions carved on the walls. We find supermarkets or barbershops extremely charming. We spend a lot of time thinking about the design of the menu or the clothes of the evening news host. Alain de Botton

4 1. Some people know how to apply simple and easy-to-understand lessons in daily life to themselves. When we look at all this, we will divide people into two categories: one can turn decay into magic, and the other can turn decay into magic. Most people are the latter, while the former is rare.

42. When we travel, if we give up walking at 100 miles per hour and move forward at a leisurely pace, we may become healthier, happier or more rational. The size of the world is far beyond our vision, no matter how slow people walk; Walk fast, they won't see more. What really matters is what you think and see, not speed. Bullets flying too fast is not a good thing; A person, if he is really a person, walking slowly is harmless; Because his glory lies not in walking at all, but in adjourning in person.

43. Users don't regard photography as a kind of compensation for enthusiastic and conscious inspection. Instead, they regard it as a substitute, thinking that they can master a part of the world with only one photo.

44. Painting this kind of love stems from a kind of hope. "Not for fame, not for serving others, not for myself, but for an instinct like eating or drinking." Painting, eating and drinking water can be considered equal because they all affect me to receive good elements from this world and import good things.

45. Your art is a compliment to what you like. It may be just a eulogy of a shell or a stone.

46. Another benefit that we may get from painting is that we can have a clear understanding of the deep-seated reasons that attract us to certain landscapes and buildings.

47. Writing is drawing with documents.

48. The pleasure we get from traveling depends more on our mood when we travel than on the destination itself.

49. What's the mood of traveling? Feeling is perhaps its most important feature. We stand humbly on the edge of a new place. We have no prejudice about what is interesting.

50. I forced myself to obey a special spiritual command: look around as if I had never been here. Slowly, my trip began to be sown.