What do the lyrics of Akira Kurosawa in Eason Chan mean?

Akira Kurosawa was born in 19 10 in a samurai family in Tokyo, Japan. He was a very special child when he was a child. He received a very strict education from childhood and was greatly influenced by his brother. His father asked him to learn kendo. He is not only interested in calligraphy, but also in painting. He once decided to be a painter, but it was very difficult to be a painter at that time. He experienced the most dramatic century in Japanese history, and it changed from a semi-feudal dynasty to an industrial power. When Kurosawa was 26 years old, he accidentally chose to enter the film industry and started his own film life. On September 1923 and 1 day, a strong earthquake occurred in kanto region, and two thirds of the buildings in the urban area were destroyed. The death toll is almost equivalent to the atomic bombing in Hiroshima. Kurosawa was thirteen years old that year. Kurosawa's Initial Theory: Kurosawa's Rashomon

I want to be an artist. He studied western painting in middle school and participated in an organization called the League of Proletarian Artists, which often talked about the topic of revolution. 1936, Kurosawa saw in a newspaper advertisement that a film company called PCL was looking for an assistant director, and he signed up. This company is the future Dongbao Huaying. Kurosawa was 26 years old this year. It wasn't until 1943 that Akira Kurosawa was allowed to direct his first film, Kojiro, which was based on a novel about a young judo teacher. Although Akira Kurosawa was the first director, he was very popular in Japan. The film Rashomon failed in Japan, but it achieved unexpected success in the west, especially in France. 195 1 This film was selected for the Venice Film Festival and won the enviable Golden Lion Award. 1948, Akira Kurosawa directed wooden barrels again, insisting on Mifune Junlang as the leading actor in Drunk Angel. From then on, Akira Kurosawa and toshiro mifune started the "Golden Age of Akira Kurosawa" and became the strongest partners of Japanese films. During the period from 65,438+07 to Red Beard, the works directed by Akira Kurosawa and Junlang of Mifune include Rashomon, Idiot, Seven Samurai and Shadow Samurai of Spider Nest City.

, "escort" and "heaven and hell". Rashomon, shot at 1950, won the Venice International Film Festival and the Oscar for Best Foreign Language Film the following year. From then on, Kurosawa became famous in the world film industry, and Mifune Junlang won the Best Actor Award at the Venice Film Festival successively for "The Guard" and "The Red Beard", which also laid the title of "The World Blackpool, the World Minlang Tragedy" in the Japanese film industry. The period from the second half of 1960 to the beginning of 1970 was the low tide of Kurosawa's creation, and his relationship with Junlang of Mifune suddenly broke down. Since then, the two have ignored each other and no longer cooperated. 1970, his adaptation of Sh?gor? Yamamoto's novel City without Seasons failed at the box office, and Akira Kurosawa even attempted suicide. From 65438 to 0975, his Japanese-Russian joint venture film Desu Uzara won the gold medal at the Moscow Film Festival and the Oscar for best foreign language film. 1980 Shadow Warrior won the Palme d 'Or at Cannes Film Festival. 1990, 80-year-old Japanese director Akira Kurosawa won the lifetime achievement award at the Oscar ceremony. 1999. Akira Kurosawa was selected by Time magazine as one of the most influential figures in Asia in the 20th century.

Akira Kurosawa (14 poster) until his death in 1998, Akira Kurosawa directed more than 30 films, including Rashomon, Seven Samurai, Z Spider Nest City and Chaos. His works have a great influence on other directors, such as george lucas and Steven Allan Spielberg, who regard Akira Kurosawa as movie master. In Japan, he was accused of catering to the international audience too much and exposing Japanese society to the West too much. Kurosawa's film Rashomon 195 1 won the Golden Lion Award at Venice Film Festival. This is the first time that a Western film festival has awarded the first prize to an Asian director. This is undoubtedly a milestone, because since then, western society has not only known Japanese director Akira Kurosawa, but also really known Asian films through his films. Kurosawa grew up in a samurai family in Japan. When he was young, an accidental choice made him enter the film industry. After seven years as an assistant director, he directed his first film, Junichiro, and the film Rashomon 65438 to 0950 established Kurosawa's position in the world film industry. In the following decades, Akira Kurosawa continued to shoot masterpieces handed down from generation to generation. In the next few years, Akira Kurosawa created several masterpieces in succession, all of which described the hardships of the people and the stills of the Seven Warriors.

How to live a good life in adversity? Self-sacrifice and moral commitment are the central themes of many Kurosawa films, which are closely related to his samurai family background. Kurosawa insisted that the script should be based on real events, so he and the film crew made an in-depth exploration of Japanese history in order to get more information about samurai. The Seven Samurai is the most expensive film shot by Dongbao, because the shooting time is four times as long as originally planned. Kurosawa and his film crew managed to finish the film, but it brought Dongbao Huaying to the brink of bankruptcy. Kurosawa's adventure paid off. The Seven Samurai was a great success in Japan, recognized in the West, and won him a reputation as a world-class artist. 1960, Kurosawa's Seven Samurai was remake by john Sturges and named Seven Nobles. James Cowburn plays the flying knife cowboy, and the character image is directly taken from Kurosawa's samurai swordsman. Seven samurai hong kong poster

1968, 20th Century Fox announced that Akira Kurosawa would be the director of the Japanese part in a grand war epic about the attack on Pearl Harbor. Three weeks after the boot, Kurosawa left the crew, and the last film didn't use the role he directed at all. By 1968, TV dramas have completely occupied the Japanese market. 1972, Akira Kurosawa accepted the invitation of the Soviet Union to shoot a Russian film Deusuzara. At that time, the Soviet film company was still controlled by the state, and he cooperated with a large group of Russians. The film took more than two years to complete. This film tells the story of an expedition going deep into the wilderness at the turn of the century. Most of the location in the film was shot in Siberia. 1976, the film de Usara won the Oscar for best foreign language film. As making movies becomes more and more difficult to make a living, Kurosawa has to find new sources of income. One option is to shoot a group of advertisements for Japanese whisky near his residence in Japan. He directed it himself and made a guest appearance. Kurosawa completed the filming of Shadow Warrior with foreign funding. Francis coppola raised enough money with the help of his good friend george lucas. Lucas, who just finished filming Star Wars, said that he was inspired by Akira Kurosawa's works. Kurosawa's Shadow Warrior takes the audience back to the Warring States period, and he presents an epic about loyalty and the war between two rival families. However, his mood during this period was even more gloomy, and it was a mess.

The horror of war shown in the film also brought a strong shock to the audience. After filming Shadow Warrior, Akira Kurosawa set out to shoot Chaos based on Shakespeare's masterpiece King Lear. Chaos makes Akira Kurosawa look possessed. He often falls into fantasy, and his mind is full of images he wants to shoot. At the end of the film is a prophetic bloody massacre, which evokes Kurosawa's most terrible childhood memories. When Akira Kurosawa needs to relieve the fatigue of shooting or write something, he will stay in Tokyo for several weeks. He always stays in a simple small hotel. Akira Kurosawa still insists on filming in his 80s. 1September 1998, Akira Kurosawa passed away at the age of 88. More than 35,000 people attended his memorial service. During his 50-year film career, Kurosawa directed nearly 30 films and won more than 30 famous awards. His unique means of film expression, touching the theme of human emotions, fascinated western filmmakers and influenced a generation of western directors such as Spielberg, Lucas and Coppola.

Editing the historical achievements of this film

Directed 3 1 movie all his life; In addition, Kurosawa's script was made into 68 films. Akira Kurosawa in his youth

1982, Venice Film Festival awarded him a lifetime achievement award; 1990, 80-year-old Akira Kurosawa won the lifetime achievement award at the Oscar ceremony. 1999 12 was praised by Asia Weekly as a cultural and artistic figure who made the greatest contribution to the progress of Asia in the 20th century. Time magazine published the most influential figures in Asia in the 20th century, with Kurosawa, Tagore and Issey Miyake as the representatives of the art world. In the film career of more than half a century, Kurosawa's films created a box office miracle that lasted for 20 years. Many filmmakers are influenced by him. Zhang Yimou: "Kurosawa made me understand that when we go to the outside world, we should keep China people's own character and style." "This is a very important lesson he taught Asian filmmakers." Coppola, the director of The Godfather, once said, "If I can make a movie with a master, I'd rather be an assistant." This master is Akira Kurosawa.

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Akira Kurosawa, the embodiment of Japanese samurai, directed 365,438+0 films in his 50-year film career. He was the first Asian filmmaker to break the monopoly of European and American film festivals. He led the international film art trend in 1950s and 1960s, and was praised as "inspiration from the East". Kurosawa's greatest achievement is that several generations of Asian filmmakers have been influenced by him. As the famous director Zhang Yimou commented on Time in the United States, Akira Kurosawa

"Akira Kurosawa made me understand that to go to the outside world, we must maintain our own personality and style." Kurosawa worked hard for 88 years to complete his own "Revelation of the East". Japanese nationalism from Akira Kurosawa's films: Akira Kurosawa has been a symbol of the oriental film industry for half a century. Japanese and Iranian directors have always been detached from the globalization of Hollywood-style industrial assembly line film production, and are known for their low-cost production that reflects the deep theme of human nature. Kurosawa is one of the pioneers and the most outstanding. In his works, simplicity, profundity and shock can often be wonderfully combined. When our eyes are increasingly filled with Hollywood-style Pearl Harbor bombing, a sea of people like gladiators and Saving Private Ryan-style bloody war scenes, Kurosawa only used seven warriors and forty bandits, plus a group of mediocre, timid and selfish farmers, to perform a perfect war. As we gradually believe in Roman holiday love at first sight, Titanic suffering and yellow ribbon persistence, Akira Kurosawa reveals the vanity and fragility of so-called loyal love and the darkness and lewdness of so-called human kindness in less than half a day. Want to be small and wide, god is on its skill! Kurosawa's death means the disillusionment of the spiritual idol of oriental films.

Kurosawa's film stills (13) Kurosawa's films are full of absoluteness and purity. The characters are absolutely pure. They act completely according to their own will and can give up their lives for it. They are often lonely, but they are not lonely, because they are supported by almost stubborn ideals and beliefs. Warriors are their honor, farmers are their property, and women are their desire. They often fight against the whole world alone, but they are not afraid, because whether they win or lose, or win or lose, they will not damage their amazing integrity, elegance and loftiness in the sense of human nature. At the end of Seven Samurai, the cold knife light on the graves of four samurai on the mountain, the sad music lingering in the ears, and the Zen-like "victory belongs to those farmers, and we failed again" of the remaining samurai all reflect the director's understanding of the uniqueness of the Japanese nation. Kurosawa-style war, with few characters, crude weapons and rough scenes, is a cruel war about morality and life and death. The battle scenes it shows are thrilling and magnificent. At the same time, its character description, human nature exposure and humanitarian care are so full and delicate, with a thrilling tenderness. The Japanese nation is such a unique nation, striving for a cruel perfection, whether it is cruel to others or to itself. In their minds, they pay attention to the integrity of their own beliefs and ideals, while they give lower weight to the attention, influence and reflection of others from the outside world. They can give everything or even their lives for others (such as the emperor), but it doesn't matter. The key point is that sacrificing for the emperor conforms to his inherent beliefs and ideals. The Japanese are extremely idealistic and stubborn, which is objectively the root cause of disasters in other ethnic groups.

There is no comedy in Kurosawa's movies. Even if there are some cartoon characters in some movies (such as Kikuchi Yang in the Seven Samurai), they basically end in tragedy, or the tragic tone of the movies has not been fundamentally destroyed. This is no accident. Japanese like cherry blossoms, but they think the best time to appreciate them is to appreciate the beauty of the flowers when they begin to wither. Although China also has the saying that "drinking should be half drunk and enjoying flowers should be half open", it also enjoys the beauty of its vitality in the process of growing up. The Japanese people seem to have a unique understanding and preference for the beauty of death and decline. The architectural structure of Japan also seems to cater to the aesthetic feeling of residents in a melancholy, desolate and depressed attitude. The reason why the Japanese are aggressive is nothing more than that fighting is a way for them to hurt themselves or others in order to satisfy their own aesthetic taste and visual stimulation. It is said that pornography about sexual abuse is particularly popular in Japan, which is probably not accidental. Kurosawa's films are full of tension of desire, and the characters in them are often driven and destroyed by the madness that they can't understand inside, which is sensitive and intense. Subtle, sensitive and restless subjective emotions, such as love, sexual desire, power, conquest, admiration, shame, surprise, fear and despair, are endlessly amplified and finally come down to destruction and destruction. The unparalleled world of light and shadow in the film is like a familiar dream for the audience. The seemingly hysterical, absurd and frightening behavior of the characters has amazing logic and truth inside. I have always had a feeling that Akira Kurosawa's films are the highlights of the Japanese collective unconsciousness, and they are the reappearance and catharsis of the ideals, dreams and glory of the Japanese nation to some extent. China proverb "The most poisonous woman's heart" has become a universal law in Kurosawa's films. If you are not vicious, you are not a woman, at least not a typical pure woman. Whether it is the woman who destroyed the powerful Xiuhu family alone in the chaos in Rashomon or the woman who encouraged her robbers to kill her husband, it is in sharp contrast with the image of the humble and docile lady Jasper of Japanese women in our daily impression. This is an eternal mystery in Kurosawa's films. Is it conscious behavior or unconscious expression? This reflects whether Kurosawa hates and loves women, or does love hate women? If this is Kurosawa's objective description of Japanese women in a specific historical dimension, then human nature is terrible. Why are Akira Kurosawa's films with outstanding Japanese nationality sought after and loved worldwide? In addition to his extraordinary photography skills, perhaps more importantly, his films profoundly depict the weakness, cruelty and even cruelty of human nature (although occasionally the brilliance of human nature is revealed on rare occasions). Human nature is interlinked, so the Japanese nation is more or less shared by other nations. In the tense life of worldly life, it is of course a very pleasant thing to be stabbed by Kurosawa's sword inadvertently, and suddenly feel inexplicable tension, depression, relaxation and pleasure after breaking out in a cold sweat. [2]