What is the job of a film director?

1, actor, voice actor, drama editor, producer, deputy producer, director, deputy director, cameraman, cameraman assistant.

2. Editor-in-chief, art producer, art designer, folk guide, composer, assistant director and performance teacher.

3. Makeup design, lighting design, costume design, music editing, performance, solo, fingering and recording.

4. Directing audience seats, producer, producer, dubbing director.

5. Advisory Committee, Chairman, Vice Chairman, Consultant and Advertising Sponsor.

Film subtitle is a kind of film technology, which aims to make the audience better understand the content of the film. The reflection of various characters in the film. Such as factory logo subtitles, opening subtitles, opening (performance) list subtitles, commentary subtitles, lyrics subtitles, closing subtitles, translation subtitles, etc. These subtitles are divided into opening subtitles, inter-film subtitles and closing subtitles according to the order in which they appear during the film screening.

Extended data:

Specific work:

1, director group

The director is responsible for controlling the overall artistic creation. The field instrument is responsible for all the details when shooting, including the size of the camera. When it comes to drama, action directors will also be asked to design actions. Action design plays an important role in the fighting scenes of film and television dramas.

2. Photography team

The people in the crew who resist big cameras are all from the photography team. Led by the photography director, responsible for all the shooting work. Before shooting, the director of photography should discuss with the director the shooting angle and shooting method of the lens, and be responsible for booking the plane and proceeding as planned.

3. Record group

The recording team is responsible for on-site radio reception. The sound engineer should pay attention to whether the lines are clearly recorded and whether there is noise in the lines, which will affect the post-production. At the same time, we must remember the qualified field number to prevent post-production from catchy. The microphone held by the master should be as close as possible to the actor, not in the camera.

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