Traditional Culture Encyclopedia - Photography and portraiture - Photography death angle
Photography death angle
Long song also likes to shoot with his nostrils turned upside down. It's just that Reba's nostrils were found many times in the previous episodes. No matter how perfect a person is, he can't stand such a devil's angle. Because of these reverse shots, Reba, who was stunned by the crowd on the red carpet, was laughed at by the crowd in the play and was warmly sought after. In fact, after watching the performance, you will know that the scenes in the performance are not for Reba, but for everyone. Because of these special shooting angles, everyone is treated equally, equally. For example, Leo's Ashleigh Falcon was shot from the waist up when it appeared. Do you want to prove that the role is tall? The crew may wish to consider shooting from the soles of their feet or even higher. The second person, Hao, appeared, and the camera was put down and shot directly from the knee, which made the audience feel that he was stepping on the soles of his feet.
Then turn around, there is an upward lens, facing the nostrils. This demon horn makes the appearance of men's stopwatches look inadequate or even worse. When I arrived in Li Shimin, it was another ancestor's post-shooting technique. Inverted photography is indeed an expression, but frequent use without aesthetics will only confuse the audience. The frequency of reverse shooting in the play always makes people suspect that the photographer is not high enough. If Ashley falcon and Li Shimin shoot backwards, it's to show the tall and powerful characters. So, what does this tilted lens want to show? Focus on the minister's beard or nostrils? Wei Shuyu, the third male in Alen, was originally a graceful gentleman with regular facial features.
When the heroine jumped off the bridge, it turned out to be a close-up of a huge nostril, and the pure and handsome image of the hero suddenly collapsed. Other staff focused on shooting from the actor's point of view. Long singers don't like to dig these objects, but like to make inexplicable overhead shots. Not only that, the director must be different from the audience. Reba found a mother dead in the plot, and the camera frantically pulled the mirror from left to right. Reba kept flashing back and was made into a ghost film. How much did the camera shake at that time? There are no clear characters in the screenshot. After the flashback, there was another close-up of the head of a character, which was another great blow.
I even suspect that he used a wide-angle lens, which made Reba's face longer. The director also likes to enlarge the actor's facial features and show you what evil smiles fill the whole screen. When Little Khan and Ashley Falcken were archery, he deliberately aimed the arrow at the heroine, and the director pulled in the camera, full of visual shock. In fact, the director of "Zhu Ruibin", a Long song native, likes faces, handstands and close-ups rather than suddenly appearing in this film. He disclosed his unique personal preferences for the first time when shooting Sweet Honey. Speaking of Long song, his lens is full of personal logos, which is even more confusing. The camera is the narrative channel of the story. It can't express emotions clearly, and it can't highlight the image of actors. This devil trick is really speechless.
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