Traditional Culture Encyclopedia - Photography and portraiture - Tsu Hark’s new movie?
Tsu Hark’s new movie?
Movie marketing is getting harder and harder. Veteran director Tsui Hark left the martial arts scene and directly touched on the theme of life and death, love and hate. How should we express it without martial arts? "Deep Sea", known as Tsui Hark's transformational film, is in the pre-release stage of pre-release promotion. Tsui Hark's movie "Seven Swords" failed to regain his former crown as a martial arts master. "Deep Sea" is completely divorced from martial arts. What are Tsui Hark's high hopes for the film? Without a big star, "Deep Sea" encountered The first problem is promotion. Yesterday (2nd), Tsui Hark created a topic for the film that seemed to have little to do with the film. The opponents of the topic are writers Cai Jun and Liao Yimei.
Cai Jun is a writer who is good at writing suspense novels. One of his works was adapted into a movie called "The Nineteenth Level of Space". Turning the topic closer to "Searching in the Deep Sea", Tsui Hark believes that "Searching in the Deep Sea" involves issues such as the deep sea, search, fear, despair, forgetfulness, strength, mental patients, "Penglai", cool and the post-80s generation, such as, The heroine in the movie is looking for the truth, and people in the earthquake-stricken areas are looking for their relatives under the rubble. The concept of search often appears in Cai Jun's novels, so how do we view "search"? "Is it love? Is it the truth? Is it the pursuit of my lost memory? Or is it a torture of the emptiness of the vast world?" Cai Jun's dialogue is also full of profound meanings. Tsui Hark and Cai Jun provide their respective understandings and perspectives on the concept of search.
Tsui Hark and Liao Yimei created the confusion and collision that philosophical issues such as life, death and love have on the human soul. When talking about "injury", Liao Yimei said: "People's talents are really limited. Sometimes they can remain strong against natural disasters, but they cannot face the misfortunes caused by their own mistakes or some shortcomings in their nature." Yes. Self-loathing is the most deadly thing. Two people who love each other try their best, but still cannot achieve happiness, and still hurt each other... This is what happens every day," Tsui Hark said. In "Searching in the Deep Sea", he also touched on propositions such as "life", "death" and "love". He said that in the film, what he wanted to express most was, "We can regard death as a breakup." "Looking for the truth is actually looking for ourselves and our own state when facing the truth", "Crazy is another aesthetic of love", "We can forget the pain, but we must stick to the love".
Raising these heavy topics to prepare for the release of "Deep Sea", Tsui Hark used debate to sell the movie
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