Common color matching methods of colored still life

Composition: Proper positioning, clear priorities, sharp contrast, harmonious relationship, natural and unique as far as possible, full of freshness and integrity of life.

Because the overall picture is bright, you should brush a warm background color first. //Because the background color is warm, the color on the screen can be slightly cold.

It's best to start with the background. Don't fill up the objects when laying colors, leave blank to let the picture breathe, and don't draw too brightly.

Use a little more water when paving large tones; Draw more dark places, imaginary places and distant places to enhance their empty inspiration and transparency, but not too much to avoid leaving water stains.

Gouache has a certain hiding power. If it is not used properly, dragging it back and forth will make the background color white and cause color pollution.

Color matching should determine each color as a whole, and never look at one thing, adjust one thing or draw one thing in isolation.

Bright colors, high saturation and high strength; On the contrary, it is gray, with low purity and weak strength.

The arrangement of color rhythm of the picture should be controlled and relatively free. It can be intense or smooth; Can be high or low; You can come straight to the point or make twists and turns, based on the needs of emotional expression.

You can push it a little thicker to show your sense of honor, and you can also feel moist and relaxed in Bo Tu; You can have a flowing sensuality, or you can seek an illusory hazy feeling.

Many of Van Gogh's works use the direction change of brush strokes to give people a feeling of dizziness.

Through lightness and purity, there is an effect of subjectivity and inferiority, strength and weakness, and emptiness and reality.

When white is added to a certain color, the brightness increases and the purity decreases.

Large-area color purity should be weak, small-area color purity should be strong, one large and one small, one weak and one strong, so that the color of the picture tends to be harmonious. Red and green are complementary colors and the contrast is very strong. Because of the disparity between the two regions, such as the combination of a large area of red and a little green, it is not exciting, but it is particularly harmonious.

1, flat light, can make the inherent color of the object stand out, make the picture color block clear, bright and loud. Under the irradiation of plane light, the whole still life will produce three light channels: near, middle and far. Grasping this passage will make the color of the picture feel layered under the action of light.

2, side light, light from the side, can show a strong three-dimensional sense of the object, which is convenient for shaping three-dimensional objects.

3, backlight, it is the easiest to show special effects in color. The point is that the dark color should be transparent, not too dark.

Starting from the whole, the whole controls the part and the part obeys the whole and enriches the whole. The whole is comprehensive and part is analysis; The whole is vast and the parts are subtle; Focus on the overall impression and seek depth locally; Seek unity as a whole and Excellence as a part. How can there be a wonderful picture without local depiction of details? If the part interferes with the whole, then it is not appropriate to draw too brightly.

It is necessary to define the big tone and describe the local details under the control of the big tone. From the lightness, it is necessary to determine whether it is bright tone, high tone, low tone or obscure, low or impure gray tone; In terms of purity, it is necessary to determine whether its color is saturated and rich or calm and soft; It is necessary to determine whether it is cold or warm from the cold and warm.

Warm colors: red, orange and yellow; Cold: blue, blue, purple; Green center

Gray is warm and cold, and cold is warm.

If a color is painted too cold, as long as the surrounding colors are cooled, its performance will be accurate; On the contrary. The key is the contrast with other colors. Harmony is the highest state.

Red can make people happy and excited, yellow can bring people happiness and light, blue represents silence, loneliness and melancholy, and gray is thought-provoking.

Not the main object (although in front), the relationship between dark part, gray part and bright part should be summarized by a big sum.

In the process of gradual deepening, if the thick coating method is adopted, the color of the pen is full, the pen is powerful, and the brush strokes are obvious, it can show a sense of body transformation and solidity.

Show the front and back and the distance of two porcelain pots through the change of color and temperature.

Close, solid and high-gloss, there should be more "white" to highlight the sense of clarity and intensity; Dark parts, shadows and intermediate levels with strong color tendency can be replaced with pink green, lemon yellow and other colors with less or no white. These colors are brighter, more breathable and more tendentious than white. Abuse of white is easy to make the color turbid, sticky and "pink".

Complementary colors: red and green, yellow and purple, blue and orange.

Complementary color:

1. Comparing the juxtaposition of two colors, the hue brightness on both sides is enhanced, for example, the red one is redder and the green one is greener.

Where there is one side, there is another side. Take a dark red apple as an example. On the bright and dark line of apple, the projected edge should have a green part opposite to red, and the background color around the edge should be mixed with appropriate light green components.

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