Character experience, Hideki Fujii.

65438-0960, Fujii jumped from fashion magazine to Japan Design Center as a photographer, mainly shooting Toyota cars. At that time, Japan was not a big automobile country, and Japanese photographers didn't know how to shoot cars in the studio. Fujii bought a toy car, illuminated the light source on the car body through a pen-thick tube, and studied the shape of the car from different angles, brightness and sides. He read a lot of materials and tried a set of methods to reflect, refract, diffuse light, fill light with reflector, and eliminate images reflected by the environment on the car body. He cooperated with some famous photographers and took a number of well-known car advertisement photos (such as the popular car advertisement photos of "I love Corolla" at that time), becoming a big shot at that time.

1963, Fujii left Japan Design Center, opened his own studio, became a freelance photographer, returned to his favorite fashion portrait photography, and became an internationally renowned fashion portrait photographer. Following the introduction of F-Photography and new F-Photography in190' s, it entered the field of documentary photography in early 2 1 s, and in 2002, it published "Hideki Fujii Photo Collection-Angkor Children's Hospital".

Hideki Fujii, an internationally renowned Japanese photographer, was the president of the Japan Advertising Photographers Association. This is the first time that Hideki Fujii's works have appeared in Beijing in the form of a solo exhibition. During his 50-year photography career, Hideki Fujii has been constantly exploring new forms, and his position in fashion portrait photography is rare in Japanese commercial advertising. Influenced by French painter Mary Roland, Fujii also broke people's established concept of photographic photos. He painted photographic emulsion on wood, silk, paper and various materials to make photographic paper. Making darkrooms on these special photographic papers like ordinary photographic papers, the artistic effect of photos obtained is even more remarkable than expected. Different materials have different textures, and wood grain, cloth grain, paper grain and stone grain can be harmoniously combined with the image.

In high school, Fujii once went to the movies with his classmates, but unfortunately the cinema caught fire. Fujii photographed the scene of the fire with a camera. Opposite the cinema is the Daily News Agency. Fujii handed the film to the editor of Sun Photo News sponsored by the news agency. The photo was widely published on the front page the next day, and he also won the "Sun News Photography" award for excellent reporting photography. This experience aroused Fujii's interest in photography.

After graduating from high school, Fujii was admitted to the photography department of Japanese University. Under the introduction of my brother, Fujii began to work as an assistant in Taro Photography Studio in Akiyama Villa when he was a sophomore. Later, he dropped out of school because of his busy work. He feels that he can learn a lot of knowledge and experience from his work that he can't learn at school. Three years later, Fujii was recommended to the newly established clothing magazine. At that time, a popular female star in Japanese magazines, Fujii began to shoot portraits, which laid a solid foundation for his future portrait photography. After another three years, Fujii didn't want to stick to the rules. At this time, the Japan Design Center has just been established. Fujii used to be a photographer, mainly responsible for advertising photography of Toyota and Nikon.