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"New Li Xiangyang" and the remake of "Guerrilla in the Plain"

Li Tiejun, now 54 years old, is more sedate and capable of being a mature man than the shadow of the new version of "Li Xiangyang" in the remake of Guerrilla in the Plain, which caused a sensation in the country. Li Tiejun, who has been through many battles, has worked hard in the stage, film and television circles and business circles for decades, presenting people with not only the title of "movie star" in the past, but also the heavy experience of people in middle age and their frank yearning for inner peace.

1951/kloc-0 was born in Li Tiejun, Yantai, Shandong Province on April 28th, 1968. With its good looks and superb performing arts, it was fortunate to be recruited into Qingdao Repertory Theatre. That year, Li Tiejun graduated from high school, just 17 years old.

At that time, it was the time when the "great proletarian cultural revolution" was surging. Although Li Tiejun was exposed to such unprecedented "red terror" as "little red book", "big-character poster" and "slogan", he was born in a proud family where the working class led everything, and Li Tiejun seemed to be "isolated" from all the external environment. The more favorable external conditions are his image temperament, standard figure and strong physique, which are quite in line with the prevailing "workers, peasants and soldiers" at that time. He is a typical "beautiful boy". Therefore, he is highly valued and reused by the leaders of the Youth League Committee. He is regarded as the "pillar" of the Youth League and frequently plays the leading role in new plays. To use the current jargon, he is a "star of hope" and a "star of the future" rising in Ran Ran, Ran Ran.

It is said that in the heyday of Wu Ying, Li Tiejun rehearsed all the new current affairs dramas that served politics and needed politics in obscurity. His youth, in that absurd and turbulent era, was so ignorant, full and naive. In a blink of an eye, five or six years passed, and Li Tie spent his youth art period at the beginning of a beautiful life.

At present, in the cultural and artistic circles led by Jiang Qing, the military and horses have not moved, and only the "eight model operas" led by the "great literary standard bearer" dominate the world. As the "cradle of new China movies", changchun film studio has not made any new movies for five years. 197 1 At the beginning and the second year, following the "highest will", two Peking Opera art films Shajiabang and Scared White Tiger were filmed in the first batch of "eight model operas". 197 1 After the "September 13th" Lin Biao incident broke out, 1972 Spring Festival, the relevant ministries and commissions of the central government began to readjust their literary and artistic policies according to the opinions of Premier Zhou Enlai, and resumed shooting feature films aimed at the current situation and revolutionary struggle. At the beginning of 1973, Changying Factory took the lead in shooting the rural feature film Sunny Day adapted from Haoran's novel, as well as The Map of War and Flood and Qingsongling, which were shot as early as the end of 1965 but failed to be released in the storm warning of the Cultural Revolution, and were also named by Jiang Qing and ordered to be remake. Besides, they are industries.

Li Tiejun, who knows nothing about the inside story of China cinema, is putting on a new drama "The Storm on the Pier", which describes the life of the "Youth Commando" in Jinan. He and Tang Guoqiang are playing opposite each other, and an ordinary and special audience is sitting under the stage. He is Zhou Yu, the old director of Changying Factory. Li Tiejun's performance on the stage gradually attracted the attention of Director Zhou. When he watched the end of the play, he solemnly drew a circle on the name of Li Tiejun who performed the show. Director Zhou's intention has nothing to do with Guerrilla in the Plain, which is busy looking for actors everywhere. He just appreciates the meaning of the actors themselves, and plans to be a backup actor for his new film in the future, because after years of tossing and turning, there is a serious shortage of young actors in Changying Factory, which has reached the point of disconnection.

At that time, in order to remake the "key film" "Guerrilla in the Plain" named by Jiang Qing personally, the film crew, which was moved by the wind, traveled all over China to spare no effort to find the right person to play the leading role of Li Xiangyang. Obviously, Guo Zhenqing, the "Li Xiangyang" deeply rooted in the old version of Guerrilla in the Plain, is definitely not suitable for playing the same radiant role because of the span of time and age. At that time, as a glorious and sacred political task, it also took great political risks, except for Xinjiang and Hainan, because the appearance of the people in this area did not meet the modeling requirements of the image of "workers, peasants and soldiers" in the "plain" area in the play. The film crew was divided into five groups and traveled all over the beautiful land of the motherland, spending an unprecedented 30 thousand yuan on travel expenses. Finally, as many as 96 "Li Xiangyang" candidates were selected from China Theatre, Shanghai Film Studio, Wuhan Military Region, Dandong Art Troupe and Lanzhou Air Force Art Troupe, including An who starred in Private Zhang Ga. There are also Li Junhai, who was immediately transferred to Chang Ying to appear frequently, Ye Zhikang, who has appeared in many films of Chang Ying Factory in succession, and Lv Xiaohe and Shi Weijian, who have their own performance styles in the film and television circle many years later ... 96 handsome guys, all of whom are brave and heroic, and Li Tiejun is among them. Talking about how he was chosen in the "wrong way" is full of absurd comedies.

Originally, after Li Tiejun was painted a circle by Zhou Yu, Zhou Yu, out of love and kindness, took the initiative to recommend Wu, director of "Guerrilla in the Plain" and his new apprentice Chang Zhenhua. At first, the two directors thought that their film crew had been to Qingdao, and there were no good actors who matched the plot image at all, while Zhou Yu explained that the talents were found in Jinan, Shandong Province, and tried to persuade the directors to look at people before drawing conclusions. Therefore, Zhang Puren and actor Xida Li, as the deputy director of the crew, were ordered to go to Qingdao Repertory Theatre to find Li Tiejun who escaped from the net. Of course, Li Tiejun didn't know about it at this time. He has just returned to Qingdao from Shanghai to attend the commemorative performance of "Mao Zedong's Speech at Yan 'an Forum on Literature and Art" on May 23rd. When the group sent someone home, he was buying firewood in the market. When he got home, he put down the firewood for the fire and went to his colleague's house. Finally, the troupe looked around. Li Tiejun knew what had happened, but he was at a loss, because as early as when he joined the League, his colleagues compared him with another "niche" Tang Guoqiang who loved to pay attention. He thought that careless Li Tiejun was careless at ordinary times. One hundred people really don't want to go to Li Tiejun, but everyone in the group says it's a "political task" and must go to see it. Whether to try or not is another matter. Li Tiejun helpless, so we have to do it.

When Li Tiejun came to the troupe office, he was very happy when he first met Xida Li. Isn't this the accounting horse in the movie Sunny Days that he just watched not long ago? Because as a drama actor, I still feel unattainable to the distant and sacred movie actor in my heart, not to mention the actor on the screen and the actor who appeared in front of me in real life! And Xida Li couldn't help but open his mouth when he saw Li Tiejun, because when he first met Li Tiejun, he immediately developed a very natural sense of identity, while Zhang Puren, an assistant director who was not familiar with Li Tiejun, agreed almost at the same time with the sensitivity of the sixth sense. Only when Zhang Puren saw Li Tiejun dressed in casual clothes, he used the unique delicacy of southerners to ask Li Tiejun in gentle words: "Can you shave your hair?" ? Can you change your clothes? "Li Tiejun had to obey the" command "subconsciously nodded.

In this way, one day in early June, 1974, Xida Li and Zhang Puren arrived in Beijing with a brand-new Li Tiejun, and then transferred from Beijing to Changchun, the destination in the northeast. After arriving in Beijing, the three of them first lived in Amaba Hutong, and then contacted to buy train tickets. At that time, the two men also imposed several prohibitions on Li Tiejun, such as "Don't act without authorization". At this time, Li Tiejun, though involuntarily led by the nose, came to the capital, but he still had neither the slightest extravagant hopes nor any illusions about acting in a movie, and his heart was always "backing out". Because Beijing is close to Tianjin, Li Tiejun said to Xida Li and Zhang Puren, "I want to go to Tianjin and take time to experience the real life of dockers." Li Tiejun is still struggling with how to continue to play the "Young Striker" in the drama "The Beachfront" which has been playing for several months. Li Xi quickly interrupted Li Tiejun: "You will be safe when you come." Then, the topic changed: "You haven't cleared the customs yet, have you? You haven't been to Shanhaiguan, have you? Of course, you haven't been to the northeast, have you? If you don't pass, you can take a trip! "

Li Tiejun involuntarily followed Xida Li and Zhang Puren from Beijing to changchun film studio, located at No.20 Hongqi Street, Changchun City, Jilin Province.

Halfway through their trip, the spectacular 95-member "New Li Xiangyang" candidate army has been eliminated in large numbers after several rounds of political review, testing and performance appraisal. When Li Tiejun came to the dormitory, he suddenly saw the final seven "Li Xiangyang". At first, he was startled by the accident, and then after the palpitation, he seemed calm. In the face of still threatening opponents, Li Tiejun never intended to be selected from the bottom of his heart. So, as soon as he entered the room, he waved to the gathered "Li Xiangyang" and said, "Dude, let's play for two days and then go back!" In the remaining time without audition, Liu Jinlong, one of the candidates for Li Xiangyang, is the oldest of the eight handsome guys. Therefore, with a cheerful nature, he often called everyone together and vividly described the contents of popular manuscripts in society at that time, such as An Embroidered Shoe, Green Body and Plum Blossom Party. Liu Jinlong, who is very good at acting, plays his specialty, just like every day.

Soon, the contest to decide "future and destiny" began. Wen, a famous photographer who is good at taking portraits of factory actors and characters, first came to the eight candidates "Li Xiangyang" who gathered together and took pictures of Li Tiejun and others who had put on costumes in the play from different sides of the characters' faces. This old photographer, who has left eternal youth moments for the "Twenty-two Stars" of new China and many movie actors, is sparing no expense to fully expose "Li Xiangyang" continuously. It took a long time to finally complete the five senses of eight people. Li Tiejun secretly called rao in my heart. I don't know what kind of "torture" is waiting for them in the future, because the endless taking of photos makes Li Tiejun, who has never liked taking photos and hasn't taken so many photos at once, complain bitterly. At this time, Li Tiejun overheard Wen quietly say to the makeup artist, "I think it's him!" " Li Tiejun didn't care too much, but in this key place, he still kept this inspiring and inspiring sentence in his heart, just like injecting stimulants.

A decisive battle was held in an empty studio, and eight "Li Xiangyang" fully dressed in the play took the stage in turn and stood in a row. Just like the ancient emperor's "Ma Xu", even worse. Before the Eight Li Xiangyang, there were not only a group of factory leaders, but also special guests from provincial party committees, competent units, troops and other relevant leaders, and thousands of employees in the factory were present in turn. I saw a huge studio full of people. At first glance, this appearance is very impressive. Then the actors took turns walking to the center of the venue, performing action decomposition and various sketch performances according to the regulations and requirements. For the first time in his life, Li Tiejun had to "throw caution to the wind" here. I saw him in awe-inspiring, majestic and heroic, making his debut. Facing everyone, Li Tiejun took his time, just like Yang Zirong, a lonely hero in "Taking the Tiger Mountain Outward", who walked into the wolf's den alone, calmly responded to the fierce "Eight donkey kong" and "Mountain Carving" and proudly gave a prize. So many years of professional performance practice and stage experience have come in handy here. For a time, in the short-term comprehensive assessment, Li Tiejun accumulated a lot of money, gave full play to his acting skills, and confidently met the challenge of the final exam. He completed the examiner's request to perform Li Xiangyang's designated play and the subjective play with specified plot in one go. The audience was silent. According to the specific requirements of the examiner, the eight "Li Xiangyang" tried their best to improvise their different "Li Xiangyang" tricks.

After the final exam, all the filing materials of Guan, Ya and Ji will be sent directly to the film review team led by Beijing Jiang Qing and directly under the authority of the Ministry of Culture for instructions. At the same time, the Chang Ying factory has set up the camera and set the direction. Once the "Shouyu" from Beijing is issued, the camera will be started as soon as possible.

Li Tiejun and other three people are not allowed to go out, waiting for the result in the dormitory alone. After a "final exam" war, the three of them were even more uneasy. At this moment, I heard a burst of footsteps in the corridor. The person in charge of the factory office is responsible for informing Li Tiejun and other three people to wait for the interview of the leaders at different times and in the same place. After Li Tiejun entered the factory leadership office, branch secretary Ai Lihong said to Li Tiejun in a serious tone: "Comrade Tiejun, you are a descendant of the revolution. You should inherit the glorious tradition of the revolution and give the older generation of revolutionaries a chance. " After a lot of words like this, Ai Lihong handed Li Tiejun the lens of Guerrilla in the Plain, which he held tightly in his hand: "You should bravely and firmly take over the burden of this revolution, cooperate with the director and the film crew, successfully complete the glorious and sacred tasks entrusted by the party and the people, and never live up to the expectations and high hopes of the party and the people. Tiejun, there are thousands of pairs of eyes looking at you affectionately in front of you! " Perhaps he was used to and familiar with this kind of voice in the environment at that time, or perhaps he was infected by the specific atmosphere at the scene and the majesty of the current leader. Li Tiejun has an impulse to accept the "little red book" and express his determination to the Party, and his heart is filled with a supreme piety.

Since then, Li Tiejun, a "standard" student with heavy eyebrows and fine eyes, has been officially confirmed to play the role of "Second Xiangyang" in the new edition.

The new edition of "Guerrilla in the Plain" by Changying Factory is based on the same literary script written by Xingye and Yushan, which was filmed by our factory as early as 1955, and then some changes were made. The story of Japanese invaders fighting guerrillas behind enemy lines has long been familiar to the audience, especially the screen images of Li Xiangyang and Matsui, and the movie music of "The Devils Enter the Village". Classical lines from the old famous songs "Devils Entering the Village" and "Li Xiangyang with Two Guns" composed by Che Ming. Suri, one of the directors of the old version, withdrew, while Wu, another director of the old version, was re-put on the screen on the occasion of commemorating the 20th anniversary of the victory of the War to Resist US Aggression and Aid Korea. Because the feature film Heroes and Children and four other old films he directed in 1964 were all reflected, he retained the director qualification of the old version and was not replaced, and let him bring a new "revolutionary successor" Chang Zhenhua.