Traditional Culture Encyclopedia - Photography and portraiture - What are Wang Wei's ink landscape paintings?

What are Wang Wei's ink landscape paintings?

Question 1: What are Wang Wei's famous landscape paintings? Handed down works include snow creek pictures, silk manuscripts, ink paintings and so on. It is 36.6 cm long and 30 cm wide. There are stains on the slope stone, as if there were no hooks and no money. There is an article entitled "Wang Xitu". This painting is recorded in China's famous paintings. This "Snow Flow Map" has a flat composition and is divided into three parts: close shot, middle shot and long shot. Close shot: A wooden arch bridge covered with plain yarn at the lower left brings people into a world of ice and snow. The middle scene is a frozen river, lying in the middle of the picture scroll, horizontal as a mirror, without waves; In the distant view, the snow slopes, trees and houses on the other side of the river lie flat on the black water and are hidden in the vast white snow, which makes the picture more profound. Throughout the whole picture, the viewer can immerse himself in a quiet mountain village, as if snowflakes are falling and the footsteps of pedestrians are quietly introduced to his ears. This painting has no money. In the upper right corner, there is Evonne's inscription "Wang Wei's Snow Creek Map", so it has long been regarded as Wang Wei's only landscape work. It is now in the National Palace Museum in Taipei.

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In Wang Wei's Yuan An Sleeping in the Snow, the metaphor of banana in the snow has been respected by later generations. This artistic treatment beyond common sense of life has established the expression means of "performance depends on things" and further deepened the thinking mode of "intentional writing first". Wang Wei's most important achievement is to create a poetic realm. The blending of poetry and painting in artistic conception gives people a real lasting appeal and vivid aesthetic feeling. Since then, the feelings of poetry have entered painting and gradually become one of the important aesthetic standards.

Wang Wei is most famous for his landscape paintings. His painting Wangchuan Villa is full of gloomy valleys, clouds and water dancing, which is unexpected and strange. Besides, he is good at drawing figures and arhats. And do murals.

There are "Surprise of a Floating Life", "Snow Map of the Yangtze River" and "Banana in the Snow".

Question 2: After the sudden change of Tangshan water painting in Wang Wei's contribution to landscape painting, Wang Wei was influenced by Zen thought and developed ink painting. Later, Dong Qichang listed him as the ancestor of "Southern School Painting", saying that he "began to use the method of changing shades into hooks".

Wang Wei's paintings are no longer just sketching the shape of objects with lines, but using the method of "clustering" to freehand brushwork; Mix ink with water to render in different shades, instead of cyan, and use ink to express the yin and yang of yamagata; Using a pen and thread is neither as fine as Li Sixun's, nor as broad and magnificent as Wu Daozi's, but calm and flexible, casual and natural; How flat and far the composition is, how beautiful the artistic conception is. "There are poems in paintings, and there are paintings in poems."

Wang Wei's ink painting style has had a great influence on the development of landscape painting in later generations, especially the literati painting as the mainstream of landscape painting. Its spiritual connotation is all embodied in Wang Wei's recluse thought: participating in Zen and asking Buddha, seeking fame and wealth, entertaining himself and laughing at nymphs.

Question 3: Characteristics of Wang Wei's Ink Painting in Tang Dynasty Wang Wei (698 ~ 759) was born in Qi, Taiyuan (now Qixian, Shanxi). Li Guan was right, so he was called "Wang Youcheng". A famous poet in the prosperous Tang Dynasty, he also painted and wrote calligraphy. His works have the reputation of "painting in poetry and poetry in painting", but there is no original handed down from generation to generation.

Wang Wei's landscape paintings may be influenced by both Wu Daozi and Li Sixun. Zhu's Record of Famous Paintings in the Tang Dynasty commented that "his paintings are blue and green, and the traces are like five sounds, but the wind leads the standard." Zhang Yanyuan's Notes on Famous Paintings of Past Dynasties also said that his brushwork was vigorous, and Wu Daozi's brushwork was famous for its boldness, which can be regarded as evidence that he inherited Wu Daozi's painting style. In the history of painting, Wang Wei's paintings are all depicted, which is obviously similar to Li Sixun's paintings.

Wang Wei's greatest influence in the history of painting is his "broken ink landscape". The so-called "broken ink" is to mix ink and wash into different shades to render instead of cyan. The significance of ink painting rendering in the history of painting lies in that it inspires the emergence of painting methods. As far as works are concerned, the evaluation of Wang Wei's landscape paintings in Tang Dynasty is not very high, which is lower than that of Wu Daozi and Li Sixun. The rise of literati painting in Song Dynasty, because Wang Wei's landscape paintings were beautiful and smooth, and his poems and paintings suited the tastes of literati at that time, they began to be respected. By the end of Ming Dynasty, Dong Qichang advocated the theory of "Southern Sect and Northern Sect" and even respected Wang Wei as the ancestor of "Southern Sect". It should be said that Wang Wei's influence on later literati painting lies not in his artistic achievements, but in his artistic thoughts. Wang Wei was one of the most famous landscape painters in the Tang Dynasty, and his semi-official and semi-secluded status was mostly classified as a literati painter in later generations. It is this ideological basis of * * * that leads to the aesthetic taste of * * *.

Question 4: Wang Wei's ink-and-wash landscape poem "Snow Creek Map" has no money, and it has the inscription "Snow Creek Map of Wang Wei" by Song Huizong and the seals of officials such as Shuanglong Fangxi in the Song Dynasty, indicating that this map was collected in the Song Dynasty. The title of Dong Qichang in Ming Dynasty is written in fine print at the top of the picture, and the title of Dong Qichang's calligraphy is written on the back of the paper. The first picture of Yuan Bao's painting in the Tang and Song Dynasties in Qing Anqi's "Watching the Ink Edge" is the following passage: "Take painting, powder is snow, ink is stained into yin, brushwork is ancient, and trees and stones are strange. Its bridges, hedges, wild shops, village houses, slopes and remote coasts are all naive. There is a boat on the stream, supported by two people, and the fence is made in four sizes. One person is expelled, which is even more amazing. " Comparing this passage with the picture obviously refers to the same work. Although this picture was not made by Wang Wei, it is a relic of early landscape painting or Wang Wei's painting method.

Question 5: Was China's ink painting created by Tang Dynasty poet Wang Wei? Yes!

Ink painting is a kind of Chinese painting. Refers to a painting made of pure ink and wash. There are three basic elements: simplicity, symbolism and nature. Legend has it that it began in the Tang Dynasty, became in the Five Dynasties, flourished in the Song and Yuan Dynasties, and continued to develop in the Ming and Qing Dynasties and modern times. Leading by brush cutting, give full play to the function of ink painting. "Ink is color" means that the shade change of ink is a hierarchical change of color, and "ink is color" means that multi-level ink chromaticity can be used instead of colorful colors. Shen Kuo's "Painting Songs" in the Northern Song Dynasty said: "The south of the Yangtze River spread to Ju Ran, and the light ink and light orchid merged into one." That is, ink painting. People in the Tang and Song Dynasties painted landscapes with wet strokes, which had the effect of "water fainting ink printing". People in the Yuan Dynasty began to use dry pen, and the ink color changed a lot, which had the artistic effect of "giving color at the same time". In the Tang Dynasty, Wang Wei put forward that "ink painting is the best", and later generations followed suit. For a long time, ink painting has played an important role in the history of China painting.

Question 6: China Landscape Painting Wang Wei Landscape Painting Definition:

Referred to as "landscape". Chinese painting with landscape as the main description object. It was formed in Wei, Jin, Southern and Northern Dynasties, but it has not been completely separated from figure painting. Independent in the Sui and Tang Dynasties and mature in the Northern Song Dynasty, it became an important branch of Chinese painting. Traditionally, it is divided into green landscape, golden landscape, ink landscape, light crimson landscape, small green landscape and boneless landscape according to painting style.

Question 7: Was China ink painting created by Wang Wei? The title "Is China Ink Painting Created by Wang Wei" is incorrect.

Chinese painting has two representatives in Tang dynasty landscape painting: one is turquoise landscape painting represented by general Li and general Li; Secondly, the landscape paintings represented by Wang Wei and Wang Qia are represented by ink and wash.

At present, more and more theoretical researchers agree that ink rendering began with Wang Wei.

Question 8: Is Wang Wei the founder of China landscape painting? number

Wang Wei is only the founder of Nanzong School of Painting.

The founder of China's landscape painting is said to be a layman in Zong Bing during the Northern and Southern Dynasties.