Design style of household textiles

American-symmetry, exquisiteness, beauty and elegance

American style originated in17th century, and experienced the baptism of colonial period, American federal period and American empire period. It combines baroque, Palladio, British neoclassicism and other decorative styles, forming the characteristics of symmetry, exquisiteness, elegance and beauty.

American-style decorative elements, such as golden eagle, double swords, stars, ears of wheat and colorful flowers, show unique charm in the decoration of tin-lead alloy candlesticks, geometric carpets and carved side cabinets.

New Chinese style-simple and elegant, nostalgic and modern

The new Chinese style was born in the new period of the revival of traditional culture in China. With the strengthening of national strength and the gradual recovery of national consciousness, people began to sort out the mess of "imitation" and "plagiarism". At the beginning of exploring the local consciousness of China design circles, a new generation of mature design teams and consumer markets gave birth to a subtle and beautiful new Chinese style. In today's era when China culture is popular all over the world, China elements and modern materials are ingenious and soft, and furniture, window sills and cloth bedding in Ming and Qing dynasties reflect each other, reappearing exquisite sketches of changing scenery.

Neoclassical style-low-key luxury, retro and smooth

Neoclassical style originated in the middle of18th century, rooted in rationalism, abandoned the excessive pretense in Baroque and Rococo styles, and sought the return of pure aristocratic style that was almost lost. Through the simple structure of Greek style, we get a sense of design and inherit the romantic color. Neoclassical style is decorated with bronze veneers, such as fans, leaves, roses, sphinx and so on. Furniture and stone carvings have also been brought into interior furnishings and decorations. Painting walls, painting and marble make interior decoration pay more attention to the change of materials and the integrity of space.

Southeast Asian style-sexy and mysterious, smart and jumping

Southeast Asian style design gradually integrates western modern ideas and Asian traditional culture, and through different materials and TINT, it has produced richer changes while retaining its own characteristics. Southeast Asian style is mainly manifested in two orientations, one is dark with Chinese style, and the other is light with western influence, which expresses the highest level of harmony with warmth, implication, mystery, gentleness and passion in charm.

European classical style-a classical luxury with a long history.

European classical style has a long history. From the Byzantine Empire in the 6th century, under the influence of Romanesque, Gothic, Renaissance, Baroque, Rococo and Paradis, it shines with classic light of classicality and luxury. European classical styles mostly introduce architectural structural elements. Under the shadow of concave-convex walls, Roman columns and carved flowers, European classical decorative patterns such as leaf-rolling grass, spiral patterns, sunflower patterns and arcs are caressed in exquisite furniture furnishings, reappearing palace-like luxury and splendor.

Modern style-simple atmosphere, fashion innovation

Modern style originated from the end of 19 to the beginning of the 20th century. With the rapid development of modern cities, a new design revolution has emerged. This revolution started with architectural design, and affected urban planning and design, environmental design, furniture design, industrial product design, graphic design and other fields. It is a complete modern design movement. Modern style has very typical and distinct subjective characteristics. The bold use of reinforced concrete, flat glass and steel, as well as simple geometric and linear elements, make art and practical functions highly integrated.

Mediterranean style-vast, leisurely and simple.

Mediterranean style originated from 9- 1 1 century, especially the simple residential style on the northern shore of the Mediterranean in Europe, especially in the southern coastal areas of Spain, Portugal, Italy and Greece. Mediterranean style mostly adopts soft colors and atmosphere, which is deeply loved by people. Colored tiles, cast iron handles, heavy wooden doors and windows and an Arabian-style swimming pool create a sense of closeness to the ocean.

Blending Chinese and Western Styles —— Deconstruction of Chinese and Western Styles and Creative Collocation

The mix and match style between China and the West is a new decorative style that combines the essence of Eastern and Western aesthetics. Different combinations can always create new vitality and dynamism. Designers' design concepts and materials combine international modernism and China's traditional aesthetic consciousness, and create a personalized personal world through the use of space forms and materials. The mix of Chinese and western styles skillfully combines Chinese and western cultural characteristics, and a new popular retro style is blowing head-on.

Popularization and appreciation of home textiles, furniture style and materials, home lighting and lighting design, ceramic art and culture, appreciation and collection of Chinese and foreign calligraphy and painting ... From plants, fabrics, calligraphy and painting, ceramics, lighting to furniture, from fashion style to the choice of accessories, the study of Zhonghe home furnishings designers has enriched every detail.

Home Decoration-Fabric Textile Course

Home Decoration —— Research on Home Style

Home Decoration-Home Lighting Design Course

Home-Ceramic Art and Culture Course

First, the product fabric

I) fabric

1, fiber, textile fiber

Fibers are natural or synthetic filamentous substances; Textile fibers are fibers used to spin cloth.

Plant fiber: cotton, hemp, soybean fiber, corn fiber.

Natural fiber Animal fiber: wool, rabbit hair, silk.

Textile fiber mineral fiber: asbestos

Regenerated fiber: viscose fiber, acetate fiber.

Chemical fiber synthetic fiber: nylon, polyester, acrylic fiber, etc.

Inorganic fiber: glass fiber, metal fiber.

2. Fabric weave

Definition: Textiles are woven by two mutually perpendicular yarns on a loom according to certain rules, that is, warp yarns and weft yarns rise and fall with each other according to certain rules, thus forming certain lines and patterns on the fabric surface. This kind of weave is called fabric weave.

There are plain weave, twill weave, jacquard weave, satin weave, non-woven fabric and so on.

Plain weave: a pattern interwoven by warp and weft yarns in the textile process.

Its characteristic is that the weft weaves the most times in all fabrics, so the breaking strength is high and the front and back characteristics are basically the same.

Twill weave: a pattern formed by interweaving warp and weft in the textile process.

Compared with plain weave, warp and weft interweave less, so the number of yarns per unit length can be increased, making the fabric more compact, thicker and more glossy.

Jacquard is a concave-convex pattern interwoven by warp and weft in textiles. There are many kinds of textiles, and jacquard fabric is one of them. Jacquard fabrics can be divided into home textile materials and fashion fabrics. As early as the ancient Silk Road, China silk was famous for its jacquard weaving. Embroidery is just a decoration. Generally, embroidered fabrics are plain fabrics, while jacquard fabrics are relatively high-grade. Only high-quality cotton yarn is required to put forward the pattern, and poor-quality cotton yarn cannot put forward the formed pattern. Jacquard is divided into plain jacquard and twill jacquard.

The difference between printing and jacquard is that the printed fabric is the printed flower after the cloth is woven. There are many choices. Jacquard fabrics are woven at the time of weaving, so you can't choose flowers after the fabric is formed.

Satin weave: a pattern formed by interweaving warp and weft in the textile process.

It is characterized by obvious differences before and after. The front is particularly smooth and shiny, and the back is rough and dull. Under the same fabric density, it is the one with the least crossing points in the original weave. So it feels soft, but it has the lowest strength.

3. Combed yarn and carded yarn

Three processes of winding, drawing and combing are added between front carding and drawing. By means of multiple drawing, cotton lap and combed staple fiber (below 16mm), the evenness of spinning yarn is improved. The yarn spun in this way is called combed yarn. If the above three processes are omitted, the spun yarn is called carding yarn. The appearance and feel of the fabric woven with combed yarn will be greatly improved.

4. Fabric types and main features

* Cotton: natural fiber, which is non-irritating in contact with skin, beneficial and harmless to human body, with good hygroscopicity and permeability, but easy to wrinkle.

* Polyester-cotton blended fabric (polyester-viscose blended fabric): not easy to wrinkle, good finish and good tearing strength, but easy to pilling and generate static electricity.

* Viscose fiber (rayon): excellent hygroscopicity and permeability, good drapability and low cost, but large shrinkage, poor wet treatment strength and easy wrinkling.

* Polyester: poor hygroscopicity, poor air permeability, pilling, serious static electricity, good shape retention, high tear strength, wear resistance, good luster and smooth surface.

5. Fabric/warp and weft density

Yarn count: refers to the length of each gram of yarn, that is, the higher the yarn count, the finer the yarn. The better the uniformity, on the contrary, the lower the yarn count, the thicker the yarn. The yarn count is marked as "S". Above 40S is called high count and high density, above 30S is called high count yarn, above 20S-30S is called medium count yarn, and below 20S is called low count yarn. Fabric length direction-warp width direction-weft direction

Total number of warp yarns with width of 1 inch-warp density is 1 inch = 2.54cm.

Total number of weft yarns with width of 1 inch-weft density

Fabric density = warp density+weft density (for example, 200 yarns/1 square inch, warp 1 10 yarns, and weft 90 yarns, which can also be expressed as1/kloc-0 * 90).

Warp density+weft density ≥ 180 6. Shrinkage rate of fabric

Definition: refers to the percentage of fabric shrinkage after washing or soaking.

1) The easier it is to absorb water-the greater the shrinkage (e.g. viscose >); ; Cotton >; ; Polyester cotton >; Polyester)

2) The thinner the fabric density, the greater the shrinkage.

3) The coarser the yarn count, the greater the shrinkage.

4) The weaving, printing and dyeing processes of fabrics are different (large warp tension-large shrinkage; The wider the weft is stretched-the greater the shrinkage)

7. Fabric identification

The handle of fabric is an important content that people use to identify the quality of fabric.

Feel includes the following aspects:

1) Whether the fabric bones are stiff and slack.

2) The surface of the fabric is smooth and rough.

3) softness and hardness of the fabric

4) Thin fabrics and thick fabrics

5) the warmth and coldness of the fabric

6) Is the fabric irritating to the skin?

8. How to choose bedding

1), fabric selection

The starting point of fabric selection: good hand feeling, hygroscopicity, tear strength and wear resistance.