World Art History edited by andrew chow, the new edition of World Art History.

Publishing House: People's Posts and Telecommunications Publishing House

Release time: 2065438+0465438+1October.

Book number: 978-7-115-33007-9

Pricing: 43.00 yuan

Format: 787×1092116 This book consists of two parts: teaching materials and auxiliary materials.

Supporting materials include electronic courseware, teaching library, supplementary teaching materials, assessment plan (including test paper), self-test paper library, "I see famous products" video library and other materials.

The textbook is divided into eighteen lectures, including one introduction, seven lectures on China art and eight lectures on western art. China's artistic part takes "image" as the means, takes "Yi" and "Tao" as the core, and develops dialectically around such main propositions as "Tao", "Yin and Yang", "Heaven and Man" and "Charm". The western art part takes numbers as the means, takes human nature as the core, and gradually develops around the main propositions such as nature, divinity, human nature and individuality. This book systematically introduces the development, evolution and aesthetic style of world art. It is divided into sixteen lectures: Introduction I, China Art VII and Western Art VIII. The Book of Changes and Pythagoras' "Beauty is the Harmony of Numbers" laid the keynote of China's "image" and the western "number" aesthetic realm. China's art part of this book takes images as the means, takes Yi Dao Thought as the core, and develops dialectically around the main propositions such as Tao, Yin and Yang, Heaven and Man, and verve. The western art part takes "number" as the means and "humanity" as the core, and gradually develops around the main propositions such as "animism", "divinity", "humanity" and "individuality".

This book provides electronic courseware, teaching gallery, auxiliary teaching materials, assessment scheme (including test paper), self-test paper library and "I see famous products" video library. Please refer to the Instructions for Obtaining Proof Materials for the method of obtaining.

This book can be used as a teaching material for public art education in colleges and universities, and can also be read or appreciated by art lovers. Introduction to the first lecture 1

Overview of this lecture 1

Section 1 Basic Issues of Article 1

I. Classification of artworks 1

Second, aesthetic education 3

Section 2 Comparison and Analysis of Chinese and Western Fine Arts 3

I. The China Part of World Art 3

Second, the foreign part of world art 4

Three. Similarities and differences between Chinese and western art 5

Section 3 Three Paradigms of Art Appreciation 7

I. Traditional paradigm 7

Two. Professional paradigm 8

Three. Simple paradigm 9

Attachment: Chronology of World Art Events 1 1

Thinking about problems 18

Recommended bibliography 19

The Second Lecture of Three Tombs and Five Classics —— Prehistoric Art in China 20

Overview of this lecture 20

Section 1 Original Painting 2 1

I. Floor Paintings in the Period of Three Emperors and Five Emperors 2 1

Second, painted pottery decorative painting 22

Third, the original rock paintings 24

In the second quarter, the original painted pottery 25

I. Introduction to Primitive Pottery 25

Second, Yangshao culture painted pottery 25

Three. Majiayao culture painted pottery 26

Four. Longshan black pottery 29

In the third quarter the original jade 29

Thinking about question 30

Recommended bibliography 30

The third lecture: the goodness of four combinations-China's pre-Qin art 3 1

Overview of this lecture 3 1

The first section bronze art 32

I. Development and Evolution of Bronzes 32

Two. Types of bronzes 36

Three. Modeling and Decoration of Bronzes 38

Four. Decorative features of bronzes 40

Section 2 Arts and Crafts 40

I. Silk Weaving Process 40

Second, lacquer craft 4 1

Three. Ceramic technology 43

The third quarter paint 44

A, decorative painting 44

Second, the warring states silk painting 46

Section 4 Sculpture 46

I. Jade Carvings 47

Second, the bronze sculpture 48

Thinking about question 49

Recommended bibliography 49

Lecture 4-Art of Qin and Han Dynasties in China 50

Overview of this lecture 50

The first section of the Qin and Han Dynasties pottery figurines 5 1

A, the Qin dynasty pottery figurines 5 1

Second, the Han Dynasty pottery figurines 53

In the second quarter of the Western Han Dynasty silk painting 54

In the third quarter, Qin and Han Dynasty stone reliefs and brick reliefs 56

I. Brief Introduction of Stone Relief and Brick Relief in Qin and Han Dynasties 56

Second, the stone relief 57

Three. Portrait brick 58

Thinking about question 59

Recommended bibliography 59

Lecture 5-China Wei, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties Art 60

Overview of this lecture 60

Section 1 Painting 1

I. Painting in Wei, Jin, Southern and Northern Dynasties 6 1

Second, the Sui and Tang Dynasties painting 64

In the second quarter, Wei, Jin, Southern and Northern Dynasties Grottoes Art 72

1. 72 cave murals in Wei, Jin, Southern and Northern Dynasties

2. 75 grottoes sculptures and carvings in Wei, Jin, Southern and Northern Dynasties

In the third quarter, the Sui and Tang Dynasties Grottoes Art 79

I. Murals of the Sui and Tang Dynasties in Mogao Grottoes 79

Second, the Tang Dynasty Grottoes Carving 8 1

Thinking about question 84

Recommended bibliography 84

Lecture 6-Painting of China in the Five Dynasties and Song Dynasty 85

Overview of this lecture 85

The first section of the five dynasties painting 85

The first and fifth generation figure painting 86

The second and fifth generations of landscape painting 87

The third and fifth generation flower-and-bird paintings 90

Section 2 Painting in Song Dynasty 9 1

First, the Song Dynasty figure painting 9 1

Second, the Song Dynasty landscape painting 92

Iii. Flower-and-bird Painting in Song Dynasty 97

Fourth, the development of literati painting in the Song Dynasty 98

Section 3 Five Dynasties Song Dynasty Painting Academy 100

I. Nantang Painting Academy 100

Ii. Xishu Painting Academy 100

Iii. Song Dynasty Painting Academy 10 1

Thinking about problems 102

Recommended bibliography 102

Lecture 7: Establishing Image and Modesty —— China Art in Yuan, Ming and Qing Dynasties 103

Overview of this lecture 103

Section 1 Painting in Yuan Dynasty 103

First, the early Yuan Dynasty landscape painting 104

Second, the Yuan Dynasty flower-and-bird painting 108

Iii. Figure Painting in Yuan Dynasty 108

Paintings of Ming Dynasty 1 10 Section 2

1. Zhejiang painter 1 10

Second, Wu Pai painter 1 12

Iii. Flower and Bird Painting in the Late Ming Dynasty 1 16

Fourth, Dong Qichang and landscape painting in the late Ming Dynasty 1 18.

V. Figure Painting in the Late Ming Dynasty 1 19

Section 3 Painting in Qing Dynasty 120

I. Landscape Painting of Four Kings 120

Second, the "Four Monks" in the early Qing Dynasty 123

Iii. Yangzhou Painting in Qing Dynasty 126

Thinking about problems 128

Recommended bibliography 128

Lecture 8-Modern Art in China 129

Overview of this lecture 129

Section 1 Modern Painting 13 1

1. Shanghai School 13 1

Second, Lingnan School of Painting 132

III. Chang 'an School of Painting 134

Section 2 Modern and Contemporary Art Education 135

I. Modern Art Education 135

II. Contemporary Art Education 136

Thinking about problems 138

Recommended bibliography 138

Lecture 9 Animism-Discovery of Stone Age Images in Europe 139

Overview of this lecture 139

Section 1 The Beginning of Western Art 139

First, the confusion of the starting point 139

Two. Prehistoric, Primitive and Stone Age 140

The earliest artistic traces in the second quarter 14 1

I. Original statue 14 1

Second, the cave paintings 143

Three. Rock art 145

Iv. megalithic culture 146

Verb (abbreviation of verb) Conclusion 147

Thinking about problems 147

Recommended bibliography 147

Lecture 10 Patriarchal Worship-Art in Egypt and Two Rivers 148

Overview of this lecture 148

Section 1 Ancient Egyptian Art 148

I. Worship of the underworld 149

Second, the tomb art 150

Three. Statue art 15 1

Iv. Tomb Relief Mural 154

V. Strict Rules 155

Section 2 Art of Two Rivers 156

I Sumerian Art 156

II. Akkad Art 158

III. Babylonian Art 159

Four. Assyrian art 159

V. New Babylonian Art 160

Six, Persian art 16 1

Conclusion 16 1

Thinking about problems 162

Recommended bibliography 162

Lecture 11 The Unity of Man and God-Art in Ancient Greece and Rome 163

Overview of this lecture 163

The first section Aegean civilization 163

I. Clardy Culture 164

Ii. Minoan culture 165

Three. Mycenaean culture 166

Section 2 Ancient Greek Art 167

I. Beauty lies in harmony 168

Second, the beauty of ancient Greek architecture 168

Third, the beauty of ancient Greek painting 17 1

IV. The Beauty of Ancient Greek Sculpture 172

Verb (abbreviation of verb) The Spirit of Greek Art —— When the Muse Meets Wisdom 178

Section 3 Ancient Roman Art 179

I. Overview of Etruscan Art and Ancient Roman Art 179

II. Ancient Roman Architecture 180

III. Ancient Roman Sculpture 182

Four. Ancient Roman Painting 184

Verb (abbreviation of verb) Conclusion 186

Thinking about problems 186

Recommended bibliography 186

Lecture 12 on sacred conversion-medieval art 187

Overview of this lecture 187

Section 1 Early Christian Art 188

I. Murals of the catacombs 188

II. Contribution of Constantine the Great 189

Byzantine art and Carolingian Renaissance in the second quarter 190

I. Hagia Sophia 190

Second, colorful mosaic 19 1

Iii. Harba's 192 on the triple statue.

Four. Caroline Renaissance 193

Section 3 Romanesque Art 193

I. Pisa Cathedral 194

Two. Sculpture serves architecture 195

Three. Decorative wet murals and book illustrations 197

Section 4 Gothic Art 198

1. Gothic church pointing to the clouds 198

II. Eckhard and Uta 199

Third, the color of the kingdom of heaven 199

Thinking about question 200

Recommended bibliography 200

Lecture 13 Awakening of Human Nature-Art in Renaissance 20 1

Overview of this lecture 20 1

Section 1 Early Italian Renaissance 20 1

I. Pioneer Giotto 202

Second, the discovery of Ma Saqiao 204

Third, the architectural miracle of brunelleschi 204

Iv. Donatello's Sculpture Revolution 205

The heyday of the Italian Renaissance in the second quarter, 207

I. Spring under Botticelli's Brush 207

Second, the prosperity of medici family 209

Third, Leonardo da Vinci's unfathomable 209

Four, Michelangelo's groundbreaking works 2 1 1

Verb (abbreviation of verb) Raphael's Elegance 2 12

Section 3 Venice School 2 13

I. Discovery of Bei Lini 2 14

Two. Giorgione Achievement 2 15

Three. Gorgeous titanium dioxide 2 15

Four. Tintoretto and Willoni 2 16

Section 4 Renaissance in the North 2 17

I. Jan Van Eyck and Oil Painting 2 18

Second, Bos's Fantasy 2 18

Third, the civilian color of Broeger 2 19

Four. Little Holbein and Diu Lei 2 19

The Spiritual Expression of verb (abbreviation of verb) El greco 220

Thinking about question 22 1

Recommended bibliography 22 1

Lecture 14 I think I am-from baroque to realism 222

Overview of this lecture 222

The first section 65438+baroque art in the 7th century 223

I. Artists with Typical Baroque Style 224

Second, the baroque artist's classicism tendency 229

Third, the aesthetic taste of the middle class-Dutch school of painting 23 1

Section 2 65438+235 Rococo Art in the 8th Century

I. Hua Tuo 236

Second, Boucher 237

Three. Frago Nader 238

Four. Xia Erdan 238

In the third quarter19th century neoclassicism, romanticism and realism art 239

First, neoclassicism

Second, romanticism 242

Three. Realism 246

Thinking about question 253

Recommended bibliography 253

Lecture 15 Personality Publicity-Impressionist Art 254

Overview of this lecture 254

Section 1 Light and Color Liberated from Art: Impressionism 254

I. Changes at the Turn of the Century 254

Second, the beginning of impressionism 255

Third, the explorer in the dark-Edward Manet 256

Fourth, the great pioneer-claude monet 260

Pure color science in the second quarter: new impressionism 263

First, the color storm that swept 263.

Second, the tradition and innovation of georges seurat 263

Three, pure and enthusiastic Paul Signack 265

Four. New, old and future

Open the door to modern art: post-impressionism 269

First, the pursuit of eternal art and the truth of the world-Paul Cézanne 269

Second, the pursuit of artistic originality and world innocence-paul gauguin 27 1

Third, the pursuit of art and the madness of the world-Vincent Willem van Gogh 275

Thinking about question 278

Recommended bibliography 278

Lecture 16 Deconstruction and Continuation-Modernism and Postmodern Art 279

Overview of this lecture 279

The first quarter sparks in the new century: modernism 279

I Picasso and Cubism 280 Block

Second, the monk and the expression of expressionism 282

Third, Matisse and the supremacy of animal nature 284

Four, Bohong and futurism 285

Five, kandinsky and abstract association 287

Six, Duchamp and the destruction of Dadaism 289

Seven, Dali and surrealist novels 292

The birth of postmodern art in the second quarter 294

I. Transformation from Modern Art to Postmodern Art 294

Second, an overview of post-modern art 295

In the third quarter, the manifestations of postmodern art 297

I. Pop Art 297

Second, the least art 298

Three. Installation art 299

Four, body art 300

Five, the earth art 300

Conceptual art of intransitive verbs 30 1

Seven, arts and crafts 302

Eight, surfing school 303

Nine. Conclusion 303

Thinking about question 304

Recommended bibliography 304

Main references 305

Instructions for applying for supporting materials 307